tag:blogger.com,1999:blog-44623425868879693122024-03-19T14:30:47.963-07:00Festival de ApartamentoEvento Autogestionado de Arte da PerformanceLorde Velhohttp://www.blogger.com/profile/04261308692339919125noreply@blogger.comBlogger16125tag:blogger.com,1999:blog-4462342586887969312.post-17135386222513098652017-12-29T10:27:00.002-08:002023-06-27T10:19:42.541-07:00XVI Festival de Apartamento (Maringá/PR) - Registro Online das Performances Apresentadas<div class="separator" style="clear: both; text-align: center;">
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Nos derradeiros momentos dessa sandice chamada 2017, eis que a gente consegue, enfim, disponibilizar o registro do <b>XVI Festival de Apartamento (Maringá/PR)</b>. Antes tarde do que nunca, né, gente?<br />
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Esta edição contou, mais uma vez, com performers batutas e o carinho de muita gente empenhada em fazer o rolê acontecer. Agradecimentos especialíssimos ao polivalente <a href="https://www.facebook.com/flaviomagalhaes1111" target="_blank">Flávio Magalhães Rodrigues</a>, que antes, durante e depois de tudo emprestou sua alegria, piruetas e boa vontade nas funções de arredar móveis, fazer corres em sua bike encantada, auxiliar performers e se jogar na faxina do dia seguinte. Querido, você é ponta firme, pedra de atiradeira, pé de bode, tudo quanto há de maravilhoso!</div>
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Um xêro também para <a href="http://rodrigo%20pedro%20casteleira/" target="_blank">Rodrigo Pedro Casteleira</a>, cicerone gato da galera que veio de outras bandas, que arranjou um cantinho em sua casa pro povo dormir e voltou corajoso no dia seguinte pra ajudar a deixar tudo nos trinques. </div>
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Para cada performer que compartilhou suas feridas de amor, políticas, bobagens potentes e fé nesse comboio de doido que é a performance, vai daqui o nosso chamego. E para <a href="https://www.facebook.com/pgustavolopes" style="text-align: center;" target="_blank">Paulo Gustavo Simão</a> e <a href="https://www.facebook.com/profile.php?id=100003043748109&hc_ref=ARThw_SjU3ui25sos7qXUURWptqF9H7VvbMkhOTJy-zaffa_BQIo_xGec4qpzTgJZ2A" style="text-align: center;" target="_blank">Giovana Ziroldo</a>, nosso muito obrigado pelo olhar sensível que capturou essa noite através das lentes, com agilidade certeira para ir de uma ação a outra com o mesmo empenho. Vocês arrasam!</div>
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A <b>Sapa Casa</b> agradece às entidades, seres e forças que mantiveram a chuva longe, até o exato fim da última ação para depois mandar toda água necessária para lavar as almas, o chão, levar as energias que quisemos exorcizar. Viva nóis corredeira abaixo! (beijo, Sheila!).</div>
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Um salve ao público que nos visitou e se permitiu aos sacolejos, afagos, partilhas de universos tão intensos quanto específicos. E ao serumaninho que passou fita adesiva na tela da TV, agradecemos à oportunidade de descobrir como removê-la... Mas melhore, viu? 😉</div>
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Sem mais delongas, fique com as imagens dessa noite suspensa no tempo e no espaço em que o que não tem lugar, excede, borra, transpassa, mais uma vez, pôde emergir.</div>
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<span style="font-size: x-large;"><span style="font-weight: bold;">XVI Festival de Apartamento </span><span style="font-weight: bold;">(Maringá/PR)</span></span></div>
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<span style="font-size: 21px; font-style: italic;">Arte da Performance</span></div>
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07/10/2017</div>
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<b>Organização:</b></div>
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<a href="https://www.facebook.com/ludmila.cenicas" rel="nofollow" target="_blank">Ludmila Castanheira</a></div>
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<a href="http://lordevelho.blogspot.com/" rel="nofollow" target="_blank">Rodrigo Emanoel Fernandes</a><br />
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<b>Anfitriãs:</b><br />
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<a href="https://www.facebook.com/ludmila.cenicas" rel="nofollow" target="_blank">Ludmila Castanheira</a></div>
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<span style="font-size: small;"><a href="https://www.facebook.com/vansiqueira.j" target="_blank">Vanessa Siqueira</a></span></div>
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<b>Fotógrafos:</b></div>
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<a href="https://www.facebook.com/ludmila.cenicas" rel="nofollow" target="_blank">Ludmila Castanheira</a></div>
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<span style="font-size: small;"><span class="_5yl5"><a href="https://www.facebook.com/pgustavolopes" target="_blank">Paulo Gustavo Simão</a></span></span><br />
<a href="https://www.facebook.com/profile.php?id=100003043748109&hc_ref=ARThw_SjU3ui25sos7qXUURWptqF9H7VvbMkhOTJy-zaffa_BQIo_xGec4qpzTgJZ2A" target="_blank">Giovana Ziroldo</a><br />
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<span style="font-size: x-large; font-weight: bold;">Registro das Performances Apresentadas</span></div>
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(listadas por <span style="font-weight: bold;">ordem de inscrição</span>, com sinopses enviadas pelos próprios performers)</div>
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<span style="font-size: xx-small;"><span style="color: red; font-size: x-small; font-weight: bold;">ATENÇÃO</span><span style="color: red; font-size: x-small;">:</span> Pedimos gentilmente que as imagens veiculadas aqui <span style="color: red; font-size: x-small; font-weight: bold;">não sejam reproduzidas em outros sites, blogs e redes sociais sem a autorização dos respectivos artistas</span><span style="color: #3333ff;">.</span> </span><b><span style="font-size: xx-small;">Os links para os sites, blogs ou e-mails de cada performer estão disponíveis abaixo para contato</span></b><span style="font-size: xx-small;"><b>.</b> Apesar de parecer um pedido ingênuo numa época em que imagens podem ser reproduzidas ao infinito, <span style="font-style: italic;">as vezes sem nenhuma preocupação com as pessoas fotografadas e com o contexto em que suas imagens podem acabar sendo exibidas</span>, ainda assim apelamos para o seu bom senso. Obrigado.</span></div>
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<span style="font-size: large;"><b>Eu robô</b></span></div>
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<span style="font-style: italic;"><a href="http://saranaotemnome.wixsite.com/sarantn" target="_blank">Sara Não Tem Nome</a></span></div>
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Na vídeo performance Eu robô, Sara Não Tem Nome realiza ações que desconstroem e ressignificam seu cotidiano, discutindo questões como a objetificação do corpo feminino e a relação corpo-máquina.<br />
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vSpsJ0GN_6yqY6rlcpFL7V_vF2nDo0hkdKD3olVW4oqUC9MGMZ-5aT71-eiiqjYcj6xakpA-LyFCPGl/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>Carne imprópria para consumo</b></span></div>
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<span style="font-style: italic;">Rodrigo</span></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Maringá/PR</span></span></div>
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As categorias de beleza e consumo são embasadas sob um sistema burguês e branco, o que implica tanto no juízo de gosto como o gosto do juízo, a feiura, o nojo, o desejo ou o exótico. Deste modo, uma carne negra está a serviço e consumo de quem?<br />
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<iframe allowfullscreen="true" frameborder="0" height="589" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vSTPtLBKqx8D6rRv9P1cvdGUdj17oqzO5cni8iJG90aN5IwWCFc6ptsMhb3R0Fzsr-UPecsXXQsY6xy/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="560"></iframe></div>
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<span style="font-size: large;"><b>sísifo</b></span></div>
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<span style="font-style: italic;"><a href="http://cargocollective.com/cristiananogueira" target="_blank">Cristiana Nogueira</a></span></div>
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<span style="font-style: italic; font-weight: normal;">Macapá/AP</span></div>
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Tentativa de contenção de algo que não pode ser contido, o que não impede o trabalho repetitivo e pontual para tentar, pelo menos amenizar os afetos.</div>
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vRcfGb0c04ly1xNlohr7ADySXBGT8g8sN7GA5ZihnEX1NmoCFk0kWTv_wrMPIErSIFulHNqmreZz197/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>Conserva</b></span></div>
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<span style="font-style: italic;">Elle Carol (Coletivo (Si)mento Urbano)</span></div>
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“Transformar a própria vida é em alguma medida, conservar-se. Temos a ilusão contemporânea de que se apertarmos bem os nós, dosarmos bem a vida, a saúde, a alimentação, trabalharmos com prazer, iremos preservar, conservar-nos...mas conservar o que? será que ainda há vida em meio a tudo isso?”</div>
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<span style="font-size: large;"><b>Achei na Internet</b></span></div>
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<b><i><a href="https://eutobemtriste.carbonmade.com/" target="_blank">Mauricio Oliveira</a></i></b></div>
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<span style="font-style: italic;">Londrina/PR</span></div>
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“Achei na internet e Repeti” trata-se de uma apropriação de um vídeo chamado: “ENTREI NO BALÃO GIGANTE DE ÁGUA E OLHA SÓ O QUE ACONTECEU” que se tornou um viral da internet e usá-lo como proposição de uma experiência em performance coletiva e relacional.<br />
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<span style="font-size: large;"><b>Na cama com Madonna (s/ Madonna)</b></span></div>
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<span style="font-style: italic;">Leonardo Vinicius</span></div>
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<span style="font-style: italic;"><span style="font-weight: normal;">Maringá/PR</span></span></div>
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Falar de sexo ainda é um tabu enorme em pleno século XXI, mas e falar de práticas sexuais e suas diversas possibilidades? Nessa cama, não tem Madonna, mas tem tanta abertura pra falar de sexo quanto a própria, aqui pode tudo!</div>
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<span style="font-size: large;"><b>As formas de dizer que te amo e objetos afiados - PARTE III</b></span></div>
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<b><i>Kênia Bergo</i></b><br />
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<i>Performer: Kênia Bergo</i><br />
<i>Anjos: Ana Wansovicz e Natan Gomes</i></div>
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<span style="font-style: italic; font-weight: normal;">Maringá/PR</span></div>
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"Costuro o infinito sobre o peito.<br />
E no entanto sou água fugidia e amarga.<br />
e sou crível e antiga como aquilo que vês:<br />
Pedras, frontões no Todo inamovível.<br />
Terrena, me adivinho montanha algumas vezes.<br />
Recente, inumana, inexprimível<br />
Costuro o infinito sobre o peito<br />
Como aqueles que amam."<br />
<i>Hilda Hilst</i></div>
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<span style="font-size: large;"><b>“Espelho, espelho meu existe alguém mais…?”</b></span></div>
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<span style="font-style: italic;">Marina Tosti</span></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Maringá/PR</span></span></div>
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A incessante busca de um corpo perfeito ditado pelas padronizações sociais em que o indivíduo é instrumentalizado e levado a uma extrema violência psicológica e física, por tentar preencher um VAZIO constante. Até que ponto o "eu sou bela" é justificável? Até preencher o vazio eterno...</div>
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vRB2LhCOy6k9exm5TtgVvwEFD1w-BWtAMN3Dy4hQNkkyr6ne5ANOGf5Peq2n6WO5AfRuhPlZODXW-6S/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>Não vou ter que me engolir</b></span></div>
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<b><i>Jones Vil</i></b></div>
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<i>Maringá/PR</i></div>
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O que já disseram a você que foi difícil de engolir? No corpo diante um espelho revela uma imagem. Nossa imagem exposta aos outros cria-se uma identidade. A relação da nossa identidade com o outro se mastiga, mas se digere? Dessa vez eu não vou ter que me engolir.<br />
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vTIWo4EQQNAeAPvThA-XwJ9G7_j2ZCHan6xGOWFEUfAK5EpIbLONA2st3xgIpWcygBTRziw6lycrlt3/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<div style="text-align: left;"><b style="font-size: x-large;">Memórias, elas Machucam?</b></div>
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<span style="font-style: italic;">Fernando Ponce</span></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Maringá/PR</span></span></div>
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A proposta de expor memórias intimas tem a intenção de revirar e sacudir as sensações que estas causam. Lembrar e compartilhar é reviver fatos que ficaram no passado e que interferem diretamente no futuro.</div>
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vQyYl_FVRwkYR1paByP209v6uUc0UXAEyMUUc6DQ7mIN3TKDg75caZG-QriZ0z24NhQAiYEdK1sX4jj/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>Escombros</b></span></div>
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<b><i>Cia L2</i></b><br />
<i>Náthali Abatti</i><br />
<i>Thainara Pereira</i></div>
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<i>Londrina/PR</i></div>
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Performance desenvolvida a partir de fragmentos do espetáculo "Merci Camille", que estuda as esculturas e a vida da artista Camille Claudel.<br />
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vRB20kbSLn_6_NI2mdFgjIueISc6bd-6AP3VGLBPY6_kGYmYHJqnjJby8NbLgMetTxbZvwUCa1Lnl1G/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>Desolado</b></span></div>
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<span style="font-style: italic;">Gabriel Paleari</span></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Londrina/PR</span></span></div>
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Solo desenvolvido através das esculturas de Camille Claudel. Um dialogo entre as esculturas "La niobide Blessée" (1906), "L' implorante" (1899), " Femme Accroupie" ( 1885), dessa forma, criando um elo entre vida e obra da escultora, e no espaço entre as esculturas se tornar presente o movimento.</div>
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vQr3xXVHFail4yO38mSxahv4I9hBnXRxZ9bb5_9ZxZCarSEJq35nrJEN6oULil45F_LEUWIbBBwiKwE/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>delaranja II resíduos: umamãozinha</b></span></div>
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<b><i><a href="http://delaranja.tumblr.com/" target="_blank">Cassiana Soares</a></i></b><br />
<i>Maringá/PR</i></div>
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Desfrute da persona delaranja nesta noite em traje sspaycial. Em exposição instalAção de resíduos.<br />
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vTTC3n9Uty03Y07-EvvXs9ObkYZgeT8n1lwc14aafZ90K4YP3ZeJN2BzXSU9d-L-E8zkMunvAj69y85/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>Ilhas de Desordem</b></span></div>
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<span style="font-style: italic;">Cia Os Desagradáveis</span></div>
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<i>Bruno Garcia, Cassia Pegoraro, Guilherme Gomes, Júlia Mansur, Letícia Pauline, Maria Clara Villela, Marina Lima, Mariana Chinchila, Mariana Corte Ferrari, Nathan Stuchi, Náthali Abatti, Thainara Pereira </i></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Londrina/PR</span></span></div>
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A Performance acontece no conjunto de artistas, que a partir dos seus altares sincréticos se relacionam e se desafiam entre seus medos, lutas e questionamentos. A performance ganha corpo, nosso corpo, nosso grito que torna o espaço um lugar sagrado, um lugar profano, um lugar onde nossos limites são ultrapassados, onde nossos sonhos e pesadelos ganham vida, um lugar que somos.</div>
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vS-ayNqdGA1qkTY1PKjxTxHXRUoHsEld0Ll5DCcx83lTTa9kvJwdabLJYPfxtpo86viMO8shy2qci-z/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>O Jardim dos Segredos</b></span></div>
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<span style="font-style: italic; font-weight: bold; text-align: right;">Galathea X</span></div>
<i>Maringá/PR</i></div>
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Confidências plantadas florescem em belos segredos compartilhados. Uma rede de declarações anônimas, colhidas em conjunto, mantendo o sigilo mesmo sendo sabido por mais pessoas.<br />
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vQfpia6-a5rKoURm-cbpdcJqeIhafjpfBzPZNuQSwMgrk9h32aeDhPwtQGUgXj3KwaWimyQhGime69X/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>suyno</b></span></div>
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<b><i>Clayton Pinas</i></b></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Maringá/PR</span></span></div>
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O abate corriqueiro transpira úmida e fétida carne salgada, no grosso mau agouro germina vácuo de terra não gozada, infértil arrebatada pelas peçonhentas caŕicias entre poros interseccionados abruptamente entre crateras submersas em ermo vegetal.</div>
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vQ6pN9fveweu6vsjvHaZ7ddc3nPQlJYyvlv7XQUCcvi6gwo-tcfUZ2vrg9kWdJoBM_ttMK-PAcLMaFZ/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>Veja como limpar resíduos 'inúteis' que se acumulam no...</b></span></div>
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<b><i>MADDOX</i></b></div>
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<i>Maringá/PR</i></div>
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Como limpar resíduos 'inúteis' que se acumulam no .... está para os olhos do performer em limpar o espaço em que circula. Uma ação de (des) organização do espaço em que ele transita.<br />
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vT4tHeZlOdi0nQBgvEhGohd29FqWkJXDK8Fig3V82xtO0YQ4Qpa-PNBpWfh7w97hhb03nKAJLjUpMPg/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>Me Watching SpongeBob Say ''Pedro'' For Three Hours</b></span></div>
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<b><i><a href="https://pglza.wordpress.com/" target="_blank">Pedro Galiza</a></i></b></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">São Paulo/SP</span></span></div>
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Durante 3 horas ininterruptas, Pedro Galiza permanecerá na ação de assistir à um trecho do desenho animado Bob Esponja dizendo ''Pedro'' de maneira repetida e incessante.</div>
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A ação é baseada no vídeo ''Me Watching SpongeBob Say ''Who'' For Five Hours'' da Youtuber Alyssa Goodman.</div>
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vQEFCKGEGRywZtwAEeYxxx72-J8aNBEvTvcckm3eYs2wdRrxFpyBs95wYCITWa9raFzsfn9AP2OXgaB/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>Soul Dessas</b></span></div>
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<b><i>Aline Luppi Grossi</i></b></div>
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<i>Coletivo (SI)mento Urbano</i><br />
<i>Maringá/PR</i></div>
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“Eu sei que o meu corpo te incomoda<br />
Sinto muito, o azar é seu<br />
Abre o olho, eu tô na moda<br />
E quem manda em mim sou eu”.</div>
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vTWKWAbkUNfxQNvU41DQBCwYKIgO3Q35AbXACOcgCtYodwh0WAV1Nq7dFfn9MQAks86iNZ5PpcT8VMM/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>Maria Sapatão</b></span></div>
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<b><i>Nadyne Vieira</i></b></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Maringá/PR</span></span></div>
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Profanação é com a Maria Sapatão.</div>
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vRTAPZ0EAI3nX4iV_OUZo0WdD4i81_9MuV0KOqG9V1pYIdBv95MyUsVHWg3o2VN1yJfCU9HDy9SIfAd/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>Sra. Pietà</b></span></div>
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<b><i>Giovanni Alberti e Maria Julia Esteves</i></b></div>
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<i>Giovanni Alberti, Maria Julia Esteves, João Antonio Mosso Diniz, Patricia Caires</i><br />
<i>Londrina/PR</i></div>
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Sra. Pietà mostra o encontro entre corpos de ambos os sexos em uma relação ambígua e seus desdobramentos. A exploração do ato sexual ocorre sob rajadas d’água, até que a união de os estímulos densificam-se. Êxtase se torna agonia, depois que a limpeza afoga o amor e retira a natureza de seu ser.<br />
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vTJ8f7vmNvbVt16Nf-am3W4pSprMBEKxekk8WSEkt-PziT_d0n-clMJq1Hiqe4U9nzx8YCXLovqOAZg/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>Quando você nada pode fazer</b></span></div>
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<b><i><a href="https://fernandohermogenes.blogspot.com.br/" target="_blank">Fernando Hermógenes</a></i></b></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">São Joaquim de Bicas/MG</span></span></div>
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e QUANDO VOCÊ NADA PODE FAZER,</div>
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abra os braços, estique as veias,</div>
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acelere o sangue, tenha medo,</div>
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erre, respire o ar da sua respiração inúmeras vezes,</div>
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trabalhe, fique cansado,</div>
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morra, perca o controle,</div>
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ame, fale o que está claro,</div>
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corra, abrace,</div>
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dê um tapa leve na barriga do cavalo,</div>
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destrua as cercas, escale,</div>
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durma tarde, ouça as músicas difíceis,</div>
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olhe nos olhos, tenha um pouco de sorte,</div>
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beba suco para aliviar os rins, não confie,</div>
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desista, vença,</div>
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dê gritos paridos,</div>
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fuja, limpe a cena do crime,</div>
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não jogue o lixo pela janela, ouça a pessoa,</div>
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chore muito, acorde cedo,</div>
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coloque fogo na cozinha, convide a sombra pra passear pelo seu corpo,</div>
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derreta seu fígado, descanse,</div>
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não tente ficar vivo,</div>
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sinta a saudade terrível, atravesse a cerca,</div>
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insista apesar de, conserte,</div>
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Fernando Hermógenes</div>
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Novembro de 2015 para Outubro de 2017</div>
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vQ3obK_qL3C5jubBMD_23a3hh8-Me50540ScgqPTSP2a6JVHAmvyxUrRv6oPqbCJ9b15qbPdbm1-fDA/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>CHÁ da CINA- 23</b></span></div>
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<b><i>Bianca Cristina</i></b></div>
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<i>Maringá/PR</i></div>
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A carne mais barata do mercado é a carne negra, logo, seu sangue é grátis, servido a gosto do cliente, prefere com açúcar ou adoçante?<br />
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vQl84tYUf_wk9i-4dPsqXbzOrtDqPXncPKprrgDBDwXBdKet8puDxjMEi8WkhdR7G48XzM_a68L_dVc/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>Minério de Ferro</b></span></div>
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<b><i><a href="https://crisalidaarte.tumblr.com/" target="_blank">Marina Rodrigues</a></i></b></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Londrina/PR</span></span></div>
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_ A pele fica mais fina. A carne se transforma e tenho a sensação de que é feita de outra matéria. Alguns olhos transpassam meu corpo. O que se vê? O que se quer ver? Sangue de dentro pra fora, de fora pra dentro. Imagem da santa e da banida. Magia de sangue.</div>
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_ Acordei desgastada, recorri ao sangue. Hidratada com a menstruação que sai de minha vagina exposta. Lavei com ela meu rosto e garganta. Quando o sangue volta à circulação me sinto forte como ferro.</div>
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_ Órgãos revestiam-se do metal que também abraçou o que, com medo, chamo agora de espírito. Meu espírito. O que diferencio da alma, tenho essa como algo mais constante ou permanente. O espírito é quase como a fragilidade que entre mulheres não se diferencia da força. Você sente o que vê ou só vê o que sente?</div>
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_ Chego agora a um ponto que me toma: frágil. Aqui volto à mulher menstruando em um pote e se desenhando em uma mesa pronta para o banquete. De repente me foge aquela escrita que desejava e que há pouco me conduzia. Isso porque me “perdi” desenhando uma memória. Tento remontar os detalhes.</div>
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_ Traço o cenário em um croqui começado à tinta e que agora continuo à sangue. É possível sombrear com a caneta ao desenhar, porém é mais frágil fazê-la com sangue.</div>
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_ Estes dois rabiscos, os quais insistimos em diferenciar como “texto” e “desenho”, possuem os mesmos contornos e as mesmas sombras em momentos distintos. O corpo não cabe em um croqui. Aqui fico eu, os outros e nossos encontros. Este “texto” já não se encontra com ele mesmo depois do meio da página. Carta a mim mesma.<br />
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<span style="font-size: large;"><b>O que acontece com as partes de nós que vazam pelo ralo</b></span></div>
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<span style="font-style: italic;">Lucas</span></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Londrina/PR</span></span></div>
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A performance pretende abordar a morte por uma via não objetiva e pragmática.</div>
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vRVNGrQvtIfSNPHOW9ehirQAOrHkJI03ug3xY3pYNRATbvGNT9v55iJAgH7BJKdvOsjxUGYUCJ1oLBQ/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: large;"><b>sem título</b></span></div>
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<span style="font-style: italic;">Nathalia Diovanna</span></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Londrina/PR</span></span></div>
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vT6JHXKJqD-ijmnT2MjDfqpwE5VDiocLRxTruqY8_tMbwM242ZMHlb-cOS1Lh8tv0Fq5b5mwUrZKeGn/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<span style="font-size: x-large;">E, finalmente, entreatos, convívio e celebração:</span></div>
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Fotos: <a href="https://www.facebook.com/ludmila.cenicas" rel="nofollow" target="_blank">Ludmila Castanheira</a>, <a href="https://www.facebook.com/pgustavolopes" target="_blank">Paulo Gustavo Simão</a> e <a href="https://www.facebook.com/profile.php?id=100003043748109&hc_ref=ARThw_SjU3ui25sos7qXUURWptqF9H7VvbMkhOTJy-zaffa_BQIo_xGec4qpzTgJZ2A" target="_blank">Giovana Ziroldo</a><br />
<a href="http://flaviorabelo.com/" target="_blank"></a></div>
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E agradecimentos a todos que prestigiaram e colaboraram com a realização de mais um Festival de Apartamento.<br />
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<iframe allowfullscreen="true" frameborder="0" height="609" mozallowfullscreen="true" src="https://docs.google.com/presentation/d/e/2PACX-1vSin9p2nXR-5kvnFq7QpBPvl7fnECqnrbYaZXuOyILI39tqMHMfVR5XFB3VlXSvJwGfAVLM9cSxbJZh/embed?start=true&loop=true&delayms=3000" webkitallowfullscreen="true" width="580"></iframe></div>
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<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Rodrigo Emanoel Fernandeshttp://www.blogger.com/profile/04663486540183188862noreply@blogger.com2tag:blogger.com,1999:blog-4462342586887969312.post-9978065702754397962016-02-12T15:03:00.002-08:002016-02-12T15:57:02.993-08:00XV Festival de Apartamento (Maringá/PR) - Registro Online das Performances Apresentadas<div class="separator" style="clear: both; text-align: center;">
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<a href="https://1.bp.blogspot.com/-VFm85Dtyk2w/VrDvjsI0iKI/AAAAAAAARWk/pxjrlai996I/s1600/_DSC0062.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="400" src="https://1.bp.blogspot.com/-VFm85Dtyk2w/VrDvjsI0iKI/AAAAAAAARWk/pxjrlai996I/s400/_DSC0062.jpg" width="266" /></a></div>
<span class="_5yl5">E então nós chegamos à Terra do Pé Vermelho: junto a </span><span class="_5yl5"><span style="font-size: small;"><span class="_5yl5"><a href="https://www.facebook.com/elder.ildefonso" target="_blank">Élder Sereni Ildefonso</a></span></span>, nosso polivalente e intrépido parceiro desde o evento de Uberlância, e ao <a href="https://www.facebook.com/bastardasperformance" target="_blank">Bastardas Encontro de Performance</a>, o <b>XV Festival de Apartamento</b> aportou em Maringá, no Paraná, após sacolejar com a readequação de seus membros organizadores. E foi muitíssimo bem recebido pela </span><span class="_5yl5"><span style="font-size: small;"><a href="https://www.facebook.com/tamires.schmitt" target="_blank">Tamires Schimitt</a></span> as mais que demais moradoras da <b>República Tcheca</b>. Aliás, não há porque não dizer: eita festival feminino, feminista, fechativo mesmo!</span><span class="_5yl5"></span><br />
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Essa edição teve artistas com cabelos brancos de tanto performar, mas foi, prioritariamente, invadida pel@s alun@s do curso de Artes Cênicas da UEM em suas primeiras experimentações. A presença maciça de nov@s performer@s reafirmou um dos aspectos que nos são mais caros: funcionarmos como uma plataforma que promove trocas criativas entre quem já caminhou bastante na jornada louca da performance e quem dá passos iniciais nesse território imenso e tentacular.<br />
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O décimo quinto Festival de Apartamento talvez tenha sido o que mais espraiou para a vida comum, para além do evento em si, fazendo decantar discussões tão urgentes em nosso cotidiano: o nosso modo de viver a morte, quanto pesam nossas escolhas, o que é ser artista, que discursos alimentam a nossa verve consumista, como se curam as dores de amor, o que pode o corpo hospitalizado, que ações infantis gostaríamos de repetir, o quão hostis podemos ser na presença d@s que diferem de nós, que tipos de feminismo queremos perpetuar... E, aproveitando o ensejo, fica declarado o nosso carinho pelas mulheres francas e assertivas em suas colocações nos vários dias seguintes. Sim, as coisas mudaram, e não é mais possível silenciar nossas reivindicações, nem ignorar a complexidade delas.<br />
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<span class="_5yl5">Entre fios, festões e catéteres, a conhecida trama afetiva que nos move a realizar o festival se teceu mais uma vez, com o apoio da gente linda que temos tido a sorte de encontrar por aí. Um beijo para a <b>Amanda Podanoscki</b> pelo empréstimo da sua insigne lona azul (cuja presença, não temos dúvida, foi o que manteve a noite estrelada). Um chamego na resoluta </span><span class="_5yl5"><a href="https://www.facebook.com/fernandainocente" target="_blank">Fernanda Inocente</a> que, de última hora, garrou numa das câmeras e fez imagens super sensíveis. Um xêro no focinho da <b>Amora</b>, cadelinha amável que não só esteve presente com elevadíssimo grau de curiosidade participativa como efetivamente performou sua doçura entre nós. E, claro, nossa desmedida gratidão a cada testa enrugada, olhar atento, suspiro, pulsação conjunta, a cada presença que compôs a grande partilha chamada <b>XV Festival de Apartamento - Maringá/PR</b>.</span><span class="_5yl5"></span><br />
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<span style="font-size: x-large;"><span style="font-weight: bold;">XV Festival de Apartamento </span><span style="font-weight: bold;">(Maringá/PR)</span></span></div>
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<span style="font-size: 21px; font-style: italic;">Arte da Performance</span></div>
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12/12/2015</div>
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<b>Organização:</b></div>
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<a href="http://costuradaparadentro.blogspot.com/" rel="nofollow" target="_blank">Ludmila Castanheira</a></div>
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<a href="http://lordevelho.blogspot.com/" rel="nofollow" target="_blank">Rodrigo Emanoel Fernandes</a><br />
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<b>Anfitriões</b>:</div>
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<span style="font-size: small;"><a href="https://www.facebook.com/tamires.schmitt" target="_blank">Tamires Schimitt</a></span><span style="font-size: small;"> </span></div>
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<span style="font-size: small;">(</span><span style="font-size: small;"><span class="_5yl5">Casa: República Tcheca</span>)</span><br />
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<b><span style="font-size: small;">Parceria:</span></b><br />
<a href="https://www.facebook.com/gabi.fregoneis" target="_blank"><span class="_5yl5">Gabriela Fregoneis</span></a><br />
<span style="font-size: small;"><span class="_5yl5"><a href="https://www.facebook.com/elder.ildefonso" target="_blank">Élder Sereni Ildefonso</a> (</span></span><span style="font-size: small;"><span class="_5yl5"><span class="null">Lejos - Táticas de Ocupação</span>)</span></span></div>
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<b>Fotógrafos:</b></div>
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<a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a></div>
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<span style="font-size: small;"><span class="_5yl5"><a href="https://www.facebook.com/elder.ildefonso" target="_blank">Élder Sereni Ildefonso</a></span></span><br />
<a href="https://www.facebook.com/fernandainocente" target="_blank">Fernanda Inocente</a><br />
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<span style="font-size: x-large; font-weight: bold;">Registro das Performances Apresentadas</span></div>
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(listadas por <span style="font-weight: bold;">ordem de inscrição</span>, com sinopses enviadas pelos próprios performers)</div>
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<span style="font-size: xx-small;"><span style="color: red; font-size: x-small; font-weight: bold;">ATENÇÃO</span><span style="color: red; font-size: x-small;">:</span> Pedimos gentilmente que as imagens veiculadas aqui <span style="color: red; font-size: x-small; font-weight: bold;">não sejam reproduzidas em outros sites, blogs e redes sociais sem a autorização dos respectivos artistas</span><span style="color: #3333ff;">.</span> </span><b><span style="font-size: xx-small;">Os links para os sites, blogs ou e-mails de cada performer estão disponíveis abaixo para contato</span></b><span style="font-size: xx-small;"><b>.</b> Apesar de parecer um pedido ingênuo numa época em que imagens podem ser reproduzidas ao infinito, <span style="font-style: italic;">as vezes sem nenhuma preocupação com as pessoas fotografadas e com o contexto em que suas imagens podem acabar sendo exibidas</span>, ainda assim apelamos para o seu bom senso. Obrigado.</span></div>
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<span style="font-size: large;"><b>ME - Discurso Autobiográfico</b></span></div>
<div style="font-weight: bold;">
<a href="https://www.facebook.com/marcio.vasconcelos.549" target="_blank"><span style="font-style: italic;">Marcio Vasconcelos</span></a><br />
<span style="font-style: italic;"><span style="font-style: italic; font-weight: normal;">São Paulo/SP</span></span></div>
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<div style="text-align: left;">
O
performer constrói um ateliê e faz um discurso autobiográfico através
de sua sobrevivência, sua sexualidade e brinca com um movimento
cultural "datado" onde ele anula a academia e brinda o autodidatismo.</div>
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<div style="text-align: center;">
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<span style="font-size: large;"><b>Feliz Natal</b></span></div>
</div>
</div>
<div style="font-weight: bold; text-align: left;">
<div style="text-align: left;">
<span style="font-style: italic;"><a href="https://www.facebook.com/vilelajr" target="_blank">Jones Vil</a> e <a href="https://www.facebook.com/thayse.mochi" target="_blank">Thayse Mochi</a></span></div>
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<div style="font-weight: bold;">
<div style="text-align: left;">
<span style="font-weight: normal;"><span style="font-style: italic;">Maringá/PR</span> </span></div>
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<div style="text-align: left;">
É
quase natal, é uma época de confraternização entre as pessoas, vamos
trocar presentes, vamos presentear aquela pessoa especial, até porque, é
dia de festa. Vamos desejar um Feliz Natal e um próspero ano novo e
esquecer os problemas, porque, afinal, vai ser dia de festa.<br />
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<br />
<span style="font-size: large;"><b>Mais quantas Marianas?</b></span><br />
<a href="https://www.facebook.com/marina.tostilopes" target="_blank"><b><span style="font-style: italic;">Marina Tosti</span></b></a><span style="font-style: italic; font-weight: normal;"> </span></div>
<div style="text-align: left;">
<span style="font-style: italic; font-weight: normal;">Maringá/PR</span></div>
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"Um rio, sem cio, um fio. Macio, sem pio, um pavio. Calmo assim, Mariana, tem certeza?" - Adaptação "Alen(da) Seca"<br />
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<a href="http://3.bp.blogspot.com/-tkMh_O8qJI4/VrD20VU5_DI/AAAAAAAARYw/fDkPu_cv3W8/s1600/_DSC0184.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://3.bp.blogspot.com/-tkMh_O8qJI4/VrD20VU5_DI/AAAAAAAARYw/fDkPu_cv3W8/s400/_DSC0184.jpg" width="400" /></a></div>
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<span style="font-size: large;"><b>I have nothing to say</b></span><br />
<span style="font-size: large;"><b>and I am saying it </b></span></div>
<b><a href="https://www.facebook.com/clic1mprov/?fref=ts">CLIC (Coletivo de Livre Improvisação Contemporânea)</a></b><br />
<i>Alexandre Ficagna – clarineta,<br />Alerson Donioli – guitarra,<br />Carlos Scalassara Prando – bateria e percussão,<br />Daniel Gouvea – teclado,<br />Eduardo Benvenhú – guitarra,<br />Emerson Francisco da Silva – guitarra,<br />Fábio Furlanete – saxofone tenor </i><br />
<i>Londrina/PR</i><br />
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<span style="font-style: italic; font-weight: normal;"><br /></span></div>
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Performance de livre improvisação musical, em que os músicos interagem
em tempo real sem referente musical pré-estabelecido. Quais sons podem
ou não ser utilizados, ou como deve se dar a interação, ou quais papeis
cada um assume, são todos aspectos negociados pelo grupo durante a
performance.<br />
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<a href="http://4.bp.blogspot.com/-yaMfVnQDajs/VrDwP9EGAUI/AAAAAAAARZg/IRNtVIl3op4/s1600/_DSC0013.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://4.bp.blogspot.com/-yaMfVnQDajs/VrDwP9EGAUI/AAAAAAAARZg/IRNtVIl3op4/s400/_DSC0013.jpg" width="400" /></a></div>
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<span style="font-size: large;"><b>Homo prolixus</b></span></div>
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<i><b><a href="https://www.facebook.com/ederrodolfo" target="_blank">Eder Feltrin</a> e <a href="https://www.facebook.com/amandasaldan" target="_blank">Amanda Saldan</a> </b></i></div>
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<span style="font-style: italic;">Maringá/PR</span></div>
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O
ser humano no percurso do seu dia deixa rastros de lixo por onde passa.
Refaz-se em um homem que consome e produz lixo. Surge, então, a
indagação: onde começa o homem e onde termina o lixo?<br />
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<span style="font-size: large;"><b>Precisamos falar desamor</b></span></div>
<div style="text-align: left;">
<a href="https://www.facebook.com/kenya.bergo" target="_blank"><b>Kênia Bergo</b></a></div>
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<i>Maringá/PR</i></div>
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<div style="text-align: left;">
Essa
performance fala do desespero que é amar. A auto mutilação que nos
sujeitamos a sofrer quando colocamos o nosso amor próprio em segundo
plano, para satisfazer amores egoístas. Você já amou assim? Já mutilou o
coração de alguém?<br />
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<span style="font-size: large;"><b>Lorayne</b></span></div>
</div>
</div>
<div style="text-align: left;">
<div style="text-align: left;">
<div style="font-weight: bold;">
<div>
<a href="https://www.facebook.com/profile.php?id=100009143421301" target="_blank"><i>Galathea X</i></a></div>
</div>
</div>
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<div style="font-weight: bold;">
<div>
<span style="font-style: italic; font-weight: normal;">Maringá/PR </span></div>
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<div style="font-size: 16px; font-weight: bold;">
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<span style="font-weight: normal;"><br /></span></div>
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<div style="text-align: right;">
<div style="text-align: left;">
<i>Tributo à menina que viveu demais, por tempo de menos. </i><br />
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<span style="font-size: large;"><b>Gordura Cega</b></span></div>
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<div style="font-weight: bold; text-align: left;">
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<div>
<a href="https://www.facebook.com/renan.ghiraldi" target="_blank"><span style="font-style: italic;">Renan Ghiraldi</span></a></div>
</div>
</div>
<div style="text-align: left;">
<div style="font-weight: bold;">
<div>
<div>
<span style="font-weight: normal;"><span style="font-style: italic;">Maringá/PR</span> </span></div>
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CORPO
– GORDURA – CORPOSer gordo, busca incessante por uma aceitação do seu
próprio corpo, tal corpo que busca esconder e negar sua existência...Não
sou visto, meu corpo não é visto, meu corpo é apagado.</div>
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<span style="font-size: large;"><b>ORAL</b></span></div>
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<b><i><a href="http://www.augustosergio.com/" target="_blank">Sérgio Augusto</a></i></b></div>
<div style="text-align: left;">
<i>Maringá/PR</i></div>
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Oral, temcomo
poética o erotismo composto pela interpretação do público.O ato de
chupar subjugado a uma expressão sexual oscila entre o devir de um gesto
tradicional . Um corpo com aberturas subjetivas nas "entre-linguas" do
ato. Bocalíngua como suporte gestual que compõe atos falhos do
própriopensar</div>
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<span style="font-size: large;"><b>Dirijo</b></span></div>
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<div style="font-weight: bold;">
<div>
<div>
<span style="font-style: italic;"><b><i>Xádirijo e Cia.</i></b></span></div>
</div>
</div>
<div style="font-weight: bold;">
<div>
<div>
<span style="font-weight: normal;"><span style="font-style: italic;"><i><a href="https://www.facebook.com/babisanches.cenicas" target="_blank">Babi Sanches</a>, <a href="https://www.facebook.com/cassisoares" target="_blank">Cassiana Soares</a>, <a href="https://www.facebook.com/vinicius.maccarini" target="_blank">Rini Maccavini</a> e mais 1 convidado</i> </span></span><br />
<span style="font-weight: normal;"><span style="font-style: italic;">Maringá/PR</span> </span></div>
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Para que deixeis as nossas vidas mais tranquilas presto minha oferenda/</div>
<div style="text-align: left;">
trago para meu corpo e alma/</div>
<div style="text-align: left;">
compartilhais o amor/contempleis magnificamente a vida/</div>
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para que a vida se torne magnifica/</div>
<div style="text-align: left;">
que a paz reine sobre nosso mundo.<br />
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<span style="font-size: large;"><b>Peso</b></span></div>
<div style="text-align: left;">
<a href="https://www.facebook.com/LullySP" target="_blank"><b><i>Luana Silva Pereira</i></b></a></div>
<div style="text-align: left;">
<i>Maringá/PR</i></div>
<div style="text-align: left;">
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<div style="text-align: left;">
Quanto pesa a empatia e a expectativa?</div>
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<div style="text-align: left;">
<span style="font-size: large;"><b>Compartilho Sonhos</b></span></div>
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<div style="font-weight: bold;">
<div>
<div>
<a href="https://www.facebook.com/gabi.fregoneis" target="_blank"><span style="font-style: italic;"><b><i>Gabi Fregoneis</i></b></span></a></div>
</div>
</div>
<div style="font-weight: bold;">
<div>
<div>
<span style="font-weight: normal;"><span style="font-style: italic;">Maringá/PR</span> </span></div>
</div>
</div>
<br />
A
performance Compartilho sonhos é tecida pela troca e poética da
(con)vivência. As pessoas são convidadas a trocar seus sonhos pelos
meus... E como diz Caio Fernando Abreu "que seja doce..."<br />
<br />
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<span style="font-size: large;"><b>catraca desconstrução</b></span></div>
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<b><i>mulheres anônimas</i></b></div>
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<i>Caroliny Trajano, Cléo Torino, Daniara Thomaz,<b> </b>Gabriela Burgardt, Giovana Vespa, Maiara Auck, Michelle Cerqueira César Tambosi </i><br />
<i>Maringá/PR</i></div>
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desconstrução de privilégio! machismo: até quando cê vai relutar em tocar nisso daí?<br />
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<span style="font-size: large;"><b>PROJETO: “QUANDO A ARTE É O PRÓPRIO ARTISTA”</b></span></div>
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<a href="https://www.facebook.com/aguinaldod1" target="_blank"><span style="font-style: italic;"><b><i>Aguinaldo de Souza</i></b></span></a></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Londrina/PR</span> </span></div>
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A
partir da exposição pessoal, o EU-performer produz seu cartão postal
para os convidados, servindo-os numa bandeja. O cartão é escrito e
preparado tendo a saliva, os pelos, as unhas e o próprio sangue do
artista. Transforma-se num objeto plástico que carrega as informações
oficiais do indivíduo (RG, CPF, e-mail, endereço...) o credenciamento
artístico (DRT de artista) e marcas biológicas de seu corpo.<br />
Complementa
o cartão um poema da preferência do artista que estará impresso no
papel cartão sobre o qual haverá a interferência plástica.<br />
Ao
receber o cartão, o convidado recebe também um envelope, onde existe um
recado para que reflita sobre os motivos que provocaram o seu interesse
em ver o trabalho.<br />
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<embed flashvars="host=picasaweb.google.com&noautoplay=1&hl=pt_BR&feat=flashalbum&RGB=0xffffff&feed=https%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2F118205260035429834041%2Falbumid%2F6246754649295476577%3Falt%3Drss%26kind%3Dphoto%26authkey%3DGv1sRgCMK34Orir5XxxgE%26hl%3Dpt_BR" height="400" pluginspage="http://www.macromedia.com/go/getflashplayer" src="https://photos.gstatic.com/media/slideshow.swf" type="application/x-shockwave-flash" width="600"></embed></div>
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<span style="font-size: x-large;">E, finalmente, entreatos, convívio e celebração:</span></div>
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Fotos: <a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira,</a> <span style="font-size: small;"><span class="_5yl5"><a href="https://www.facebook.com/elder.ildefonso" target="_blank">Élder Sereni Ildefonso, </a></span></span><a href="https://www.facebook.com/fernandainocente" target="_blank">Fernanda Inocente</a><br />
<a href="http://flaviorabelo.com/" target="_blank"></a></div>
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E agradecimentos a todos que prestigiaram e colaboraram com a realização de mais um Festival de Apartamento.</div>
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<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Lorde Velhohttp://www.blogger.com/profile/04261308692339919125noreply@blogger.com0tag:blogger.com,1999:blog-4462342586887969312.post-83542715674422004222014-09-16T19:02:00.001-07:002014-09-19T16:19:38.880-07:00XIV Festival de Apartamento (Diamantina/MG) - Registro Online das Performances Apresentadas<div>
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<a href="http://3.bp.blogspot.com/-dZGcnjCagpo/VBYrv0o4lEI/AAAAAAAAP1k/t2ZDhpK0Du8/s1600/_DSC0002.c%C3%B3pia.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="http://3.bp.blogspot.com/-dZGcnjCagpo/VBYrv0o4lEI/AAAAAAAAP1k/t2ZDhpK0Du8/s1600/_DSC0002.c%C3%B3pia.jpg" height="265" width="400" /></a></div>
E, depois de muitas idas e vindas, o <b>Festival de Apartamento </b>é novamente recebido pelos anfitriões (e fofos) <a href="http://flaviorabelo.com/" target="_blank">Flávio Rabelo</a> e <a href="https://www.facebook.com/vezali?fref=ts" style="text-align: center;" target="_blank">Patrik Vezali</a>, mas dessa vez em sua casa nova de <b>Diamantina/MG</b>, ajudando a levar as intenções nômades do evento um bocadinho mais longe. O <b>XIV Festival de Apartamento</b> foi singularmente menor em termos de número de inscrições e performances confirmadas, lembrando muito as primeiras e mais intimistas edições, com uma dinâmica entre os trabalhos bem diferente daquela que acabou se estabelecendo com o tempo. Sai a simultaneidade para dar lugar à dilatação do tempo dos, e entre, trabalhos. Uma dinâmica diferente (ainda que velha conhecida) que tornou essa edição única em muitos aspectos, um festival que se realizou, talvez, mais nos interstícios do que nos atos, que aconteceu antes, aconteceu depois, aconteceu até quando ninguém estava olhando. Em conversas, em reflexões, em fruições, nas xícaras de café expresso de vários sabores acompanhados dos multideliciosos <i>conosquinhos</i>. O festival rolou, nas jornadas entre a casa e a cidade,entre as brechas das antigas ruas de paralelepípedos, em elucubrações sobre estatuetas de santos com cabeças decepadas, na contemplação da imensidão da via láctea, tão impressionantemente visível no céu noturno de Diamantina. Agradecemos ao cativante jeito mineiro que nos perguntava sobre o que levar pro festival e que a cada vez que recebeu a palavra "vinho" como resposta, apertou um pouco mais os olhos num espontâneo e preocupado "Mas e pra comer?!". Obrigado pelo caldeirão de feijão tropeiro acompanhado de queijos e frutas que rebateu o frio e fez da cozinha, automaticamente, um lugar de comunhão. E entre uma estrela cadente e outra, agradecemos a todos que prestigiaram e colaboraram com a realização de mais um <b>Festival de Apartamento</b>.<br />
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<span style="font-size: x-large;"><span style="font-weight: bold;">XIV Festival de Apartamento </span><span style="font-weight: bold;">(Diamantina/MG)</span></span></div>
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<span style="font-size: 21px; font-style: italic;">Arte da Performance</span></div>
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02/08/2014</div>
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<b>Organização:</b></div>
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<a href="http://cabenamao.blogspot.com/" target="_blank">Thaíse Nardim</a></div>
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<a href="http://costuradaparadentro.blogspot.com/" target="_blank">Ludmila Castanheira</a></div>
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<a href="http://lordevelho.blogspot.com/" target="_blank">Rodrigo Emanoel Fernandes</a></div>
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<b>Anfitriões</b>:</div>
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<span style="font-size: small;"><a href="http://flaviorabelo.com/" target="_blank">Flávio Rabelo</a></span><span style="font-size: small;"> (<a href="http://cambarcoletivo.com/" target="_blank">Cambar Coletivo</a>)</span></div>
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<span style="font-size: small;"><a href="https://www.facebook.com/vezali?fref=ts" target="_blank">Patrik Vezali</a></span></div>
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<b>Fotógrafos:</b></div>
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<a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a></div>
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<a href="http://costuradaparadentro.blogspot.com/">Thaíse Nardim</a><br />
<a href="http://flaviorabelo.com/" target="_blank">Flávio Rabelo</a><br />
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<span style="font-size: x-large; font-weight: bold;">Registro das Performances Apresentadas</span></div>
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(listadas por <span style="font-weight: bold;">ordem de inscrição</span>, com sinopses enviadas pelos próprios performers<span style="font-weight: bold;"></span>)</div>
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<span style="font-size: xx-small;"><span style="color: red; font-size: x-small; font-weight: bold;">ATENÇÃO</span><span style="color: red; font-size: x-small;">:</span> Pedimos gentilmente que as imagens veiculadas aqui <span style="color: red; font-size: x-small; font-weight: bold;">não sejam reproduzidas em outros sites, blogs e redes sociais sem a autorização dos respectivos artistas</span><span style="color: #3333ff;">.</span> </span><b><span style="font-size: xx-small;">Os links para os sites, blogs ou e-mails de cada performer estão disponíveis abaixo para contato</span></b><span style="font-size: xx-small;"><b>.</b> Apesar de parecer um pedido ingênuo numa época em que imagens podem ser reproduzidas ao infinito, <span style="font-style: italic;">as vezes sem nenhuma preocupação com as pessoas fotografadas e com o contexto em que suas imagens podem acabar sendo exibidas</span>, ainda assim apelamos para o seu bom senso. Obrigado.</span></div>
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<span style="font-size: large;"><b>mulheres</b></span></div>
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<span style="font-style: italic;"><a href="http://henriqueiwao.seminalrecords.org/" target="_blank">Henrique Iwao</a></span></div>
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<span style="font-style: italic; font-weight: normal;">Belo Horizonte/MG</span></div>
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disposição de uma coleção digital: menções de chico buarque a mulheres ao longo de sua carreira, de "chico buarque de hollanda" (1966) a "chico" (2011). escuta atenta, escuta emocional e chavecos furados.<br />
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<iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/168508355%3Fsecret_token%3Ds-ntlvX&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false" width="100%"></iframe></div>
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<span style="font-size: large;"><b>PiiUreal</b></span></div>
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<span style="font-style: italic;"><a href="http://www.youtube.com/user/Ramanery" target="_blank">Ramanery</a></span></div>
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Uma visita ao glamour e ao surrealismo. Um jardim que surge de pés, uma visão para os desavisados. Um sonho com pé e sem cabeça. Um PiiU floresceu.</div>
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<b style="font-size: x-large;">Um ritual é um ritual é um ritual - festivalismo</b></div>
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<i><b><a href="http://cabenamao.blogspot.com/" target="_blank">Thaise Nardim</a></b></i></div>
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<span style="font-style: italic;">Palmas/TO</span></div>
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Invenção em colaboração de rituais para a celebração do que se desejar, a partir das cartilhas da doutrina apartamentiana do festivalismo.</div>
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<span style="font-size: large;"><b>3x1 - Descargas</b></span></div>
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<i><a href="http://www.cambarcoletivo.com/" target="_blank">Cambar Coletivo</a></i></div>
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<i style="font-weight: normal;">Raquel Aguilera, Flávio Rabelo, James Turpin, Roberto Rezende</i></div>
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<span style="font-style: italic; font-weight: normal;">Diamantina/MG</span></div>
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<i>Descarga: s.x. Ato de tirar a carga.</i><br />
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<span style="font-size: large;"><b>Autoestima 26</b></span></div>
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<span style="font-style: italic;">Éthany Cunha</span></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Diamantina/MG</span></span></div>
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Uma investigação sobre a autoestima. Do alto, do outro, de todos.<br />
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<span style="font-size: large;"><b>Hibiscobarba Diamantina</b></span></div>
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<b><i><a href="http://bernardorb.wix.com/bernardorb" target="_blank">Bernardo RB</a></i></b></div>
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<i>Belo Horizonte/MG</i></div>
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Hibiscobarba é sobre o gosto de deixar a barba crescer. Assumir a força do campo eletromagnético do cabelo à volta do rosto. Hibiscobarba também é sobre o gosto do chá de hibisco e a sua cor escura. Convido todos a beber uma xícara quente de vermelho-escuro enquanto a barba dança.<br />
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<span style="font-size: large;"><b>Para os meus filhos que não nascem II - Mortalha para um corpo vivo</b></span></div>
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<a href="http://costuradaparadentro.blogspot.com.br/" target="_blank"><span style="font-style: italic;">Ludmila Castanheira</span></a></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Maringá/PR</span></span></div>
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De dentro de mim escorre sangue. É o desfazer da cama primeira onde o filho não se deitou. Faço uma mortalha para ampará-lo do lado de fora do mundo.<br />
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<span style="font-size: large;"><b>O Boi e a Cerca</b></span></div>
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<b><i>Kleber Ramon de Souza</i></b></div>
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<i>Diamantina/MG</i></div>
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O boi e a cerca, poema e arte visual em arame farpado e couro de boi. Aí, a submissão do boi à cerca pode ser entendida como uma metáfora à submissão humana a todo tipo de opressão. A proposta poética está no fato de haver um farpo que espeta a carne e um couro que a protege desse farpo.<br />
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<span style="font-size: x-large;">E, finalmente, entreatos, convívio e celebração:</span></div>
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Fotos: <a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a>, <a href="http://cabenamao.blogspot.com/" style="background-color: white;">Thaíse Nardim</a>, <a href="http://flaviorabelo.com/" target="_blank">Flávio Rabelo</a></div>
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E agradecimentos a todos que prestigiaram e colaboraram com a realização de mais um Festival de Apartamento.<br />
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<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Lorde Velhohttp://www.blogger.com/profile/04261308692339919125noreply@blogger.com2tag:blogger.com,1999:blog-4462342586887969312.post-40933785860195094282014-03-08T12:04:00.000-08:002014-03-19T11:25:17.776-07:00XIII Festival de Apartamento (Miguel Pereira/RJ) - Registro Online das Performances Apresentadas<div>
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E o <b>Festival de Apartamento </b>prossegue em sua trajetória intencionalmente nômade, chegando à sua décima terceira edição no topo da bela serra de <b>Miguel Pereira</b>, no interior do estado do <b>Rio de Janeiro</b>, acolhido com extraordinário carinho no "<b>Recanto da Paz</b>", residência de <a href="http://programa-anexos.blogspot.com.br/" style="text-align: center;" target="_blank">Raquel Aguilera</a> e <a href="http://jamesjturpin.blogspot.com.br/" style="text-align: center;" target="_blank">James Turpin</a> que, juntamente com o "padinho" <a href="http://flaviorabelo.com/" target="_blank">Flávio Rabelo</a> e <a href="http://www.carrobe.blogspot.com.br/" target="_blank">Roberto Rezende</a> (todos integrantes do <a href="http://www.cambarcoletivo.com/" target="_blank">Cambar Coletivo</a>) participaram ativamente de cada etapa da organização do evento, ao mesmo tempo que cuidavam de sua própria ação performática. Valeu demais por tudo, gente! Incluindo o café e as conversas da manhã seguinte, sem dormir e sem perder (nem um bocadinho) o pique. Vocês são fantásticos!<br />
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Também devemos muitos agradecimentos aos destemidos <a href="http://www.salapreta.com.br/" style="text-align: center;" target="_blank">Marcelo Bravo</a> e <a href="http://www.salapreta.com.br/" style="text-align: center;" target="_blank">Rafael Crooz</a>, do grupo <a href="http://www.salapreta.com.br/" target="_blank">Sala Preta</a>, que se ofereceram para instalar a iluminação e quebrar uma infinidade de galhos (as vezes literalmente) para que tudo corresse da melhor forma possível. Bravo também uniu forças com o nobre <a href="http://www.flickr.com/photos/rodolfolb/" style="text-align: center;" target="_blank">Rodolfo Lo Bianco</a> (pela segunda vez colaborando como fotógrafo do evento) e juntos garantiram uma das mais abrangentes filmagens que um Festival de Apartamento já teve. Isso não significa, entretanto, que todos os trabalhos foram filmados. A própria simultaneidade das apresentações sequer permitiria tal cobertura, mas é um preço aceitável pela fascinante dinâmica que se estabelece no "aqui e agora" do evento, nas combinações e mesclas espontâneas entre as performances e participantes, algo que só pode ser experienciado <i>in loco</i>, por mais importantes que sejam os registros <i>a posteriori</i>.<br />
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Essa décima terceira edição foi provavelmente a de menor público desde as primeiras, algo esperado dada a intenção de levar o festival cada vez mais para longe dos grandes centros onde já existem circuitos de performance estabelecidos. Todavia, também foi o festival em que as dinâmicas e interações entre participantes foram das mais interessantes e satisfatórias, com inúmeros momentos de grande intensidade e (talvez mais importante) de intimidade. Uma combinação que, por si só, convida à reflexão. Ações cujos temas e componentes pareciam "rimar": terra e líquidos, carne e sangue traçando escritas e gerando códigos; trocas de fluidos e de histórias; meditações sobre sexualidades e exercícios de empatia; agulhas que atravessam roupas, pele e sentimentos, corpos que se conectam e corpos solitários que se desmontam e se recolhem para se recriar. Um festival de pequenos detalhes (por vezes emoldurados), de lágrimas, de amuletos, de ritos e experiências íntimas, de coisas pequenas e frágeis que, a um toque, se despedaçam... como pessoas. Uma bolha no tempo e no espaço, no silêncio no alto da serra, onde potencialidades, ideias e novas formas de (con)viver gestam (talvez) mais seguras, numa atmosfera capaz de nutri-las, para depois estourar e se espalhar para longe... para um mundo lá fora que as vezes nos parece tão recrudescido em mesquinharias e atitudes reacionárias, mas que encontros como o festival (e tantos outros semelhantes) parecem nos ajudar a enxergar como o que realmente são: apegos desesperados a um mundo triste e doente sendo, pouco a pouco, deixado para trás. Utopia? Pergunte aos viajantes do <i>Recanto da Paz</i>.<br />
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Afinal... somos todos nômades...<br />
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<span style="font-size: x-large;"><span style="font-weight: bold;">XIII Festival de Apartamento </span><span style="font-weight: bold;">(Miguel Pereira/RJ)</span></span></div>
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01/02/2014</div>
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<b>Organização:</b></div>
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<a href="http://cabenamao.blogspot.com/" target="_blank">Thaíse Nardim</a></div>
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<a href="http://costuradaparadentro.blogspot.com/" target="_blank">Ludmila Castanheira</a></div>
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<a href="http://lordevelho.blogspot.com/" target="_blank">Rodrigo Emanoel Fernandes</a></div>
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<b>Anfitriões</b>:</div>
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<span style="font-size: small;"><a href="http://programa-anexos.blogspot.com.br/" target="_blank">Raquel Aguilera</a></span></div>
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<span style="font-size: small;"><a href="http://jamesjturpin.blogspot.com.br/" target="_blank">James Turpin</a></span><br />
numa parceria com<br />
<a href="http://www.cambarcoletivo.com/" target="_blank">Cambar Coletivo</a></div>
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<b>Fotógrafos:</b></div>
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<a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a></div>
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<a href="http://costuradaparadentro.blogspot.com/">Thaíse Nardim</a><br />
<a href="http://www.flickr.com/photos/rodolfolb/" target="_blank">Rodolfo Lo Bianco</a><br />
<a href="http://www.salapreta.com.br/" target="_blank">Marcelo Bravo</a><br />
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<b>Assistência Técnica:</b></div>
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<a href="http://www.salapreta.com.br/" target="_blank">Marcelo Bravo</a><br />
<a href="http://www.salapreta.com.br/" target="_blank">Rafael Crooz</a></div>
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<span style="font-size: x-large; font-weight: bold;">Registro das Performances Apresentadas</span></div>
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(listadas por <span style="font-weight: bold;">ordem de inscrição</span>, com sinopses enviadas pelos próprios performers<span style="font-weight: bold;"></span>)</div>
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<span style="font-size: xx-small;"><span style="color: red; font-size: x-small; font-weight: bold;">ATENÇÃO</span><span style="color: red; font-size: x-small;">:</span> Pedimos gentilmente que as imagens veiculadas aqui <span style="color: red; font-size: x-small; font-weight: bold;">não sejam reproduzidas em outros sites, blogs e redes sociais sem a autorização dos respectivos artistas</span><span style="color: #3333ff;">.</span> </span><b><span style="font-size: xx-small;">Os links para os sites, blogs ou e-mails de cada performer estão disponíveis abaixo para contato</span></b><span style="font-size: xx-small;"><b>.</b> Apesar de parecer um pedido ingênuo numa época em que imagens podem ser reproduzidas ao infinito, <span style="font-style: italic;">as vezes sem nenhuma preocupação com as pessoas fotografadas e com o contexto em que suas imagens podem acabar sendo exibidas</span>, ainda assim apelamos para o seu bom senso. Obrigado.</span></div>
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<span style="font-size: large;"><b>Costuro o nome do seu Amor na boca do Sapo</b></span></div>
<span style="font-style: italic; font-weight: bold;"><a href="http://contemporaryperformance.org/photo/album/listForOwner?screenName=2afwy4kngt60o" target="_blank">OutroLuiz</a></span><br />
<span style="font-style: italic;">Mairinque/SP</span><br />
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"Costuro..." é uma meditação sobre o Amor e seus entrelaces. Uma acupuntura sentimental."<br />
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Performer costura na boca nome de pessoas que os Outros Amam e que ele mesmo ama também. Até não sobrar mais linha ou espaço para costurar.<br />
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<span style="font-size: large;">Pauta</span></div>
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<span style="font-style: italic;"><a href="http://www.raphaelcouto.com/" target="_blank">Raphel Couto</a></span></div>
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<i>São Gonçalo/RJ</i></div>
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escrita de um som em silêncio </div>
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grito mudo</div>
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grito do corpo.<br />
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<span style="font-size: large;">BIFE</span></div>
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<span style="font-style: italic;"><a href="http://anticorpo.com/" target="_blank">Dally Schwarz</a></span></div>
<i>Dally Schwarz, Pedaço de Carne, Cadeira</i></div>
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<span style="font-style: italic; font-weight: normal;">Rio de Janeiro/RJ</span></div>
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<i><br /></i></div>
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Uma dança.<br />
Um duelo.<br />
Um dueto.<br />
Um duplo.<br />
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Dally Schwarz<br />
e um pedaço de carne<br />
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<span style="font-size: large;"><b>Cascalhos</b></span></div>
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<span style="font-style: italic;"><a href="http://www.andercine.blogspot.com/" target="_blank">Andercine</a></span></div>
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<span style="font-style: italic; font-weight: normal;">Volta Redonda/RJ</span></div>
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Encontrar objetos e coisas pela residência encontradas na trajetória pra compor uma personagem clownesca em transformação.<br />
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<span style="font-size: large;"><b>Eloucubrações. O corpo é a parte do corpo todo.</b></span></div>
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<a href="http://www.flickr.com/people/claudinhavargas/" target="_blank"><span style="font-style: italic;">Maria Claudia Vargas</span></a></div>
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<span style="font-style: italic; font-weight: normal;">Brasilia/DF</span></div>
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Eloucubrações é um trabalho das performers Maria Claudia Vargas, Ingrid Azulejo, e Jacque Lisboa (fotografia) associado ao projeto Doida de Pedra . Onde a temática da arte e loucura se misturam, se fundem, criam e (re)criam aspectos simples e sutis do corpo.<br />
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<span style="font-size: large;"><b>[DES] MONTAGEM</b></span></div>
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<a href="http://www.facebook.com/karlene.bianca" target="_blank"><span style="font-style: italic;">Karlene Bianca</span></a></div>
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<span style="font-style: italic; font-weight: normal;">São Paulo/SP</span></div>
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Para ser é preciso montar-se ou desmontar-se, mas SER é montar uma imagem para o outro ou para si mesmo?<br />
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<span style="font-size: large;"><b>Para os meus filhos que não nascem</b></span></div>
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<a href="http://costuradaparadentro.blogspot.com/" style="font-style: italic;" target="_blank">Ludmila Castanheira</a></div>
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<span style="font-style: italic; font-weight: normal;">Maringá/PR</span></div>
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Ouço alguém chamar "mãe". É comigo, eu sei. Tem mil caras esse chamado, e mil vozes... Mil idades. Os meus filhos e filhas ao meu redor. Respondo "Oi...?", doce e algo desatenta ou ocupada, como a minha mãe, esperando o resto da frase que inicia com um apelo mágico. Atendo mentalmente e me dou conta de que eles (ainda) não existem, senão cá dentro. No desejo intenso que baliza uma série de escolhas, engajamentos, despedidas. "Oi...?"</div>
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<span style="font-size: large;"><b>[Planta]me</b></span></div>
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<i><b><a href="http://www.flickr.com/photos/99383131@N07/sets/" target="_blank">Nahama Baldo</a></b></i></div>
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<span style="font-style: italic;">Rio de Janeiro/RJ</span></div>
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<span style="font-size: 14px; font-style: italic; font-weight: normal;"></span></div>
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<div style="font-weight: normal; text-align: left;">
Planta[me]</div>
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Quanto tempo consegue permanecer em um mesmo espaço?</div>
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Ao que se prende? O que te mantem ligado ou conectado a algo?</div>
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Plantar[me] ao entorno mantem[me] viva.</div>
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<span id="goog_2071805458"></span><span id="goog_2071805459"></span><span style="font-size: large;"><b>Potencialmente indesejado</b></span></div>
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<div style="text-align: left;">
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<span style="font-style: italic;">Fernando Hermógenes</span></div>
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<span style="font-style: italic;"><span style="font-weight: normal;">São Joaquim de Bicas/MG</span></span></div>
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Você quer, você não pode.</div>
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Você precisa, você não consegue.</div>
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Tá difícil, fica pior ainda.</div>
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Você sobe, desce, alarga, tenta, destrói.</div>
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Você tenta, passa, pisa, lambe, afoga.</div>
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Nunca chega, nunca fica.</div>
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Você faz. Você tenta.</div>
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Você está cansado, pendura e vai embora.</div>
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Você tentou, você fez, você venceu.<br />
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<span style="font-size: large;">lar</span></div>
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<div style="text-align: left;">
<span style="font-style: italic;"><a href="http://www.marcelaantunes.net/" target="_blank">Marcela Antunes</a></span></div>
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<div style="text-align: left;">
<span style="font-style: italic;">Rio de Janeiro/RJ</span></div>
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<div style="text-align: left;">
que trilha, que é guia, no ar, que bate no mar, raiz, se move, comove para lá, para cá, para lá, para cá, para lá*<br />
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<span style="font-size: large;"><b>3x1 - Substâncias</b></span></div>
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<i><a href="http://www.cambarcoletivo.com/" target="_blank">Cambar Coletivo</a></i></div>
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<div style="text-align: left;">
<i style="font-weight: normal;">Raquel Aguilera, Flávio Rabelo, James Turpin, Roberto Rezende</i></div>
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<div style="text-align: left;">
<span style="font-style: italic; font-weight: normal;">Miguel Pereira/RJ </span></div>
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<span style="font-weight: normal;"><br /></span></div>
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A água que forma a lama contida na pedra está, pedra que guarda o sal, pedra que guarda o sol, sol que faz a chuva, chuva que lava a rocha que dela retira a areia que forma a lama, lama que seca ao sol e ao vento e em pedra se faz contendo a água da lama que foi. <i>Trecho da poesia de Itaércio Rocha</i><br />
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<span style="font-size: 21px;"></span></div>
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</div>
<div style="text-align: left;">
<span style="font-size: large;"><b>La vida es sueño</b></span></div>
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<div style="font-weight: bold;">
<div style="text-align: left;">
<a href="http://priscilladepaula.com/" target="_blank"><span style="font-style: italic;">Priscilla de Paula</span></a></div>
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<i>Juiz de Fora/MG</i></div>
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<i><br /></i></div>
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<div style="font-weight: bold;">
<span style="font-weight: normal;">Se todo oráculo existe para dar conta da inelutável experiência temporal e da construção subjetiva que se processa a partir da idéia de escolhas e consequências, usamos oráculos quando tentamos controlar ou apenas entender o tempo (que para os ocidentais é um avanço linear, uma estrada percorrida).</span></div>
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<span style="font-size: large;"><b>Coração Aberto</b></span></div>
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<span style="font-style: italic;">AnaKlaus</span></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Rio de Janeiro/RJ</span> </span></div>
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Uma reflexão sobre a existência pessoal através do corpo. O resgate de lembranças registradas em papeis, que acionam um mundo infinito de sensações, emoções, afetos. Ritualizar a fim de resignificar, perceber os efeitos sobre o ser e estar no mundo de coração aberto.<br />
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<span style="font-size: large;"><b>Des-formance</b></span></div>
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<span style="font-style: italic;"><a href="https://www.facebook.com/amandi.mel" target="_blank">Amanda Calabria</a></span></div>
<i>Filmagem e Edição:<b> Arthur Moura</b></i></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Niterói/RJ</span> </span></div>
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Proponho-me investigar a vaidade. A busca incessante pelo corpo e pelas formas consideradas ideais no universo feminino. Como é essa vaidade e esse desejo? O que nos perpassa quando buscamos a perfeição? Há alguns meses me preparo para uma experiência nesse caminho do ideal sob um olhar indiscreto.<br />
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<span style="font-size: large;"><b>Fruto</b></span></div>
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<b><i><a href="http://cargocollective.com/gustavoxtorres" target="_blank">Gustavo Torres</a></i></b></div>
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<i>Rio de Janeiro/RJ</i></div>
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Uma mesa, uma lâmpada, um martelo. Uma martelada. O fruto dos destroços da razão: o fogo. aquele mesmo: o primeiro, do domínio. Agora depois, potência de liberação. A ação é repetida até que se torne desnecessária.</div>
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<span style="font-size: large;"><b>Amuletos</b></span></div>
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<span style="font-style: italic;"><a href="https://www.facebook.com/tramascontemporaneas" target="_blank">Coletivo Tramas</a></span></div>
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<i style="text-align: right;">Aparecida Silva, Mariana Maia</i></div>
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<i>Rio de Janeiro</i><i>/RJ</i></div>
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<span style="font-weight: normal;">Fotografias-objetos que dialogam com o significado de amuleto. Suspensas em suportes, mãos, corpos. Fotografias-amuletos, fragmentos de tradições, culturas. Doadas e recebidas em performance.</span></div>
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<b><span style="font-size: large;">FONTE-REFLUXO: BEIJO</span></b></div>
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<a href="http://www.salapreta.com.br/" target="_blank"><i><b>Thiago Delleprane </b></i><b><i>(Coletivo Teatral Sala Preta)</i></b></a></div>
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<i>Artista Convidado: Danilo Nardelli</i></div>
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<i>Barra Mansa/RJ</i></div>
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A ação investiga a atração e repulsão provocadas pelas matérias que o corpo produz, deslocando-as para um lugar relativamente neutro: a água. À medida em que ela é saturada com a saliva dos performers, eles experimentam e compartilham com o público os paradigmas invisíveis introjetados em nossos corpos e uma outra possibilidade de conexão entre si.<br />
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<b><span style="font-size: large;">RECEITAS</span></b></div>
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<i><b><a href="https://www.facebook.com/pages/Coletivo-Cart%C3%A3o-de-Mem%C3%B3ria/449673921768556?ref=br_rs" target="_blank">Coletivo Cartão de Memória</a></b></i></div>
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<i>Angélica Andrade (direção de arte); Carlos Augusto Rodrigues (produtor); Cris Amorim (direção de arte); Ma Martins (fotografia); Samuel Gambini (sonoplastia); Sandra Vilchez (atriz); Thatiana Moraes (atriz)<b> </b></i></div>
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<i>São Paulo/SP</i></div>
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Cozinha é um lugar onde se troca histórias, experiências, ensinamentos. Memórias congeladas, assadas, trituradas. Receitas e relatos digeridos, engasgados, mastigados, degustados. </div>
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Bom Apetite!<br />
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<b><span style="font-size: large;">Casa?</span></b></div>
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<i><b>Stéphane Dis</b></i></div>
<div style="text-align: left;">
<i>Niteroi/RJ</i></div>
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Casa, corpo, pertencimento, preenchimento. Vínculo espaço-corporal a desdobrar-se em espaço-tempo.<br />
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<a href="http://2.bp.blogspot.com/-YS1tFRoEGko/UxtgV55mlnI/AAAAAAAANw0/XR6j9yqVv2I/s1600/Mariane_2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-YS1tFRoEGko/UxtgV55mlnI/AAAAAAAANw0/XR6j9yqVv2I/s1600/Mariane_2.JPG" height="298" width="400" /></a></div>
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<a href="http://3.bp.blogspot.com/-PiMYvRs7BaA/UxtgUVc_9OI/AAAAAAAANwQ/6t77wdMQQxk/s1600/IMG_1170.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-PiMYvRs7BaA/UxtgUVc_9OI/AAAAAAAANwQ/6t77wdMQQxk/s1600/IMG_1170.JPG" height="298" width="400" /></a></div>
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<br />
<b><span style="font-size: large;">contato</span></b></div>
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<i><b><a href="http://www.eranos.com.br/" target="_blank">Eranos Círculo de Arte</a></b></i></div>
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<div style="text-align: left;">
<i>Leandro Maman e Sandra Coelho</i><br />
Parceria:<i> Cambar Coletivo</i><br />
Performer Convidado:<i> Flávio Rabelo</i></div>
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<div style="text-align: left;">
<i>Itajaí/SC</i></div>
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A Performance Contato brinca com os olhos dos outros, dá voz e movimento a curiosidade que há por trás de todo ser, embora preceda a dúvida. Evidencia as relações de manipulação e julgamentos. Ser feliz na contemplação alheia.<br />
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<b><span style="font-size: large;">sem título</span></b></div>
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<i><b><a href="http://cabenamao.blogspot.com.br/" target="_blank">Thaíse Nardim</a></b></i></div>
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<i>Palmas/TO</i></div>
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interferência ambiental de Thaise Nardim.<br />
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<a href="http://4.bp.blogspot.com/-SGKJQzoq8Eo/UxEQ8GdAHKI/AAAAAAAANG0/oawa9decHhs/s1600/IMG_7779.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-SGKJQzoq8Eo/UxEQ8GdAHKI/AAAAAAAANG0/oawa9decHhs/s1600/IMG_7779.jpg" height="266" width="400" /></a></div>
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<b><span style="font-size: large;">ENTRANDO PELA SAÍDA</span></b></div>
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<i><b><a href="http://construcoescompartilhadas.com/" target="_blank">Alexandre Molina</a></b></i></div>
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<i>Concepção e pesquisa: Alexandre Molina e Tiago Lima</i></div>
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<i>Uberlândia/MG</i></div>
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O banheiro é aqui considerado como espaço onde se realizam jogos de prazer e de perversão. Lugar peculiar que carrega a ambiguidade da exposição e da obscuridade, tecendo redes entre sujeitos anônimos. A partir da revisitação de grafitos de porta de banheiros públicos, a performance propõe uma trajetória imagético-coreográfica itinerante. Este trabalho integra o projeto ARQUIPÉLAGO, do Coletivo Construções Compartilhadas (BA).<br />
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<b><span style="font-size: large;">Desusagens de nós 3</span></b></div>
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<i><b>3 no Ato</b></i></div>
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<i>Daniela Rosante Gomes, Daniela Soledade, Sônia M. Pinheiro</i></div>
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<i>São Carlos/SP</i></div>
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Receita de vó, todo mundo gosta<br />
criança também<br />
<br />
Ao passo que<br />
os passos se<br />
encontrem em outro Estado: Recanto da Paz<br />
No nosso recanto "...o preço dos gêneros alimentícios nos impede a realização dos nossos desejos" então<br />
na tangente subjacente<br />
ficamos em outro estado<br />
<br />
mas ainda P-arte.<br />
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<span style="font-size: x-large;">E, finalmente, entreatos, convívio e celebração:</span></div>
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Fotos: <a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a>, <a href="http://cabenamao.blogspot.com/" style="background-color: white;">Thaíse Nardim</a>, <a href="http://www.salapreta.com.br/" target="_blank">Marcelo Bravo</a>, <a href="http://www.flickr.com/photos/rodolfolb/" target="_blank">Rodolfo Lo Bianco</a></div>
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E agradecimentos a todos que prestigiaram e colaboraram com a realização de mais um Festival de Apartamento.<br />
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<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Rodrigo Emanoel Fernandeshttp://www.blogger.com/profile/04663486540183188862noreply@blogger.com2tag:blogger.com,1999:blog-4462342586887969312.post-51830619757128472252013-06-28T09:40:00.000-07:002013-07-01T18:54:33.449-07:00XII Festival de Apartamento (Uberlândia/MG) - Registro Online das Performances Apresentadas<div>
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Antes de mais nada, pedimos desculpas pela demora na divulgação do registro do <b>XII Festival de Apartamento (Uberlândia/MG)</b>, ocasionada por uma série de contratempos que não vale a pena elencar aqui. Melhor falar das alegrias e prazeres que, nessa ocasião, foram até além do esperado. Pela primeira vez o Festival de Apartamento conseguiu romper as fronteiras do estado de São Paulo, uma afirmação que pode soar exagerada, se esquecermos que estamos falando de um evento organizado (propositalmente) sem nenhuma verba ou apoio institucional, dependendo portanto da disponibilidade e recursos pessoais de cada um dos articulares, o que inclui nós, da organização, e os diferentes anfitriões dispostos a ceder uma casa a cada edição. Assim, sempre foi mais fácil orbitar pelo interior paulista, local de origem dos organizadores, com a conveniência da proximidade e das redes de amigos. Porém, um dos objetivos do festival sempre foi manter seu caráter "nômade", dando preferência, se possível, a locais onde a arte da performance ainda não tenha tido a chance de se organizar numa rede de artistas e interessados, como - bem ou mal - já acontece nos grandes centros.<br />
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Portanto, foi uma grande alegria quando os artistas <a href="https://www.facebook.com/elder.ildefonso?fref=ts" style="text-align: center;" target="_blank">Élder Sereni</a> e <a href="https://www.facebook.com/samuel.giacomelli?fref=ts" style="text-align: center;" target="_blank">Samuel Giacomelli</a>, responsáveis pelo projeto "<b>Ocupações Efêmeras</b>" e administradores da <a href="http://mono-blocos.blogspot.com.br/" style="text-align: center;" target="_blank">Casa Via Lakka</a>, se disponibilizaram a receber o Festival de Apartamento em <b>Uberlândia/MG</b>, nos aproximando de todo um outro universo de artistas e interessados na linguagem performática e nos ajudando a quebrar uma identificação forçada do festival como um evento exclusivamente paulistano. O XII Festival teve um total de 27 trabalhos apresentados e foi, em muitos aspectos, a edição melhor articulada desde que tudo começou, seis anos atrás, repleta de estranhos e fascinantes paralelos, performances que pareciam dialogar entre si espontaneamente, mesclando-se e resignificando-se: os corpos entregues à terra, os gêneros colocados em questão, o fogo, as rochas, o alimento, as trocas de afeto. Um lugar de encontro para poéticas nômades.<br />
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Devemos muitos agradecimentos ao <b>Élder</b> e ao <b>Samuel</b> não apenas pela parceria em si, mas pela simpatia e senso de humor inabalável em todas as etapas do processo (o que inclui, é claro, o "mexidão" e os riquíssimos debates sobre as propriedades terapêuticas da alcachofra). Nossos muito obrigados também pela hospedagem na casa cheia de passagens secretas do <b>Élder</b>, da <a href="https://www.facebook.com/gabi.maravilha.1" target="_blank">Gabi Maravilha</a> (a quem agradecemos também pelas caronas estratégicas) e da <a href="https://www.facebook.com/magr.is.3?fref=ts" target="_blank">Magr Is</a> (que, além de ser cheia de surpresas, ainda nos ensinou que galinhas d´angolas podem sim aparecer do nada). Também agradecemos ao nosso segurança ninja <a href="https://www.facebook.com/afonsomansueto" target="_blank">Afonso Mansueto</a>, à pequena <a href="https://www.facebook.com/vanessagarciias" target="_blank">Vanessa Garcia</a>, companheira firme e forte, das primeiras horas da tarde até o amanhecer do dia seguinte (e quem precisa de geladeira, né?) e, é claro, ao índio, que marcou presença e se foi tão rápido que muitos, acreditem ou não, sequer notaram. =)</div>
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<span style="font-size: x-large;"><span style="font-weight: bold;">XII Festival de Apartamento </span><span style="font-weight: bold;">(Uberlândia/MG)</span></span></div>
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<span style="font-size: 21px; font-style: italic;">Arte da Performance</span></div>
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20/04/2013</div>
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<b>Organização:</b></div>
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<a href="http://cabenamao.blogspot.com/" target="_blank">Thaíse Nardim</a></div>
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<a href="http://costuradaparadentro.blogspot.com/" target="_blank">Ludmila Castanheira</a></div>
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<a href="http://lordevelho.blogspot.com/" target="_blank">Rodrigo Emanoel Fernandes</a></div>
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numa parceria com:</div>
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<b>Ocupações Efêmeras</b></div>
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<a href="https://www.facebook.com/elder.ildefonso?fref=ts" target="_blank">Élder Sereni</a></div>
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<a href="https://www.facebook.com/samuel.giacomelli?fref=ts" target="_blank">Samuel Giacomelli</a></div>
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e</div>
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<a href="http://mono-blocos.blogspot.com.br/" target="_blank">Projeto Mono-blocos / Casa Via Lakka</a></div>
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<b>Fotógrafos:</b></div>
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<a href="https://www.facebook.com/elder.ildefonso?fref=ts" target="_blank">Élder Sereni</a></div>
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<a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a> </div>
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<a href="http://costuradaparadentro.blogspot.com/">Thaíse Nardim</a></div>
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<a href="http://www.youtube.com/user/Ramanery" style="text-align: left;" target="_blank">Ramanery</a></div>
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<span style="font-size: x-large; font-weight: bold;">Registro das Performances Apresentadas</span></div>
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(listadas por <span style="font-weight: bold;">ordem de inscrição</span>, com sinopses enviadas pelos performers<span style="font-weight: bold;"></span>)</div>
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<span style="font-size: xx-small;"><span style="color: red; font-size: x-small; font-weight: bold;">ATENÇÃO</span><span style="color: red; font-size: x-small;">:</span> Pedimos gentilmente que as imagens veiculadas aqui <span style="color: red; font-size: x-small; font-weight: bold;">não sejam reproduzidas em outros sites ou blogs sem a autorização dos respectivos artistas</span><span style="color: #3333ff;">.</span> </span><b><span style="font-size: xx-small;">Os links para os sites, blogs ou e-mails de cada performer estão disponíveis abaixo para contato</span></b><span style="font-size: xx-small;"><b>.</b> Apesar de parecer um pedido ingênuo numa época em que imagens podem ser reproduzidas ao infinito, <span style="font-style: italic;">as vezes sem nenhuma preocupação com as pessoas fotografadas e com o contexto em que suas imagens podem acabar sendo exibidas</span>, ainda assim apelamos para o seu bom senso. Obrigado.</span></div>
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<span style="font-size: large;">Polegar Opositor</span></div>
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<span style="font-style: italic;"><a href="http://viscerasemfluxo.blogspot.com.br/" target="_blank">Carne Mamífera</a></span></div>
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<i>Monique Alves, Angelita Franklin, </i><i>Lucas Dilan, Afonso Mansueto.</i></div>
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<span style="font-style: italic; font-weight: normal;">Uberlândia/MG</span></div>
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Carne, músculos, vísceras...</div>
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Viscéras...viscerás...</div>
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Overdose de Blá-blá-bláção.</div>
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São as contra-rimas.</div>
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Das pessoas as coisas.</div>
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O tempo perdeu a coerência e o passado impõe sua contemporaneidade.</div>
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A não concretude do homem.<br />
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<span style="font-size: large;">Música Esquisita</span></div>
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<span style="font-style: italic;">Lucio Pereira</span></div>
<span style="font-style: italic;">Uberlândia/MG</span></div>
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Música esquisita é como?</div>
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Como é música esquisita?</div>
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É como música esquisita?</div>
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Esquisita como música é?<br />
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<span style="font-size: large;">Gravador</span></div>
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Lucas Dilan</div>
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<i>Uberlândia/MG</i></div>
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Da necessidade de gravar, abrir, penetrar as camadas ...</div>
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Deixar rastros vivos de uma possível calmaria caótica do corpo.<br />
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<span style="font-size: large;"><b>Schadenfreude e a brincadeira</b></span></div>
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<a href="http://osnumerosprimos.wordpress.com/" target="_blank"><span style="font-style: italic;">Filipe Porto</span></a></div>
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<span style="font-style: italic; font-weight: normal;">Palmas/TO</span></div>
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Uma observação da dicotomia masculino/feminino, problematizando a diferenciação desses papéis na sociedade.</div>
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"<i>De top, melissinha, gloss e salto alto a gente dança funk e desce sem parar.</i>"</div>
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(Bonde das Novinhas - Mc Amandinha)<br />
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<span style="font-size: large;">Sapatinhos Vermelhos</span><br />
<a href="http://lastroarte.com/stephane-dis#prettyPhoto" style="font-style: italic;" target="_blank">Stéphane Dis</a><br />
<span style="font-style: italic; font-weight: normal;">Niteroi/RJ</span><br />
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A artista fará a contação de uma história clássica, que marca sua trajetória pessoal e artística, esta poderá ser repetida quantas vezes for necessário, colocando como questão do trabalho a disponibilidade para atividades "ociosas" e encontros no dia a dia, onde o propósito é a troca.<br />
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<span style="font-size: large;"><b>Berrosabramovicabrindo</b></span></div>
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<i>Grupo Berros</i></div>
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<i>Mara Leal, Tauana Barbosa, Juliana Maltos, Eduarda Pereira</i></div>
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<span style="font-style: italic; font-weight: normal;">Uberlândia/MG</span></div>
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Berrosabramovicabrindo é inspirada nas performances de Marina Abramović, principalmente as de longa duração, nas quais a artista explora os limites do corpo/mente e a relação com o público. Para esse evento canibalizaremos a ação “AAA AAA” de 1978.<br />
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<b style="font-size: x-large;">Felicidades ao casal</b><span style="font-size: 21px;"></span></div>
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<a href="https://www.facebook.com/juliana.silveiraderretine" target="_blank"><span style="font-style: italic;">Juliana Derretine</span></a></div>
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<span style="font-style: italic; font-weight: normal; text-align: right;">Uberlândia/MG</span></div>
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Uma noiva.<br />
Cebolas.<br />
Esmalte de unha.<br />
Qual o papel da mulher dentro da instituição "Casamento?<br />
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<span style="font-size: large; font-weight: bold;">Primavera</span></div>
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<span style="font-style: italic;"><a href="http://canalglitter.blogspot.com.br/" target="_blank">Cia. Rogê</a></span></div>
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<div style="text-align: left;">
<i>Emílio Rogê, Gabriela Costa</i></div>
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<span style="font-style: italic;">Uberaba/MG</span></div>
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Primavera é um estudo corporal do texto O despertar da Primavera de Frank Wedekind.</div>
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Explora a necessidade urgente de (re)descoberta e vivência do corpo sexual na adolescência.<br />
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<span style="font-size: 21px;"></span></div>
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<span style="font-size: large;"><b>PULVERIZE</b></span></div>
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<i>Juliana Maltos</i></div>
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<span style="text-align: right;">Performer:</span><i style="text-align: right;"> Juliana Maltos; </i><span style="text-align: right;">Direção:</span><i style="text-align: right;"> Nina Tannús; </i><span style="text-align: right;">Orientações:</span><i style="text-align: right;"> Mara Leal</i></div>
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<span style="font-style: italic; font-weight: normal;">Araguari/MG </span></div>
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"E agora, José?<br />
A festa acabou,<br />
a luz apagou,<br />
o povo sumiu,<br />
a noite esfriou,<br />
e agora, José?<br />
e agora, Você?<br />
Você que é sem nome,<br />
que zomba dos outros,<br />
Você que faz versos,<br />
que ama, protesta?<br />
e agora, José?"<br />
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<span style="font-size: large;">Esmalte</span></div>
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<span style="font-style: italic;"><a href="http://www.youtube.com/user/Ramanery" target="_blank">Ramanery</a></span></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Belo Horizonte/MG</span> </span></div>
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Questionar os valores e desejos da sociedade contemporânea,é meu objetivo. De formas satírica; às vezes dramática ocupo espaços demonstrando as diversas modelagens corporais. Acredito na minha realidade-verdade: qualquer corpo pode ser belo e apreciado,só depende da forma como ele ocupa o espaço.<br />
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<span style="font-size: large;"><b>Canteiro Caiado</b></span></div>
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<span style="font-style: italic;"><a href="http://gilioarte.blogspot.com.br/" target="_blank">Gilio Mialichi</a></span></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Limeira/SP</span> </span></div>
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A ação utiliza o universo materno como mote criativo, afirmando essa poética a partir do resgate de uma figura feminina jovem da memória do artista.</div>
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Cal e uma fotografia são os elementos manipulados que constroem a ação e dialoga com o espaço.<br />
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<span style="font-size: large;"><b>Ato Colédoco-Penitente #1</b></span><br />
<b><i>Marcos FMNO</i></b><br />
<i>Limeira/SP</i><br />
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A performance representa de maneira metafórica a experiência particular, sensorial e emocional da dor e o escoamento do tempo, como fator determinante sobre a vida. O organismo busca a liberdade através da cura, enquanto a essência precisa se livrar da sobrecarga das emoções cotidianas.<br />
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<span style="font-size: large;"><b>Resistencia al Calor</b></span></div>
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<span style="font-style: italic;"><a href="http://www.faustogracia.com/" target="_blank">Fausto Gracia</a></span></div>
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<i>Queretaro</i><i>/México</i></div>
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<span style="font-weight: normal;">mi trabajo se desarrolla a partir del dialogo entre el cuerpo y su contexto, mis acciones giran en torno a la resistencia fisica y emosional, la creacion de imagenes poeticas son parte fundamental en mis performance ya que permiten un sin fin de interpretaciones.</span></div>
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<span style="font-size: large;"><b>Líneas Rojas con FAUST(r)OAEL</b></span></div>
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<span style="font-style: italic;"><a href="http://www.flickr.com/photos/ar_cera/" target="_blank">Ana Roland</a></span></div>
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<i>Limeira/SP</i></div>
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Líneas rojas, é o ato continuo do coração bombardeando o sangue, centrado no peito, recebe a dor e a leveza, o belo e feio.<br />
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<b><b><span style="font-size: large;">INÓSPITO</span></b></b></div>
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<a href="http://www.at-al-609.art.br/" target="_blank"><b><i>Cecilia Stelini</i></b></a></div>
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<i>Campinas/SP</i></div>
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inóspito
i.nós.pi.to
adj (lat inhospitu) 1 Que não recebe com hospitalidade. 2 Diz-se do lugar onde não se pratica a hospitalidade. 3 Que não agasalha, ou não protege; desagasalhado. 4 Que não serve para ser habitado; bravio. Var pop: inospedeiro.<br />
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<b><span style="font-size: large;">ONDINA</span></b><br />
<i><b>Matheus Alecci</b></i><br />
<i>Limeira/SP</i></div>
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- Normalização do ato sexual.<br />
- Quebra de tabus e preconceitos.<br />
- Relação entre feminino e masculino.<br />
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<b><span style="font-size: large;">PEQUENO DISCURSO AMOROSO</span></b></div>
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<div style="text-align: left;">
<i><b>Lea Moraes</b></i></div>
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<i>Limeira/SP</i></div>
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AÇÃO QUE PRETENDE APREENDER UM INSTANTE, TRANSCREVER UMA EXPERIENCIA E MARCAR ATRAVÉS DA PERCEPÇÃO DO ARTISTA UM REGISTRO DA VIDA DE TODOS OS QUE ESTIVEREM PRESENTES NESSE MOMENTO.<br />
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<b><span style="font-size: large;">Pertencer e outros</span></b></div>
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<i><b>Grupo Eu e mais um de teatro ( parceria com Grupo Pétala)</b></i><br />
<i>Danilo Corrêa e Yaska Antunes</i> (direção), <i>Lígia Sene e Mariana Guerron</i> (performers)<i> </i></div>
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<i>Uberlândia/MG</i></div>
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Um texto e vários corpos. Medos, sonhos e desejos. Pertencer como sinal de vida e impulso da morte. "Tenho certeza de que no berço a minha primeira vontade foi a de pertencer [...]eu de algum modo devia estar sentindo que não pertencia a nada e a ninguém. Nasci de graça (Clarice Lispector)".<br />
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<b><b><span style="font-size: large;">Hairnet Paradise</span></b></b></div>
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<i><b>Jota Cavalcante</b></i></div>
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<i>Uberlândia/MG</i></div>
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Um ritual é realizado como tentativa de regressar e mergulhar profundamente em memórias da infância e em visões enteóginas.<br />
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<b><span style="font-size: large;">CHAGAS</span></b></div>
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<i><b>Fernanda Moselli</b></i><br />
<i>Limeira/SP</i></div>
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Chaga – Ferida aberta que supura úlcera, cicatriz, incisão na casca das arvores, coisa que penaliza ou aflige dor moral, desgraça.<br />
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<b><b><span style="font-size: large;">Resiste a carne?</span></b></b></div>
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<i><b>Mariane Araujo Vieira</b></i></div>
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<i>Uberlândia/MG</i></div>
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No formato de instalação coreográfica o trabalho “Resiste a carne?” é criado com o intuito de questionar o quanto queremos ou podemos resistir ao entorno e ao próprio corpo, sem que com isso inviabilize a possibilidade de ceder. É a partir desses conceitos que se cria qualquer relação com qualquer coisa. Ceder a carne, ao tempo, ao espaço, ao outro, as emoções, não deixando simplesmente de resistir.<br />
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<b><span style="font-size: large;">Qual é o gênero do caráter?</span></b></div>
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<i><b><a href="http://costuradaparadentro.blogspot.com/" target="_blank">Ludmila Castanheira</a></b></i><br />
<i>Tatuí/SP</i></div>
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O que faz de uma mulher uma mulher? O que faz de um homem um homem? Quanto do seu desejo te define? O quão determinante são saias ou calças? Qual o gênero do caráter?<br />
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<b><span style="font-size: large;">Desusagens em Poucas Palavras</span></b></div>
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<div style="text-align: right;">
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<i><b>Sonia Pinheiro</b></i><br />
<i>São Carlos/SP</i></div>
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Retirados no cotidiano, uma mãe e seu filho se inspiram, transformando a rotina em possibilidades criativas para saborear alimento e a POEsia de Arnaldo Antunes, Manoel de Barros e Renan Inquérito.<br />
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<b><span style="font-size: large;">Espaços em Dobra - uma deriva entre memórias</span></b></div>
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<div style="text-align: left;">
<i><b>Diego Baffi </b></i><b><i>(quandonde intervenções urbanas)</i></b><br />
<i>Curitiba/PR</i></div>
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'Alguma coisa aconteceu então no seu íntimo; alguma coisa misteriosa e definitiva que o desprendeu do tempo atual e o levou à deriva por uma inexplorada região de lembranças.' Gabriel Garcia Marques, em "Cem anos de solidão".<br />
O interventor Diego Elias Baffi - quandonde intervenções urbanas em arte - realiza a partir da rua Uberlância, em Curitiba (PR), deriva motivada pela troca de lembranças que se realizará por telefone com participantes do Festival de Apartamento.<br />
A ação terá a mesma duração do festival.<br />
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<b><span style="font-size: large;">Sem Título</span></b><br />
<div style="text-align: right;">
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<i><b>Brenda Ferraz</b></i><br />
<i>Uberlândia/MG</i></div>
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<b><span style="font-size: large;">Eu sem nome</span></b><br />
<div style="text-align: right;">
<div style="text-align: left;">
<i><b>Anna Bida</b></i><br />
<i>Uberlândia/MG</i></div>
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"Eu sem nome" é a perfomance que, através da ocupação de um banheiro público com ações tipicamente femininas que habitualmente ocorrem neste local, constroi e destroi uma personagem. Ela busca uma identidade, padronizando-se, (de)compondo-se, transmutando-se em várias de si, na ânsia vã de personificar o reflexo do que realmente ela é.<br />
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<b><span style="font-size: large;">Solana</span></b><br />
<div style="text-align: right;">
<div style="text-align: left;">
<i><b>Magr Is</b></i><br />
<i>Uberlândia/MG</i></div>
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<br />
Solana<br />
Se vera<br />
Da sombra<br />
O ventre<br />
Possa nova<br />
Sobre o tempo<br />
Tem pó e po e ira<br />
Massiva<br />
Pressente, onírica.<br />
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<span style="font-size: x-large;">E, finalmente, entreatos, convívio e celebração:</span></div>
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Fotos: <a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a>, <a href="http://cabenamao.blogspot.com/" style="background-color: white;">Thaíse Nardim</a>, <a href="https://www.facebook.com/elder.ildefonso?fref=ts" target="_blank">Élder Sereni</a> e <a href="http://www.youtube.com/user/Ramanery" style="text-align: left;" target="_blank">Ramanery</a></div>
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E agradecimentos a todos que prestigiaram e colaboraram com a realização de mais um Festival de Apartamento.<br />
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<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Rodrigo Emanoel Fernandeshttp://www.blogger.com/profile/04663486540183188862noreply@blogger.com2tag:blogger.com,1999:blog-4462342586887969312.post-59531792630700248722012-03-04T15:46:00.000-08:002014-07-24T15:28:48.955-07:00XI Festival de Apartamento (Campinas/SP) - Registro das Performances Apresentadas<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqHS6-C6Ric9EFtY7VJMkDXiVjhexrrdSrtW5bLqKW95Z5RuIaGrbQnButXVrkqoprtRx97OdFt3zD1jkBImyfC9skOLT-KxMZEgu_0CcangiwB81jgPM70q4eYIEycAAh4sM7S7r5HQ6h/s1600/festival-apartamento-xi-campinas-foto-leandro-pena-126.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqHS6-C6Ric9EFtY7VJMkDXiVjhexrrdSrtW5bLqKW95Z5RuIaGrbQnButXVrkqoprtRx97OdFt3zD1jkBImyfC9skOLT-KxMZEgu_0CcangiwB81jgPM70q4eYIEycAAh4sM7S7r5HQ6h/s1600/festival-apartamento-xi-campinas-foto-leandro-pena-126.jpg" height="265" width="400" /></a>O <b>décimo primeiro Festival de Apartamento</b> teve uma série de particularidades que só vêm reforçar a ideia de que cada edição tem características próprias e, uma vez engatilhada, se concretiza à sua maneira, conforme a constelação de subjetividades reunidas.</div>
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Dessa vez recebemos o maior número de inscrições, trinta no total (com quatro desistências, o que não deixa também de ser um tipo de marco). Tivemos a maior abrangência geográfica, com a participação de artistas de 14 cidades diferentes, entre os estados de São Paulo, Minas Gerais, Paraná, Tocantins, Alagoas, Espírito Santo, Ceará e Rio de Janeiro. E o maior público presente até hoje.</div>
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Toda essa dimensão traz consequências ambivalentes. Por um lado, é motivo de felicidade e encantamento: por perceber, outra vez, a força da <i>performance art </i>e seus artistas; e por lembrar que este evento começou como um despretensioso e obscuro festim de amigos. Por outro lado, torna inevitável certas considerações sobre o futuro.</div>
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Ainda nos parece desejável a ausência tanto de seleção curatorial quanto de recursos ou endosso de instituições, bem como o uso de casas comuns, não formatadas para eventos artísticos. Enfim, o caráter sadiamente amador do festival, que se realiza a partir das iniciativas e recursos individuais de cada um dos envolvidos, sejam organizadores, performers ou colaboradores. Infelizmente, para manter o festival com essas características que o diferenciam, algum critério para limitar as inscrições a um número viável terá que ser aplicado nas edições futuras. Ainda está em discussão, mas provavelmente faremos o encerramento abrupto das inscrições assim que o limite de capacidade da casa da vez for alcançado. Assim, futuros participantes, não deixem para a última hora. ;)</div>
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Mas voltemos ao presente. Realizado mais uma vez na <b>Saudável Casa Subversiva - Campinas</b>, sob os auspícios de nossos anfitriões <a href="http://estranhocorpo.blogspot.com/" target="_blank">Flávio Rabelo</a>, <a href="http://oputosemiotico.blogspot.com/" target="_blank">Patrik Vezali</a> e <a href="https://www.facebook.com/emersondea.arara" target="_blank">Emerson-Dia Arara</a> e as bençãos dos nobres felinos<b> Fiori</b> (foto), <b>Bertold Brecht</b> e <b>Poquinha</b> (e família), o <i>XI Festival de Apartamento</i> infelizmente não pôde contar com nosso fotógrafo habitual, o incansável <a href="http://anavegris.blogspot.com/" target="_blank">Murilo de Paula</a>, mas em compensação tivemos muitas colaborações para o registro. Além das organizadoras <a href="http://costuradaparadentro.blogspot.com/" style="background-color: white; text-align: center;" target="_blank">Ludmila Castanheira</a> e <a href="http://cabenamao.blogspot.com/" style="background-color: white; text-align: center;" target="_blank">Thaíse Nardim</a> se desdobrando para capturar todos os trabalhos, tivemos o apoio dos fotógrafos <a href="http://www.leandropena.com/" style="background-color: white; text-align: center;" target="_blank">Leandro Pena</a> (que já havia colaborado com a edição anterior), <a href="http://www.flickr.com/photos/rodolfolb/" style="background-color: white; text-align: center;" target="_blank">Rodolfo Lo Bianco</a> e <a href="http://valeriabranco.blogspot.com/" style="background-color: white; text-align: center;" target="_blank">Valéria Branco</a>, além da performer <a href="http://www.camilalacerda.com.br/" style="background-color: white; text-align: center;" target="_blank">Camila Lacerda</a>. O resultado desse esforço conjunto pode ser apreciado abaixo, no registro de mais um <b>Festival de Apartamento</b>.</div>
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<span style="font-size: x-large;"><b>XI Festival de Apartamento (Campinas/SP)</b></span></div>
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<span style="font-size: large;"><i>Arte da Performance</i></span></div>
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04/02/2012</div>
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<a href="http://festivaldeapartamento.blogspot.com/" style="background-color: white;">http://festivaldeapartamento.blogspot.com/</a></div>
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<a href="http://twitter.com/fest_apartament" style="background-color: white;">http://twitter.com/fest_apartament</a></div>
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<span style="background-color: white;"><b>Organização:</b></span></div>
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<a href="http://cabenamao.blogspot.com/" style="background-color: white;" target="_blank">Thaíse Nardim</a></div>
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<a href="http://costuradaparadentro.blogspot.com/" style="background-color: white;" target="_blank">Ludmila Castanheira</a></div>
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<a href="http://lordevelho.blogspot.com/" style="background-color: white;" target="_blank">Rodrigo Emanoel Fernandes</a></div>
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<span style="background-color: white;"><b>Anfitriões:</b></span></div>
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<span style="background-color: white;"><i>Saudável Casa Subversiva - Campinas</i></span></div>
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<a href="http://estranhocorpo.blogspot.com/" style="background-color: white;" target="_blank">Flávio Rabelo</a><span style="background-color: white;">, </span><a href="http://oputosemiotico.blogspot.com/" style="background-color: white;" target="_blank">Patrik Vezali</a><span style="background-color: white;">, </span><a href="https://www.facebook.com/emersondea.arara" style="background-color: white;" target="_blank">Emerson-Dia Arara</a></div>
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<span style="background-color: white;"><b>Fotógrafos:</b></span></div>
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<a href="http://costuradaparadentro.blogspot.com/" style="background-color: white;" target="_blank">Ludmila Castanheira</a>
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<a href="http://cabenamao.blogspot.com/" style="background-color: white;" target="_blank">Thaíse Nardim</a></div>
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<a href="http://www.leandropena.com/" style="background-color: white;" target="_blank">Leandro Pena</a></div>
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<span style="background-color: white;"><a href="http://www.flickr.com/photos/rodolfolb/" target="_blank">Rodolfo Lo Bianco</a></span></div>
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<span style="background-color: white;"><a href="http://www.camilalacerda.com.br/" target="_blank">Camila Lacerda</a></span></div>
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<a href="http://valeriabranco.blogspot.com/" target="_blank">Valéria Branco</a></div>
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<span style="font-size: 23px;"><span style="font-weight: bold;">Registro das Performances Apresentadas</span></span></div>
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(listadas por <span style="font-weight: bold;">ordem de inscrição</span>, com sinopses enviadas pelos performers<span style="font-weight: bold;"></span>)</div>
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<span style="font-size: xx-small;"><span style="color: red; font-size: x-small; font-weight: bold;">ATENÇÃO</span><span style="color: red; font-size: x-small;">:</span> Pedimos gentilmente que as imagens veiculadas aqui <span style="color: red; font-size: x-small; font-weight: bold;">não sejam reproduzidas em outros sites ou blogs sem a autorização dos respectivos artistas</span><span style="color: #3333ff;">.</span> </span><b><span style="font-size: xx-small;">Os links para os sites, blogs ou e-mails de cada performer estão disponíveis abaixo para contato</span></b><span style="font-size: xx-small;"><b>.</b> Apesar de parecer um pedido ingênuo numa época em que imagens podem ser reproduzidas ao infinito, <span style="font-style: italic;">as vezes sem nenhuma preocupação com as pessoas fotografadas e com o contexto em que suas imagens podem acabar sendo exibidas</span>, ainda assim apelamos para o seu bom senso. Obrigado.</span></div>
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<span style="font-size: 130%;"><span style="font-weight: bold;">Amor em tempos de cólera</span><span style="font-style: italic;"><span style="font-weight: bold;"><br /></span></span></span><span style="font-size: 100%; font-style: italic; font-weight: bold;">OutroLuiz</span><br />
<span style="font-size: 85%; font-style: italic;">Mairinque/SP</span><br />
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A atrocidade feita pelas Bombas Nucleares infelizmente ainda vive em nós, mesmo sem vivê-la fisicamente. "Amor em tempos de Guerra" é meu grito-mudo contra essa sensação que não sai da pele.<br />
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<span style="font-size: 130%; font-weight: bold;">Desatenção Y</span><br />
<a href="http://osnumerosprimos.wordpress.com/" style="font-size: 100%; font-style: italic; font-weight: bold;" target="_blank">Filipe Porto</a><br />
<span style="font-size: 85%; font-style: italic;">Palmas/TO</span><br />
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Deficit de atenção, geração Y, ritmo de vida do 3º milênio, todos usados como desculpa para a falta de atenção, que será posta a prova, buscando o sucesso com a certeza da falha.<br />
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<span style="font-size: 130%; font-weight: bold;">Canonizador</span></div>
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<a href="http://www.facebook.com/profile.php?id=100002661897849" target="_blank"><span style="font-size: 100%;"><span style="font-style: italic;">acseita coletivo</span></span></a></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">Rio de Janeiro/RJ</span></div>
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<span style="font-weight: normal;"><br />Instalação baseada no mandamento de Deus de sermos santos. Em Levítico e Pedro.</span><br />
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<span style="font-size: 130%;">Estigma</span></div>
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<a href="http://www.flickr.com/photos/ciavacivu" target="_blank"><span style="font-size: 100%;"><span style="font-style: italic;">Daniel Viana</span></span></a></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">São Paulo/SP</span></div>
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Utilizando velas, gota a gota o performer vai criando em seus próprios pés uma imagem de estigmatizado. Muitos fiéis causam os ferimentos e exibem as falsas chagas de Cristo e ainda trazem mensagens do céu. Alguns cobram pelo serviço. Desta forma, os estigmatizados são atores, performers ou santos?<br />
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<span style="font-size: 130%;">Incubação. Transbordamento para corpo d’água</span></div>
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<a href="http://www.rubianemaia.com/" target="_blank"><span style="font-size: 100%; font-style: italic; font-weight: bold;"><span style="font-weight: normal;"></span></span><span style="font-style: italic;">Rubiane Maia</span></a></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">Vitória/ES</span></div>
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<span style="font-size: 100%;"><span style="font-weight: normal;">Algo corre e escorre dentro e fora de nós, algo como uma corrente que derrama e transborda. Incubação e transbordamento podem ser considerados movimentos opostos, no entanto ambos falam da relação entre fluxo e tempo. Aqui, um corpo se liquidifica em meio à demora nos desvios e nas delicadezas.</span></span></div>
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<span style="font-size: large;">"artist must be powerful, art must be powerful"</span></div>
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<span style="font-size: 100%; font-style: italic;">Livia Piccolo</span></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">São Paulo/SP</span></div>
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Em cima de um chão forrado de espelhos, a artista vestida de Superwoman permanece em pé durante 5 horas, com os pés descalços cercados por cacos de vidro. Carrega vidros nas mãos, permanece em silêncio e mantém o olhar fixo em um pequeno espelho colocado alguns metros adiante.<br />
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<span style="font-size: large;">Alice desconhecida</span></div>
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<a href="http://semnomeperformance.blogspot.com/" target="_blank"><span style="font-size: 100%; font-style: italic;">Raísa Inocêncio</span></a></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">Parajuru/CE+Rio de Janeiro/RJ</span></div>
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<span style="font-weight: normal;">Uma sequência de ações se desenrolam enquanto Alice escuta sua rádio interior. São canções que vão de poemas sonoros, a barulhos e interferências. Se fosse um roteiro de cinema seria a história de uma mulher sozinha em casa cantando e lavando roupa. Esperando o tempo passar sem saber o que fazer.</span></div>
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<span style="font-size: large;">Sementes Semelhantes</span></div>
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<a href="http://www.camilalacerda.com.br/" target="_blank"><span style="font-size: 100%;"><span style="font-style: italic; font-weight: bold;">Camila Lacerda</span></span></a></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">Belo Horizonte/MG</span></div>
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<span style="font-weight: normal;">Sementes Semelhantes são palavras em forma de sementes que são plantadas pela performer em vasos de flor e discute a relação entre o ser humano e a natureza.</span></div>
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<span style="font-size: large;">Kahlo em mim</span></div>
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<div style="text-align: right;">
<div style="text-align: left;">
<span style="font-size: 100%; font-style: italic;">Felipe Monteiro</span></div>
</div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">Maceió/AL</span></div>
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<div style="text-align: left;">
<i><br /></i></div>
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<div style="text-align: right;">
<div style="text-align: left;">
<span style="font-weight: normal;">Kahlo em mim, é uma performance autobiográfica que aborda a instauração de estigmas e que utiliza Frida Kahlo como matriz poética.</span></div>
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<span style="font-weight: normal;"><br /></span></div>
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<div style="text-align: center;">
<iframe allowfullscreen="" frameborder="0" height="450" scrolling="no" src="http://embed.videolog.tv/v/index.php?id_video=759705&width=600&height=450&related=&hd=&color1=cccccc&color2=cccccc&color3=666666&slideshow=true&config_url=&" width="600"></iframe></div>
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<br /></div>
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<span style="font-size: 130%;"></span></div>
<div style="font-weight: bold; text-align: left;">
<span style="font-size: large;">Ação Assintomática</span><br />
<a href="http://gilioarte.blogspot.com/" style="font-size: 100%; font-style: italic;" target="_blank">Gilio Mialichi</a><br />
<span style="font-style: italic; font-weight: normal;">Limeira/SP</span><br />
<span style="font-style: italic; font-weight: normal;"><br /></span></div>
</div>
<div style="text-align: left;">
Ações naturais e humanas abordam o universo materno por meio de uma poética que se reordena e manifesta a importância de cada elemento utilizado. Nesse caso apresenta uma continuação, onde a doença e a cura ainda são evidenciadas pelo significado dos elementos, dentro desse universo.<br />
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<embed flashvars="host=picasaweb.google.com&noautoplay=1&hl=pt_BR&feat=flashalbum&RGB=0xffffff&feed=https%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2Ffestivaldeapartamento%2Falbumid%2F5715346233581950705%3Falt%3Drss%26kind%3Dphoto%26authkey%3DGv1sRgCJLH3YXZ2IKOmgE%26hl%3Dpt_BR" height="400" pluginspage="http://www.macromedia.com/go/getflashplayer" src="https://picasaweb.google.com/s/c/bin/slideshow.swf" type="application/x-shockwave-flash" width="600"></embed></div>
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<a href="http://4.bp.blogspot.com/-jvJJM7ZF_bQ/T1D-FEOMULI/AAAAAAAAFbo/4vTmDsDMoRQ/s1600/festival-apartamento-xi-campinas-foto-leandro-pena-98.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-jvJJM7ZF_bQ/T1D-FEOMULI/AAAAAAAAFbo/4vTmDsDMoRQ/s320/festival-apartamento-xi-campinas-foto-leandro-pena-98.jpg" height="320" width="213" /></a><a href="http://4.bp.blogspot.com/-EV-05vosg1k/T1D-2WO9MEI/AAAAAAAAFfA/Ivs3f8sl39c/s1600/Foto+Thaise+Nardim+%252844%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-EV-05vosg1k/T1D-2WO9MEI/AAAAAAAAFfA/Ivs3f8sl39c/s320/Foto+Thaise+Nardim+%252844%2529.JPG" height="320" width="213" /></a></div>
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<span style="font-size: 130%;"></span></div>
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<span style="font-size: large;">Inviolável</span></div>
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<div style="font-weight: bold; text-align: right;">
<div style="text-align: left;">
<i>Grupo Protótipo Tópico</i></div>
<div style="text-align: left;">
<i style="font-weight: normal;">Fábio Valério </i><span style="font-weight: normal;">e</span><i style="font-weight: normal;"> Lidiane Marques</i>
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<div style="text-align: left;">
<span style="font-style: italic; font-weight: normal;">Bauru/SP</span></div>
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<div style="font-weight: bold;">
<span style="font-size: 85%; font-style: italic; font-weight: normal;">
</span></div>
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<br /></div>
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Corpos que gritam, embalados a vácuo, dilacerados e violados.<br />
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<div style="text-align: center;">
<embed flashvars="host=picasaweb.google.com&noautoplay=1&hl=pt_BR&feat=flashalbum&RGB=0xffffff&feed=https%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2Ffestivaldeapartamento%2Falbumid%2F5715340189332178225%3Falt%3Drss%26kind%3Dphoto%26authkey%3DGv1sRgCNH64daynZ_nKg%26hl%3Dpt_BR" height="400" pluginspage="http://www.macromedia.com/go/getflashplayer" src="https://picasaweb.google.com/s/c/bin/slideshow.swf" type="application/x-shockwave-flash" width="600"></embed></div>
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<a href="http://1.bp.blogspot.com/-g1o-aoqR3l4/T1D4F5UPajI/AAAAAAAAFFs/DYVe1kIiEyU/s1600/festival-apartamento-xi-campinas-foto-leandro-pena-219.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-g1o-aoqR3l4/T1D4F5UPajI/AAAAAAAAFFs/DYVe1kIiEyU/s400/festival-apartamento-xi-campinas-foto-leandro-pena-219.jpg" height="266" width="400" /></a></div>
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<span style="font-size: 130%;"></span><br />
<div style="text-align: left;">
<span style="font-size: large;">desusagens diárias</span></div>
</div>
<div style="font-weight: bold;">
<div style="text-align: left;">
<a href="http://letraempretoebranco.blogspot.com/" target="_blank"><span style="font-size: 100%; font-style: italic;">Daniela Soledade</span></a></div>
</div>
<div style="font-weight: bold;">
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">São Carlos/SP</span></div>
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<br /></div>
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<div style="font-weight: bold;">
<span style="font-weight: normal;">Uma mulher decide compartilhar com estranhos seus diários de adolescente.</span></div>
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<span style="font-weight: normal;"><br /></span></div>
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<span style="font-weight: normal;"><embed flashvars="host=picasaweb.google.com&noautoplay=1&hl=pt_BR&feat=flashalbum&RGB=0xffffff&feed=https%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2Ffestivaldeapartamento%2Falbumid%2F5715380402231813553%3Falt%3Drss%26kind%3Dphoto%26authkey%3DGv1sRgCLfTnrDtlrSZHw%26hl%3Dpt_BR" height="400" pluginspage="http://www.macromedia.com/go/getflashplayer" src="https://picasaweb.google.com/s/c/bin/slideshow.swf" type="application/x-shockwave-flash" width="600"></embed></span></div>
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<a href="http://3.bp.blogspot.com/-UHuym1flirg/T1EcYjE2QqI/AAAAAAAAHJk/124jIY9XSY8/s1600/festival-apartamento-xi-campinas-foto-leandro-pena-39.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-UHuym1flirg/T1EcYjE2QqI/AAAAAAAAHJk/124jIY9XSY8/s400/festival-apartamento-xi-campinas-foto-leandro-pena-39.jpg" height="266" width="400" /></a></div>
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<div style="font-weight: bold;">
<span style="font-size: 130%;"></span><br />
<div style="text-align: left;">
<span style="font-size: large;">Unmade Bed</span></div>
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<div>
<div style="font-weight: bold; text-align: left;">
<a href="https://xtangelx.wordpress.com/" style="font-size: 100%; font-style: italic;" target="_blank">T. Angel</a></div>
<div style="font-size: 100%; text-align: left;">
<div style="font-weight: bold;">
<span style="font-size: 85%; font-style: italic; font-weight: normal;">São Paulo/SP </span></div>
<div style="font-weight: bold;">
<span style="font-size: 100%; font-weight: normal;"><br /></span></div>
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<div style="font-weight: bold;">
<span style="font-size: 100%; font-weight: normal;">Unmade Bed é uma performance de T. Angel que pretende explorar as multi-possibilidades de comunicação e interconexão entre corpos. O artista convida o público – um a um e em distintos intervalos - para vivenciar um momento no tempo. Momento este em que cada um será insubstituível e inesquecível.</span></div>
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<span style="font-size: 100%; font-weight: normal;"><br /></span></div>
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<span style="font-size: 100%; font-weight: normal;"><embed flashvars="host=picasaweb.google.com&noautoplay=1&hl=pt_BR&feat=flashalbum&RGB=0xffffff&feed=https%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2Ffestivaldeapartamento%2Falbumid%2F5715368605236330017%3Falt%3Drss%26kind%3Dphoto%26authkey%3DGv1sRgCMjArt-Ggo3-ZA%26hl%3Dpt_BR" height="400" pluginspage="http://www.macromedia.com/go/getflashplayer" src="https://picasaweb.google.com/s/c/bin/slideshow.swf" type="application/x-shockwave-flash" width="600"></embed></span></div>
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<a href="http://4.bp.blogspot.com/-eOouTM7tSy4/T1ESP-ZaI6I/AAAAAAAAGjY/8zJJ4WcKiZE/s1600/Foto+Thaise+Nardim+%2528152%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-eOouTM7tSy4/T1ESP-ZaI6I/AAAAAAAAGjY/8zJJ4WcKiZE/s400/Foto+Thaise+Nardim+%2528152%2529.JPG" height="266" width="400" /></a></div>
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<div style="text-align: center;">
<br /></div>
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<div>
<div style="font-weight: bold;">
<span style="font-size: 130%;"></span><br />
<div style="text-align: right;">
<div style="text-align: left;">
<span style="font-size: large;">Churrasquinho</span></div>
</div>
</div>
<div style="font-weight: bold;">
<div style="text-align: right;">
<div style="text-align: left;">
<a href="http://grupoengasgagato.wordpress.com/" target="_blank"><span style="font-size: 100%;"><span style="font-style: italic;">Confluências-Engasga Gato</span></span></a></div>
</div>
</div>
<div style="text-align: right;">
<div style="text-align: left;">
<i>Bruno Morais, Alvaro Cherubini, Gabriel Galhardo, Camila Moro, Fausto Ribeiro, Emiliano Favacho, Rubia de Campos </i></div>
</div>
<div style="text-align: left;">
<i>Ribeirão Preto/SP</i></div>
<div style="text-align: left;">
<i><br /></i></div>
</div>
<div>
<div>
<div style="text-align: right;">
<div style="text-align: left;">
<div style="font-weight: bold;">
<span style="font-weight: normal;">Dizem que o bacon, vinagre na chapa e orégano dão o cheiro avassalador...., dizem quantos bifes cabem numa Geoge Foreman ( que um dia colocou Mohamed ali no chão)? cortá-los numa tábua de carne? tábua de salvação? e o que falar: só mais um minutinho... , já tá quase pronto...</span></div>
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<span style="font-weight: normal;"><br /></span></div>
<div style="font-weight: bold; text-align: center;">
<span style="font-weight: normal;"><embed flashvars="host=picasaweb.google.com&noautoplay=1&hl=pt_BR&feat=flashalbum&RGB=0xffffff&feed=https%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2Ffestivaldeapartamento%2Falbumid%2F5715355303947532369%3Falt%3Drss%26kind%3Dphoto%26authkey%3DGv1sRgCPXrncrWxKSc9gE%26hl%3Dpt_BR" height="400" pluginspage="http://www.macromedia.com/go/getflashplayer" src="https://picasaweb.google.com/s/c/bin/slideshow.swf" type="application/x-shockwave-flash" width="600"></embed></span></div>
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<span style="font-size: 130%;"></span><br />
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<span style="font-size: large;">DESusagens</span></div>
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<span style="font-style: italic;">luz...ir</span></div>
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<span style="font-weight: normal;"><span style="font-size: 14px; font-style: italic;">São Carlos/SP</span> </span></div>
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Desusando o lixo de si e a arte d@s outr@s</div>
<div style="text-align: left;">
a linguagem busca</div>
<div style="text-align: left;">
reconstruir possíveis pontes</div>
<div style="text-align: left;">
caminhos para literaturARTEs</div>
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inspiradas na Poesia de Manoel de Barros.<br />
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<span style="font-size: large; font-weight: bold; text-align: left;"><br /></span>
<div style="text-align: left;">
<span style="font-size: large; font-weight: bold;">every-body</span></div>
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<div style="text-align: left;">
<span style="font-style: italic;">Gustavo Torres</span></div>
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<span style="font-weight: normal;"><span style="font-size: 14px; font-style: italic;">Rio de Janeiro/RJ</span> </span></div>
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<i><br /></i></div>
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every-body explora as múltiplas possibilidades do corpo. transgride estatutos cristalizados com a violência com que cria dispositivos de criação de si. espaço-tempo de liberdade que o corpo carrega para fora.<br />
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<span style="font-size: 130%; font-weight: bold;"></span><br />
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<span style="font-weight: bold;"><span style="font-size: large;">Primeiro a coragem</span></span><br />
<b style="font-size: 100%; font-style: italic;"><a href="http://contemporaryperformance.org/profile/JenyfferLisboa" style="font-size: 100%; font-style: italic;" target="_blank">Jenyffer Lisboa</a></b><br />
<i>Tatuí/SP</i><br />
<br />
Um mergulho dentro de si, passando pelo cerebro, coracao e estomago, defecando o gene materno, primeiramente, com todas suas nuancias. Deparar-se com a verdade nunca e facil."Meu maior medo é ficar louca, ou pior, descobrir que sempre fui." 22/01/2012 - 02:16 am.<br />
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<span style="font-size: large;">Laboratório In situ #1</span></div>
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<span style="font-size: 100%;"><span style="font-style: italic;"><a href="http://www.andar7.com/" target="_blank">Andar7</a></span></span></div>
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<i>Luciana Ramin e Gabriel Netto</i></div>
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<span style="font-size: 85%;"><span style="font-weight: normal;"><i>São Paulo/SP</i></span></span></div>
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<span style="font-weight: normal;">"Laboratório In situ #1" é a invenção de um equipamento que se coloca em teste, para a confirmação de que tudo funcionará como um sistema. O ponto de partida é o lugar, onde seu conteúdo pode ou não ser manipulado, mas a presença, seja dos performers ou do público a modificam transubstancialmente.</span></div>
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<span style="font-size: 130%;"></span><br />
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<span style="font-size: large;">Alfabetização para Maiores</span></div>
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<span style="font-size: 100%; font-style: italic;">André Daniel</span></div>
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<i></i></div>
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<i>Coletivo Ode à Baco</i></div>
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<i>Criação: André Daniel; </i><i>Fotografia de divulgação: Aline Ribeiro</i></div>
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<i>Curitiba/PR</i></div>
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Dadá is dead. Dead is not Dadá. Dadá deu de novo (curtiu). Pacatatucotianão.<br />
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<b><span style="font-size: large;">CRÚTERO</span></b><br />
<i><b><a href="http://jubomtempo.blogspot.com/" target="_blank">Juliana Bom-Tempo</a></b></i><br />
<i>Juliana Bom-Tempo (Concepção e performer); </i><i>Cristiano Barbosa (Produção executiva, edição de imagem e câmera); </i><i>Luciana Ramin (Auxílio técnico)</i></div>
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<i>Campinas/SP</i></div>
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O que pode o risco da não efetivação? corpo como passagem, ponte, devir, tornar-se. O corpo como potência de forças, uma prática em uma experiência limítrofe. Corpos-fissuras, viscerais, intra-úteros, nus e crus. No parto, o risco de toda a gestação não vingar. E o risco de vingar.<br />
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<b><span style="font-size: large;">Instante Constelado</span></b></div>
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<i><b>ETA AQUARÍDEA</b></i></div>
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<i>Mariana Bley, Pablo Pablo, Igor Cabral, Rebecca Ramos, Cris Miranda</i></div>
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<i>Rio de Janeiro/RJ</i></div>
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O tempo-presente não é fixo, e existe um fluxo...Através de projeções, improvisação sonora, câmera-corpo e dança, tudo simultaneamente [num híbrido de linguagens] , a performance busca entrar em sintonia com o público presente, criando a cada edição uma constelação única, um abraço ao acaso.<br />
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<b><span style="font-size: large;">.do não cansaço.2.</span></b></div>
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<i><b><a href="http://meninassemnome.tumblr.com/" target="_blank">Coletivo das Meninas Sem Nome</a></b></i><br />
<i>com Janaína Carrer</i></div>
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<i>São Paulo/SP</i></div>
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Da série “Modos de esgotar os possíveis”. Um corpo esgotado e sua ação de deitar-se. “Estava-se cansado de alguma coisa, mas esgotado de nada... pois renunciou a toda necessidade, preferência, finalidade ou significação." ( G. Deleuze – O esgotado)<br />
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<b><span style="font-size: large;">Me gritaron Negra</span></b></div>
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<i><b>Coletivo Ode à Baco</b></i></div>
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<i>Kamylla Paola e </i><i style="text-align: left;">Pedro Gonçalves</i></div>
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<i>Curitiba/PR</i></div>
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Um grito, clamor, dor, resistência. Ser negra, estar negra. A dança, o som, o tambor. O rito, sangue e furor. Atabaque chora, o corpo vira energia, Axé.<br />
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<b><span style="font-size: large;">Sobre amar aos vinte anos</span></b></div>
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<i><b><a href="http://dogilrodrigues.blogspot.com/" target="_blank">Gil Rodrigues</a></b></i><br />
<i>Rio de Janeiro/RJ</i></div>
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Performance-exorcismo de afetos.<br />
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<b><span style="font-size: large;">Rito #4: subtração de quartos no festival de apartamento</span></b></div>
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<i><b><a href="http://adalgisacampos.blogspot.com/" target="_blank">Adalgisa Campos</a></b></i><br />
<i>São Paulo/SP</i></div>
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Em Rito #4 parto das dimensões de um quarto, elemento de uma coleção de medições que se constitui há anos. Pelo deslocamento de seixos no chão, espaço representado e real se subtraem, formando um novo lugar de onde desenho uma estrutura germinante, imagem recorrente em minha produção.<br />
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<b><span style="font-size: large;">Desfrutáveis</span></b></div>
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<i><b><a href="http://costuradaparadentro.blogspot.com/" target="_blank">Ludmila Castanheira</a></b></i></div>
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<i>Tatuí/SP</i></div>
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Instalação com resíduos da ação "desfrute", realizada na "Casa Relâmpago"</div>
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A foto é um trisquinho do fato.<br />
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<b><span style="font-size: large;">Traje do Paulistano </span></b><span style="font-size: large;"><b>- Traje de Verão da Paulistana Gripada</b></span></div>
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<i><b>Tábata Costa</b></i></div>
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<i>São Paulo/SP</i></div>
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O Traje do Paulistano® é o traje ideal para habitantes não apenas da metrópole paulistana, mas de qualquer grande cidade estarem protegidos e prontos para tudo ao enfrentar o dia-a-dia e as intempéries contemporâneas quando se cruza a cidade de casa para o trabalho e do trabalho para casa.<br />
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<i>(<b>Nota da Organização</b>: Incapacitada de ir pessoalmente ao festival devido a problemas de saúde, a performer readaptou o trabalho, mesclando-o à prosaica necessidade de ir ao posto de saúde, no mesmo sábado em que foi realizado o festival. Fotos de <b>Milene Valentir</b>)</i><br />
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<span style="font-size: x-large;">E, finalmente, entreatos, convívio e celebração:</span></div>
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Fotos: <a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a>, <a href="http://cabenamao.blogspot.com/" style="background-color: white;">Thaíse Nardim</a>, <a href="http://www.leandropena.com/" style="background-color: white;">Leandro Pena</a>, <a href="http://www.camilalacerda.com.br/" style="background-color: white; font-size: 16px; text-align: left;" target="_blank">Camila Lacerda</a>, <a href="http://valeriabranco.blogspot.com/" style="background-color: white;" target="_blank">Valéria Branco</a></div>
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E agradecimentos a todos que prestigiaram e colaboraram com a realização de mais um Festival de Apartamento.<br />
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<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Rodrigo Emanoel Fernandeshttp://www.blogger.com/profile/04663486540183188862noreply@blogger.com0tag:blogger.com,1999:blog-4462342586887969312.post-21188695249179484052011-11-05T11:01:00.001-07:002013-06-28T10:02:29.975-07:00X Festival de Apartamento (Campinas/SP) - Registro das Performances Apresentadas<div class="separator" style="clear: both; text-align: center;">
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E assim chegamos ao <b><i>décimo Festival de Apartamento</i> </b>em pouco menos de cinco anos de estrada. Uma edição que não foi planejada como comemorativa, mas acabou sendo. Não apenas por ter finalmente se realizado na casa do "<i>padinho</i>" do festival, o nobre <b><i>Flávio Rabelo</i></b>, que dividiu a função de anfitrião com os fiéis escudeiros <b><i>Patrik Vezali</i></b> e <b><i>Emerson-Dia Arara</i></b>, mas também por ter tido o maior número de inscrições até hoje (mais de 20) o que nos obrigou a fazer algo que sempre tentamos ao máximo não fazer: recusar algumas inscrições, simplesmente por terem sido enviadas tarde demais, às vésperas, quando nossa capacidade de lidar com tantos trabalhos simultaneamente já estava mais que tomada. (e vale lembrar que <b>um dos objetivos do festival sempre foi não realizar nenhuma forma de seleção ou curadoria</b>, aceitando todos os trabalhos inscritos sem impor nenhum critério - exceto, claro, a necessidade de que sejam performances possíveis de serem realizadas numa residência comum - <b>deixando assim que o próprio festival em si, na sua mistura de performers, público e colaboradores, se encarregue de atribuir quaisquer juízos de valor</b>, no calor do momento, na repercussão que se segue...)<br />
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Ainda assim, foi uma noite notável. Inúmeros trabalhos, tão diversos em conceitos, estéticas e objetivos, mas que, tanto em sua sucessão quanto em sua simultaneidade, mesclaram-se em formas inesperadas sob o escrutínio de um público mais do que disposto a nublar os limites entre executante e observador, seja tirando casquinhas, roubando garrafas d´água, enviando sms, comendo morangos, bebendo lágrimas, se desnudando, tocando ou sendo tocado... tomando partido.<br />
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E temos muito a agradecer, não apenas aos nossos (mais que) anfitriões, que se desdobraram em mil para cuidar de todas as necessidades do evento sem descuidar dos próprios trabalhos, mas também ao nosso fotógrafo oficial <b><i>Murilo de Paula</i></b>, sempre de olho nos ângulos mais inusitados, e ao grande <b><i>Leandro Pena</i></b>, que veio de São Paulo não apenas disposto a fotografar todo o festival mas também compartilhar seu trabalho conosco e com todos os performers. Valeu demais!<br />
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E não podemos deixar de mencionar a pequena e determinada <b><i>Beatriz Sampaio</i></b>, que salvou a pátria sábado a tarde ao manobrar para fora da garagem uma kombe bastante temperamental que nenhum dos marmanjos presentes conseguia sequer dar a partida! É isso aí, Bia! Humilha mesmo!<br />
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E, finalmente, agradecemos e dedicamos essa décima edição do Festival de Apartamento à <b><i>Poquinha</i></b>, ao <b><i><span class="fbPhotoCaptionText">Bertold Brecht</span></i></b> e à <b><i>Fiori</i></b> (na foto, performando) que, afinal, são os verdadeiros donos da casa. Sem a autorização deles nada disso teria sido possível. Como já dizia <i>Neil Gaiman</i>: "<i>Quem dá ouvidos a tudo o que seu gato tem a dizer merece tudo o que tem</i>".<br />
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<span style="color: white;">.</span><br />
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<span style="font-size: x-large; font-weight: bold;">X Festival de Apartamento (Campinas/SP)</span><br />
<span style="font-size: large; font-style: italic;">Arte da Performance</span><span style="font-size: small;"><span style="font-weight: bold;"> </span></span><br />
<span style="font-size: small;"><span style="font-weight: bold;">02 / 07 / 2011</span></span></div>
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<a href="http://festivaldeapartamento.blogspot.com/">http://festivaldeapartamento.blogspot.com/</a><br />
<a href="http://twitter.com/fest_apartament">http://twitter.com/fest_apartament</a><br />
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<span style="font-size: small;"><span style="font-weight: bold;"> </span><i>Organização</i>:</span><br />
<span style="font-size: small;"><a href="http://cabenamao.blogspot.com/" rel="nofollow" target="_blank">Thaíse Nardim</a></span><br />
<span style="font-size: small;"><a href="http://costuradaparadentro.blogspot.com/" rel="nofollow" target="_blank">Ludmila Castanheira</a></span><br />
<span style="font-size: small;"><a href="http://lordevelho.blogspot.com/" rel="nofollow" target="_blank">Rodrigo Emanoel Fernandes</a></span><br />
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<span style="font-size: small;"><i>Anfitriões</i>:</span><br />
<span style="font-size: small;"><b>Saudável Casa Subversiva - Campinas</b></span><br />
<span style="font-size: small;"><a href="http://estranhocorpo.blogspot.com/">Flávio Rabelo</a>, <a href="http://oputosemiotico.blogspot.com/">Patrik Vezali</a>, <a href="https://www.facebook.com/emersondea.arara">Emerson-Dia Arara</a></span><br />
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<span style="font-size: small;"><i>Fotógrafos</i>:</span><br />
<span style="font-size: small;"><a href="http://anavegris.blogspot.com/">Murilo de Paula</a></span><br />
<span style="font-size: small;"><a href="http://www.leandropena.com/">Leandro Pena</a></span><span style="font-size: small;"> </span><br />
<span style="font-size: small;"><a href="http://www.leandropena.com/"></a></span><span style="font-size: 180%;"><span style="font-weight: bold;"></span></span><br />
<span style="font-size: 180%;"><span style="font-weight: bold;">Registro das Performances Apresentadas</span></span><br />
(listadas por <span style="font-weight: bold;">ordem de inscrição</span>, com sinopses enviadas pelos performers<span style="font-weight: bold;"></span>)<br />
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<span style="font-size: x-small;"><span style="color: red; font-size: small; font-weight: bold;">ATENÇÃO</span><span style="color: red; font-size: small;">:</span> Pedimos gentilmente que as imagens veiculadas aqui <span style="color: red; font-size: small; font-weight: bold;">não sejam reproduzidas em outros sites ou blogs sem a autorização dos respectivos artistas</span><span style="color: #3333ff;">.</span> </span><b><span style="font-size: x-small;">Os links para os sites, blogs ou e-mails de cada performer estão disponíveis abaixo para contato</span></b><span style="font-size: x-small;"><b>.</b> Apesar de parecer um pedido ingênuo numa época em que imagens podem ser reproduzidas ao infinito, <span style="font-style: italic;">as vezes sem nenhuma preocupação com as pessoas fotografadas e com o contexto em que suas imagens podem acabar sendo exibidas</span>, ainda assim apelamos para o seu bom senso. Obrigado.</span><br />
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<span style="font-size: 130%;"> </span><span style="font-size: 130%;"><span style="font-weight: bold;">nebulosasilenciosa</span></span><br />
<span style="font-size: 130%;"><span style="font-style: italic;"><span style="font-weight: bold;"> </span></span></span><a href="http://nebulosasilenciosa.wordpress.com/nebulosasilenciosa/"><span style="font-size: 100%; font-style: italic; font-weight: bold;">Grupo Zum</span></a><br />
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<span style="font-size: 85%; font-style: italic;">Campinas/SP</span></div>
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<span style="font-size: 85%;"><span style="font-style: italic;">concepção e interpretação:</span> Daniele da Silva Faria, Fernando Catto, Helena Tavares Gonçalves, Lucas Delfino, Luiz do Patrocínio, Mariana Jorge, Tatiana Loureiro Benone; <span style="font-style: italic;">artista plástico:</span> Fabio Reis; <span style="font-style: italic;">compositor musical: </span>Thiago Liguori; <span style="font-style: italic;">maquiagem e cabelo:</span> Caio Sanfelice; <span style="font-style: italic;">câmera</span>: Diogo Albuquerque; <span style="font-style: italic;">fotografa</span>: Tamara Gigliotti; <span style="font-style: italic;">iluminação</span>: Airton Cesár de Oliveira; <span style="font-style: italic;">direção geral:</span> Marissel Marques</span></div>
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<span style="font-style: italic;">nebulosasilenciosa</span> exprime desejos e segredos do corpo, explora enigmas e tabus das regras sociais e da cultura machista/moralista/conservadora.</div>
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Seguindo a intuição para um lugar escondido e inexplorado do corpo, os performers buscam a integridade corporal e uma rachadura na restrição da liberdade.<br />
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<span style="font-size: 130%;">2:F33L 4:FR33 – Please make me real<br />
</span><span style="font-size: 100%;"><span style="font-style: italic;"><a href="http://tang3l.blogspot.com/">T. Angel</a><br />
</span></span><span style="font-size: 85%; font-style: italic; font-weight: normal;">Osasco/SP</span> <span style="font-size: 100%;"><span style="font-style: italic;"><br />
</span></span><span style="font-weight: normal;"><span style="font-style: italic;"><br />
2:F33L 4:FR33</span> busca discutir a relação homem versus ele próprio na sociedade contemporânea. O debate proposto pela ação não se predispõe a seguir num sentido apenas antagônico, mas busca passear pelas possibilidades múltiplas que nascem ou se constroem nesse processo.</span><br />
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<span style="font-size: 130%;"> </span><br />
<span style="font-size: 130%;">Ação Sintomática</span></div>
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<div style="font-weight: bold; text-align: left;">
<a href="http://gilioarte.blogspot.com/"><span style="font-size: 100%;"><span style="font-style: italic;">Gilio Mialichi</span></span></a></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">Limeira/SP</span></div>
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Ações naturais e humanas abordam o universo da maternidade por meio da repetição, procedimentos, sobreposição e transparência que agem como fatores de grande importância para a criação. Nesse caso, refere-se a doença e a cura apresentadas pelo roxo e o branco respectivamente, dentro desse universo.</span><br />
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<span style="font-size: 130%;">IKEBANA+SALTO AGULHA<br />
</span><a href="http://www.roseboaretto7.blogspot.com/"><span style="font-size: 100%;"><span style="font-style: italic;">Rose Boaretto + João Matos</span></span></a></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">Salvador/BA</span></div>
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<span style="font-weight: normal;"><span style="font-style: italic;">Ikebana + Salto agulha</span> é o resultado da pesquisa de tangências poéticas, um encontro, em que através da relação com os mesmos objetos, as agulha e as flores, unem-se as poéticas.</span><br />
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<span style="font-size: 130%;">O crime ou ...E viveram felizes para sempre</span></div>
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<span style="font-style: italic;"><a href="https://www.facebook.com/leandro.oliveiradacosta">Leandro Costa</a>, <a href="https://www.facebook.com/profile.php?id=100000938049997">Gabriela Santos</a></span></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">Campinas/SP</span></div>
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<span style="font-size: 100%;"> <span style="font-weight: normal;">A CONSTRUÇÃO DE UM CRIME.</span></span></div>
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<span style="font-size: 130%;">Passos SIS<br />
</span><a href="http://www.flickr.com/photos/brunosipavicius3/"><span style="font-size: 100%; font-style: italic; font-weight: bold;">Bruno Sipavicius</span></a></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">São Paulo/SP</span></div>
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<span style="font-weight: normal;">Minha ação performática é fundamentada na auto-pintura a partir de um sistema simbólico de cores. Cada cor utilizada em meu corpo tem um sentido, ligado à razão, emoção, biologia e igualdade. A ação de se pintar é acompanhada com cantos e falas, às vezes cômicas, em alemão e em português.</span><br />
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<span style="font-size: 130%;"><span style="font-weight: bold;">Schadenfreude: alegria vinda do coração</span></span></div>
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<a href="https://www.facebook.com/filipemporto"><span style="font-size: 100%; font-style: italic;">Filipe Porto</span></a></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">Palmas/TO</span></div>
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<span style="font-weight: normal;">Põe um dedinho na boca,</span> <span style="font-weight: normal;"> A mão vai ao joelho</span> <span style="font-weight: normal;"> Prepare o coração</span> <span style="font-weight: normal;"> Porque essa dança é só pressão!</span> <span style="font-weight: normal;"> (Funk Carioca - Cariocaholic)</span><br />
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<span style="font-size: 130%;">quase todos nus<br />
</span><a href="http://www.flickr.com/maviveloso" style="font-style: italic; font-weight: bold;">Mavi</a><span style="font-size: 130%;"><br />
</span><span style="font-size: 85%; font-style: italic; font-weight: normal;">São Paulo/SP</span></div>
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<span style="font-size: 130%;"><br />
</span><span style="font-weight: normal;">O corpo já no nível cutâneo se encontra muito mais vulnerável de seu existir: pode cair em tentação, amar brutalmente, violentar-se ao contentamento ou alegria e perder-se por inteiro. A pele, tato seu, intimidade... quem toca? quem doa? quem quer? quem quero?</span><br />
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<span style="font-size: 130%;"> </span></div>
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<span style="font-size: 130%;">SIMULADRO<br />
</span><a href="http://www.youtube.com/user/kpgarte"><span style="font-size: 100%; font-style: italic;">Kleiner Kaverna</span></a></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">Campinas/SP</span></div>
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<span style="font-weight: normal;">pesquisa imagética relacionada a semiótica peirceana e a psicologia analítica de Jung, resultante do processo individual de compreensão dos signo e arquétipos pessoais, para cosntrução e desconstrução de linguagens, atenta aos vestígios imagéticos e inconscientes, fluídos durante o processo.</span></div>
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<span style="font-size: 130%;">10minutos web<br />
</span><a href="http://www.coletivoterceiramargem.com.br/"><span style="font-size: 100%; font-style: italic;">Coletivo Terceira Margem</span></a></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">Itajaí/SC</span></div>
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<span style="font-size: 100%;"><span style="font-style: italic; font-weight: normal;">Leandro De Maman</span><span style="font-style: italic;">, </span><span style="font-style: italic; font-weight: normal;">Patricia Vianna</span><span style="font-style: italic;">, </span><span style="font-style: italic; font-weight: normal;">Sebastião Do Aragão</span></span></div>
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<span style="font-weight: normal;">Performance via vídeo-conferência em que o performer com uma bomba-relógio projetada no peito aguarda mensagens via celular que justifiquem "porque viver?"</span></div>
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<span style="font-size: 130%;">Maria Chorona<br />
</span><span style="font-size: 100%;"><span style="font-style: italic;"><a href="https://www.facebook.com/profile.php?id=100000517274795">Márcia Baltazar</a><br />
</span></span><span style="font-size: 85%; font-style: italic; font-weight: normal;">Campinas/SP</span></div>
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<span style="font-size: 100%;"><span style="font-style: italic;"><br />
</span></span><span style="font-weight: normal;">Por que não posso mostrar o choro?</span> <span style="font-weight: normal;"> Por que não o frágil, o sensível?</span> <span style="font-weight: normal;"> Por que temos sempre que sermos sensatos?</span> <span style="font-weight: normal;"> Não é sentimentalismo. Não é sofrimento.</span> <span style="font-weight: normal;"> É emoção. </span> <span style="font-weight: normal;"> Incomodo?</span> <span style="font-weight: normal;"> Será que esse texto é mais valorizado que meu choro? </span> <span style="font-weight: normal;"> Vamos fraquejar por um instante?</span><br />
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<span style="font-size: 130%;">todas as horas do fim<br />
</span><a href="http://estranhocorpo.blogspot.com/" style="font-style: italic; font-weight: bold;">Flávio Rabelo</a><span style="font-size: 130%;"><br />
</span><span style="font-size: 85%; font-style: italic; font-weight: normal;">Campinas/SP</span></div>
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<span style="font-size: 100%;"><span style="font-style: italic;"><br />
</span></span><span style="font-weight: normal;">ação coletiva de teor experimental. os participantes assoviam juntos durante 5 minutos pensando em alguém que não está presente.</span></div>
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<span style="font-size: 130%;">Cheio</span></div>
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<a href="http://costuradaparadentro.blogspot.com/"><span style="font-size: 100%; font-style: italic;">Ludmila Castanheira</span></a></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">Tatuí/SP</span></div>
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<span style="font-weight: normal;">Digamos que um neurobiólogo lhe mostre uma fórmula genômica e lhe diga “Isto é você” - você depara objetivamente consigo mesmo. Não é precisamente nesse encontro com o “Isto é você” que se vivencia o buraco da subjetividade no que ele tem de mais puro?<br />
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<span style="font-size: 130%;">Modelagem 5.0<br />
</span><a href="http://interditado.wordpress.com/"><span style="font-size: 100%;"><span style="font-style: italic;">Tábata Costa</span></span></a></div>
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<span style="font-weight: normal;">com participação de</span> <a href="https://www.facebook.com/profile.php?id=100000131201965"><span style="font-style: italic; font-weight: bold;">Milene Valentir</span></a></div>
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<span style="font-size: 85%; font-style: italic; font-weight: normal;">São Paulo/SP</span></div>
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<span style="font-weight: normal;">Garota toma banho de loja até ficar loira, bonita e gostosa.</span></div>
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<span style="font-size: 130%;">ophélia esquiso-analisada<br />
</span><span style="font-size: 100%;"><span style="font-style: italic;"><a href="http://estranhocorpo.blogspot.com/">Flávio Rabelo</a> e <a href="http://facebook.com/vezali">Patrik Vezali</a><br />
<span style="font-size: 85%;"><span style="font-weight: normal;">Campinas/SP<br />
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</span></span></span></span><span style="font-weight: normal;">Instalação performática em processo. Hamlet e Horácio exorcizam o fantasma de Ophelia brincando com plantas e bonecas quebradas no quintal.<br />
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<span style="font-size: 130%;">Sweet Heart Valentine Lálálá</span></div>
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<a href="http://cabenamao.blogspot.com/"><span style="font-size: 100%;"><span style="font-style: italic;">Thaíse Nardim</span></span></a></div>
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<span style="font-size: 100%;"><span style="font-style: italic;"><span style="font-size: 85%;"><span style="font-weight: normal;">Palmas/TO </span></span></span></span></div>
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<span style="font-weight: normal;">Uma performance da série mel-o-drama: autobiográfica, autorreferente, falando sobre amor do fundo do meu coraçãozinho, se jogando no chororô sem medo de ser feliz.</span></div>
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<span style="font-size: 130%;">Gourmet (mel-o-drama)</span></div>
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<a href="http://anavegris.blogspot.com/"><span style="font-style: italic;">Murilo De Paula</span></a></div>
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<span style="font-size: 100%;"><span style="font-style: italic;"><span style="font-size: 85%;"><span style="font-weight: normal;">São Paulo/SP</span></span></span></span><br />
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<span style="font-weight: normal;">A ação dialoga com a série "Mel-o-Drama" da perfomer Thaíse Nardim. Acompanhei essa série de perto e de maneira muito pessoal, por isso o "Gourmet(mel-o-drama)" passa a ser um colocar-me do outro lado. Proponho um jogo onde o prazer é colocado a prova, não sem uma pitada de clichês românticos.<br />
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<span style="font-size: 130%; font-weight: bold;">Pieza 1: Apócrifo</span></div>
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<span style="font-size: 130%; font-weight: bold;">Pieza 2: Entre El placer y La inocencia</span></div>
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<a href="http://colectivomadrearana.blogspot.com/"><span style="font-style: italic; font-weight: bold;">Colectivo Madre Araña</span></a></div>
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<span style="font-size: 85%;"><span style="font-style: italic;">(Distrito Federal/México)</span></span></div>
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<span style="font-style: italic;">Pieza 1: Eren Blancarte, Verónica Cristiani, Juana Sabina Ortega, Esmeralda Pérez Tamiz, Marisol Pérez León, y Ruth Vigueras Bravo.</span> <span style="font-style: italic;">Pieza 2: Eren Blancarte, Esmeralda Pérez Tamiz y Ruth Vigueras Bravo.</span> <span style="font-style: italic;">Distrito Federal/México</span></div>
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<i><b>Pieza 1</b></i>: Desde uma primeira instância, pretende-se anteponer um contraste entre a pulcritud, a pureza e o suntuoso, com o profano, impuro e pagano. Partindo dos estereotipos ou clichés sociais actuais, que, apesar dos fenotipos diversos que marcam tendências em função da modernidad, não deixam de se reger em grande parte, pelos cánones de a modernidad, não deixam de se reger em grande parte, pelos cánones da moral e “bom comportamento” que delimitan ainda, instâncias religiosas cuja ideologia segue sendo a mesma que se profesaba desde épocas antigas. O corpo contrapõe-se como uma fonte de desejos, de prazeres, de emoções, de ficções, de realidades e convi. A atmosfera na qual prevalecerá a cor branca, remete à pureza do indivíduo e a insígnia da cruz alude ao conflito próprio do bem e do mau.</span></div>
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<span style="font-size: x-small;"><i><b>Pieza 2</b></i>: Mediante a peça de performance confronta-se ao público com elementos antípodas (violência e prazer); por médio de uma crítica em função reflexiva meio à violência sexual na infância da qual se derivam certas condutas e traumas. Estas, se vêem refletidas na idade adulta somadas a comportamentos delictivos sócios a parafilias e se caracterizam por impulsos sexuais intensos, recorrentes fantasías que implicam objectos, actividades e situações pouco habituais. Nesta acção cria-se um universo em onde a variedad da vida se despliega e se celebra através de múltiplas relações comummente denominadas perversas. Contrapõem-se estes elementos à moral e às normas sociais estabelecidas. Neste sentido o universo da perversión joga com os limites da razão. Aceita uma ingenuidad interrompida empero que a sua vez rebasa a antinomia entre a inocência e culpabilidad. Uma inocência ontológica: a qualidade daquilo que não precisa justificativa, que não tem finalidade mais que sua própria intensidade. Freud menciona: “Existem casos de sexualidad infantil a temporã idade com condutas de masturbación entre outras parafilias sexuais.” No entanto, estes trastornos derivados de condutas sexuais autoeróticas a temporã idade aunada a circunstâncias violentas, produzem mal-estar clinicamente significativo ou deterioro social e baixa autoestima.</span></div>
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<span style="font-size: 130%;">Ex-voto suscepto | #4<br />
</span><span style="font-size: 100%;"><span style="font-style: italic;"><a href="mailto:marcos.cesar13@gmail.com">Marcos Fermino</a><br />
</span></span><span style="font-size: 85%; font-weight: normal;">Limeira/SP</span><span style="font-size: 100%;"><span style="font-style: italic;"><br />
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</span></span><span style="font-weight: normal;">A performance propõe uma leitura sobre a manifestação religiosa do presente votivo (ex-voto), através de elementos que remetem aos rituais e práticas corporais. A ação representa o voto feito aos deuses, combinando signos diversos, construídos a partir de experiências particularmente visuais.</span><br />
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<span style="font-size: 130%;">conferência ou como evitar um dilúvio<br />
</span><a href="http://luisanobrega.blogspot.com/"><span style="font-size: 100%;"><span style="font-style: italic;">Luísa Nóbrega</span></span></a><br />
<span style="font-size: 85%;"><span style="font-weight: normal;">São Paulo/SP</span></span><br />
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<span style="font-weight: normal;">Depois de um dia em silêncio, a performer inicia sua conferência. Sem interromper a fala, bebe o tempo todo inúmeros copos de água. a ação se prolonga até que a performer mostre-se incapaz seja de beber água, seja de falar. Choro, sangue, muco, urina e suor devem ser rigorosamente evitados.</span><br />
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<span style="font-size: 130%;">Levando os elepês de Gal para passear<br />
</span><a href="http://elepesdegal.blogspot.com/"><span style="font-size: 100%; font-style: italic;">Arthur Scovino</span></a><br />
<span style="font-size: 85%;"><span style="font-weight: normal;">Salvador/BA</span></span><br />
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Numa sexta-feira, andando pela Praça do Campo Grande em Salvador, percebi um movimento de fãs de Ivete Sangalo se aglomerando na entrada do condomínio onde mora a cantora. Lembrei dos anos 80 e do sucesso popular de Gal Costa, que mora no mesmo prédio. Frevos no carnaval, programas de TV, capas de discos... Imaginei os fãs de Ivete exibindo LPs pro alto, ilustrando e colorindo essa tietagem performática. Uma tarde dessas estarei lá com meus colegas da UFBA empunhando os discos de Gal em meio aos fãs de Ivete. Enquanto isso, levarei esses elepês para passear por onde eu for, para que respirem novamente os ares das ruas onde, nos anos 80, transitavam das lojas para as casas, das casas para as festas, para outras casas... Além da arte e da perfomance, confesso que essa ação consiste basicamente em algo que não cabe em mim sozinho e por isso divido, tornando-me exposição ambulante pelas ruas das cidades e convidando as pessoas para interAÇÕES originais onde quer que estejam e sem manual de instruções. A ação termina quando a musa lançar seu novo disco previsto para esse ano de 2011.</span></div>
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<span style="font-size: x-large;">E, finalmente, entreatos, convívio e celebração:</span></div>
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<b>Fotos: <a href="http://www.flickr.com/photos/o_daguerreotipo/">Murilo de Paula</a> e <a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a></b></div>
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E agradecimentos a todos que prestigiaram e colaboraram com a realização de mais um Festival de Apartamento.</div>
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<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Lorde Velhohttp://www.blogger.com/profile/04261308692339919125noreply@blogger.com1tag:blogger.com,1999:blog-4462342586887969312.post-48272169520169618392011-01-22T21:27:00.001-08:002013-06-28T15:35:44.717-07:00IX Festival de Apartamento (Campinas/SP) - Registro Online das Performances Apresentadas<span style="color: black;">.</span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4CxUeNmo9fLJtQLRLY39ipp_4hAS_u3acafucK_mLU6NwfFZjc_xikG94EUx0Jg5iav1GjqkKBLom9I89p3LtnHsupqvD9xUKBQaogn9eZBi-qSMHRHxA5pO_BVRCW3QRmTwWsGMoRmLz/" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4CxUeNmo9fLJtQLRLY39ipp_4hAS_u3acafucK_mLU6NwfFZjc_xikG94EUx0Jg5iav1GjqkKBLom9I89p3LtnHsupqvD9xUKBQaogn9eZBi-qSMHRHxA5pO_BVRCW3QRmTwWsGMoRmLz/" style="cursor: pointer; float: right; height: 294px; margin: 0pt 0pt 10px 10px; width: 393px;" /></a>Os <a href="http://www.thing.de/projekte/7:9%23/apt_index.html">Apartment Festivals</a> foram criados pelos <span style="font-style: italic;">neoistas</span> nos <span style="font-style: italic;">anos 80</span> como uma forma de realizar eventos internacionais de <span style="font-size: 130%;"><span style="font-style: italic;">Performance Art</span></span><span style="color: #ff4040;"> </span>nas próprias moradias dos artistas, <span style="font-size: 130%; font-style: italic;">abrindo mão da necessidade de recorrer aos órgãos oficiais</span>. Num processo de<span style="font-weight: bold;"> </span>apropriação dessa prática, desde 2007 <a href="http://festivaldeapartamento.blogspot.com/" rel="nofollow" target="_blank">uma série de eventos performáticos</a> tem sido organizada por uma equipe interessada em adaptar os <span style="font-size: 130%; font-style: italic;">Festivais de Apartamento</span> de acordo com as necessidades de uma nova geração de artistas, ansiosos por espaços livres para apresentação de performances e intercâmbio de experiências. Basicamente, para realizar um Festival basta <span style="font-size: 130%; font-style: italic;">um local, uma intenção e pessoas interessadas em apresentar e/ou assistir a performances</span>.<br />
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A <span style="font-size: 130%;"><span style="font-style: italic;">nona edição do Festival de Apartamento</span></span> foi realizada no dia <span style="font-size: 130%;"><span style="font-style: italic;">11 de Dezembro de 2010</span></span>, em <span style="color: red; font-size: 130%; font-style: italic; font-weight: bold;"></span><span style="font-size: 130%;"><span style="font-style: italic;">Barão Geraldo, Campinas/SP, Brasil</span></span>, na residência do prof. <a href="http://www.renatoferracini.com/" style="font-weight: bold;">Renato Ferracini</a>.</div>
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A <span style="font-style: italic;">equipe de organização</span> gostaria de agradecer a todos os <span style="font-style: italic;">performers</span><span style="font-weight: bold;"> </span>que participaram do evento, bem como ao <span style="font-style: italic;">Renato Ferracini</span><span style="font-weight: bold;">,</span> não apenas por ceder sua casa, mas principalmente pela disponibilidade para com todas as necessidades de artistas e organizadores. Um agradecimento especial vai para <a href="http://www.facebook.com/profile.php?id=1607706563">Daniela Cordeiro</a> por todos os galhos que quebrou e para nossos fotógrafos <a href="http://anavegris.blogspot.com/">Murilo de Paula</a>, <a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a> e <a href="http://cabenamao.blogspot.com/">Thaíse Nardim</a> por propiciarem esse belo registro.</div>
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E agradecemos, é claro, à tempestade que levou a energia elétrica embora, propiciando algumas horas numa outra atmosfera... com mil raios e trovões!</div>
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<span style="color: red; font-size: 180%;"><span style="font-weight: bold;">IX Festival de Apartamento (</span></span><span style="color: red; font-size: 180%;"><span style="font-weight: bold;">Campinas/SP)</span></span><span style="font-size: 180%;"><br /></span><span style="font-size: 180%;"> </span><span style="color: red; font-size: 180%;">Arte da Performance</span><br />
<span style="color: red;">11/10/2010</span><br />
<span style="font-size: 85%;"><span style="font-size: 130%; font-weight: bold;"><br /></span></span><span style="font-size: 130%;"><a ddf2abe6bd="true" href="http://festivaldeapartamento.blogspot.com/" rel="nofollow" target="_blank">http://festivaldeapartamento.blogspot.com/</a></span><br />
<span style="font-size: 130%;"><a href="http://twitter.com/fest_apartament">http://twitter.com/fest_apartament</a></span><br />
<span style="font-size: 130%;"><br /><span style="font-weight: bold;">Organização</span></span><span style="font-size: 130%;"><a href="http://cabenamao.blogspot.com/" rel="nofollow" target="_blank">Thaíse Nardim</a></span><span style="font-size: 130%;"><a href="http://costuradaparadentro.blogspot.com/" rel="nofollow" target="_blank">Ludmila Castanheira</a></span><span style="font-size: 130%;"><a href="http://lordevelho.blogspot.com/" rel="nofollow" target="_blank">Rodrigo Emanoel Fernandes</a><br /><br /><span style="font-weight: bold;">Fotógrafos</span><br /><a href="http://anavegris.blogspot.com/">Murilo de Paula</a><br /><a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a><br /><a href="http://cabenamao.blogspot.com/">Thaíse Nardim</a><br /></span><span style="font-size: 100%;"><span style="font-size: 130%;"><span style="font-weight: bold;"></span></span></span><span style="font-size: 130%;"><span style="font-weight: bold;">Anfitrião</span><a href="http://www.renatoferracini.com/">Renato Ferracini</a></span><br />
<span style="color: yellow; font-size: 180%; font-weight: bold;"><span style="color: red;"><br />Performances realizadas:</span></span><br />
<span style="font-size: 100%;">(Listadas por <span style="font-weight: bold;">ordem de inscrição.</span> Os textos foram selecionados pelos performers.)</span><br />
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<span style="font-size: 85%;"><span style="color: red; font-weight: bold;">ATENÇÃO</span><span style="color: red;">:</span> Pedimos gentilmente que as imagens veiculadas aqui <span style="color: red; font-weight: bold;">não sejam reproduzidas em outros sites ou blogs sem a autorização dos respectivos artistas</span><span style="color: #3333ff;">.</span> <span style="color: #3366ff;">E-mails e links de cada performer </span><span style="color: #3366ff; font-weight: bold;">estão disponíveis para contato</span>. Apesar de parecer um pedido ingênuo numa época em que imagens podem ser reproduzidas ao infinito, <span style="font-style: italic;">por vezes sem nenhuma preocupação com as pessoas fotografadas e o contexto em que suas imagens podem acabar sendo exibidas</span>, ainda assim apelamos para o seu bom senso. Obrigado.</span></div>
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<span style="color: red; font-size: 130%; font-weight: bold;">Stress</span><br />
<span style="font-size: 130%;"><a href="http://www.facebook.com/profile.php?id=100000735283741" style="font-weight: bold;" target="_blank">Dora Selva</a></span><br />
<span style="font-size: 130%; font-style: italic;">Dora Selva & Rodrigo De</span><br />
São Paulo/SP<br />
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<span style="font-style: italic;">Um corpo que não pode parar, um corpo que busca o limite: até onde posso ir dessa maneira? Como aprender a fazer algo que você não é capaz de fazer? Como aprender a permanecer na exaustão, ao invés de lutar para sair dela? Como permitir que o corpo fique?<br /></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwT_Q9WvmWxZynyjk55MdRGw82xAVz123rS8aDvJC6a8f4TQ4mP3kkuMSrR9YZtL-Ipl4FJKeP-hjSMS-9Tx1ctus-jLMJWICTSuMe754Jbe5HxryXdvhvSvjrPz2lRLoY6GN_g0Y64QEf/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwT_Q9WvmWxZynyjk55MdRGw82xAVz123rS8aDvJC6a8f4TQ4mP3kkuMSrR9YZtL-Ipl4FJKeP-hjSMS-9Tx1ctus-jLMJWICTSuMe754Jbe5HxryXdvhvSvjrPz2lRLoY6GN_g0Y64QEf/" style="cursor: pointer; height: 323px; width: 486px;" /></a><br />
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<span style="color: red; font-size: 130%; font-weight: bold;">Eu sou Delicado</span><br />
<span style="font-size: 130%;"><a href="http://andreliza.carbonmade.com/" style="font-weight: bold;" target="_blank">André Magalhães Liza</a></span><br />
São Paulo/SP<br />
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Consiste na Insatisfação e na instabilidade do meu ser. Descontentamento.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLuA372UhokPQViBhcnp_TZk9gWdDX6xallFdg6l4nJ7G1CF5juzrQIru_dCCdtQ6g38UGBXubTByxw4UlhVLDbY34MIbiXqJaRP5IdtvPL7BKacy0euPRKXz8UJdq2ym1MA7WE3TZM-p-/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLuA372UhokPQViBhcnp_TZk9gWdDX6xallFdg6l4nJ7G1CF5juzrQIru_dCCdtQ6g38UGBXubTByxw4UlhVLDbY34MIbiXqJaRP5IdtvPL7BKacy0euPRKXz8UJdq2ym1MA7WE3TZM-p-/" style="cursor: pointer; height: 371px; width: 495px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpuwHoVpBT57nwekF8NBxKEq_thrUC6OnjLwrm2XWFPFT4X9uq-OicHIlc6sx21MExgP55Iv7iNYugE5Eq7w5jLhbThFg5AnhI7Sz9VPHwlrAmOLEBqiaJ8XjXZ0ycHIQdEKcfP88SJkvG/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpuwHoVpBT57nwekF8NBxKEq_thrUC6OnjLwrm2XWFPFT4X9uq-OicHIlc6sx21MExgP55Iv7iNYugE5Eq7w5jLhbThFg5AnhI7Sz9VPHwlrAmOLEBqiaJ8XjXZ0ycHIQdEKcfP88SJkvG/" style="cursor: pointer; height: 372px; width: 497px;" /></a><br />
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<span style="color: red; font-size: 130%; font-weight: bold;">Ritornelo</span><br />
<span style="font-size: 130%;"> <a href="http://costuradaparadentro.blogspot.com/" style="font-weight: bold;" target="_blank">Ludmila Castanheira</a></span><br />
Campinas/SP<br />
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<span style="font-style: italic;">une fleur qui ressemble à mon rouge ideal</span><br />
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(hommage à Thiago Buoro et son Baudelaire)<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8rLyYPjZlS2o-CUzzosvWxiGS7cdhyfYNOMwkds6n2mDK16AT1cBJ1oBmUR0965HjbQ-sLHD0r5TnOrtfAAJEqccF_9oheeTNY2_tz9gUqf9zWCYTZ83aonG9c29RI__uvApN2vyvfMa4/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8rLyYPjZlS2o-CUzzosvWxiGS7cdhyfYNOMwkds6n2mDK16AT1cBJ1oBmUR0965HjbQ-sLHD0r5TnOrtfAAJEqccF_9oheeTNY2_tz9gUqf9zWCYTZ83aonG9c29RI__uvApN2vyvfMa4/" style="cursor: pointer; height: 333px; width: 501px;" /></a><br />
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<span style="color: red; font-size: 130%; font-weight: bold;">Adão e Eva expulsos do paraíso</span><br />
<span style="font-size: 130%;"><a href="http://www.myspace.com/lucioagra" style="font-weight: bold;" target="_blank">Lúcio Agra</a> e <a href="http://cabelodroma.blogspot.com/" style="font-weight: bold;" target="_blank">Grasiele Sousa</a></span><br />
São Paulo/SP<br />
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Inspirados no episódio bíblico e simbólico da queda (pecado original) a proposta sugere que o público faça o papel do anjo exterminador, isto é, o guardião das portas do paraíso.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgATlwI1N4OfM0yglJ4VHSoBfCxc9_vy3cho6SdxIKLIYhyO-vNI_WIGi3Gnk3B2MblKv6mp36SSPoSNm3zAuYZhojwta6aHtBLwu5JJ6sZrcwR6Qmfvhk8UnBtC1iSJ7d9w36dkv712lb1/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgATlwI1N4OfM0yglJ4VHSoBfCxc9_vy3cho6SdxIKLIYhyO-vNI_WIGi3Gnk3B2MblKv6mp36SSPoSNm3zAuYZhojwta6aHtBLwu5JJ6sZrcwR6Qmfvhk8UnBtC1iSJ7d9w36dkv712lb1/" style="cursor: pointer; height: 378px; width: 501px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2VjC5QQrE-odDZYGWiV3OWg4cVWam2-5Ex-UvvcOptDeAkHx_s5DxFBMnflx2zBGkB90HqjuI6Kw1Eb54xX9MQvYiefCm48mMsHXr_FKp_5lXzjfFxW1gaa49-vsE3ROYZHnFwjXIKJPi/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2VjC5QQrE-odDZYGWiV3OWg4cVWam2-5Ex-UvvcOptDeAkHx_s5DxFBMnflx2zBGkB90HqjuI6Kw1Eb54xX9MQvYiefCm48mMsHXr_FKp_5lXzjfFxW1gaa49-vsE3ROYZHnFwjXIKJPi/" style="cursor: pointer; height: 375px; width: 502px;" /></a><br />
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<span style="color: red; font-size: 130%; font-weight: bold;">Como consertar o corpo</span><br />
<span style="font-size: 130%;"> <a href="http://www.cinemasoco.com.br/bruna" style="font-weight: bold;" target="_blank">Bruna Freitag</a></span><br />
São Paulo/SP<br />
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Propor uma investigação da relação entre a forma vista com o corpo que assiste, e essas interrogações se misturarem, faz parte de uma pesquisa da performer que busca obsessivamente ver no outro as recusas ao próprio corpo. Explorar a possibilidade de a partir das relações entre os corpos presentes, descobrir os limites entre o corpo integrado e o corpo marginal.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjH2Rgfe2oLWp43SdW8TN5l3x2YScLC4rcPdvXg1gnI0m1_SOcJyICT4GZc3o77sv9nIAb7uM47g-V-x2F1dwLfvvaD0Z2xonOXemxGbktP788Z0TdjBdPYOgtWNFK8F-Ojib8Yd5iq4rBZ/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjH2Rgfe2oLWp43SdW8TN5l3x2YScLC4rcPdvXg1gnI0m1_SOcJyICT4GZc3o77sv9nIAb7uM47g-V-x2F1dwLfvvaD0Z2xonOXemxGbktP788Z0TdjBdPYOgtWNFK8F-Ojib8Yd5iq4rBZ/" style="cursor: pointer; height: 376px; width: 502px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI-G2I0-v55vQZ_wNfmLzK2-dl4dYIRkci1-XlJCelZS1LQ4ZiKzlXMiPw9YnJCp-2kEkdQ8ub_ySSsV3n5crjqJNULbYblcpH014ziUgVWDNsxJIt7AnoYaFyEJhpekpoQCHSNqk-n9Tt/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI-G2I0-v55vQZ_wNfmLzK2-dl4dYIRkci1-XlJCelZS1LQ4ZiKzlXMiPw9YnJCp-2kEkdQ8ub_ySSsV3n5crjqJNULbYblcpH014ziUgVWDNsxJIt7AnoYaFyEJhpekpoQCHSNqk-n9Tt/" style="cursor: pointer; height: 334px; width: 502px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ0hBvFcwGMJhSWjgNohWJXKFXCoQ2HIUSWv433cdT42xRZpgrfUxaYKfbRNwPFpfgEnU5sIDAeZLiItAFLjOk9wzIJhJuqu69eVj3YcRECl3IqJ6SSHOD-Dxqftve_bkSh8nWgu-PiPVt/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ0hBvFcwGMJhSWjgNohWJXKFXCoQ2HIUSWv433cdT42xRZpgrfUxaYKfbRNwPFpfgEnU5sIDAeZLiItAFLjOk9wzIJhJuqu69eVj3YcRECl3IqJ6SSHOD-Dxqftve_bkSh8nWgu-PiPVt/" style="cursor: pointer; height: 374px; width: 501px;" /></a><br />
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<span style="color: red; font-size: 130%; font-weight: bold;">soberba e penitência ou os sapatos vermelhos</span><br />
<span style="font-size: 130%;"><a href="http://luisanobrega.blogspot.com/" style="font-weight: bold;" target="_blank">Luísa Nóbrega</a></span><br />
São Paulo/SP<br />
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com os olhos cobertos por tapa-olhos e sapatos vermelhos de salto apertados, a performer irá dançar até chegar a seu ponto máximo de exaustão física. a cada vez que cair no chão ou por qualquer outro motivo fizer uma pausa brusca, ela terá trinta segundos para se levantar e recomeçar a dançar<br />
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<div style="text-align: left;">
<span style="color: red; font-size: 130%; font-weight: bold;"><br />Tufos</span></div>
</div>
<div style="text-align: left;">
<span style="font-size: 130%;"><a href="http://ricardo-alvarenga.blogspot.com/" style="font-weight: bold;" target="_blank">Ricardo Alvarenga</a></span><br />
<span style="font-size: 130%; font-style: italic;">Performer: Ricardo Alvarenga</span><br />
<span style="font-size: 130%; font-style: italic;">Música: <a href="http://www.youtube.com/user/kpgarte">Kleiner Kaverna</a></span><br />
Uberlândia/MG</div>
<br />
Composição de imagens e relações autobiograficas marcadas por vertigens identitárias de um corpo socialmente branco, mas tipicamente mestiço, que sob o estigma do “cabelo ruim” descobre novas camadas relacionais ao deixá-lo crescer. A este fenótipo, soma-se traços microscópicos de uma doença étnica africana em que hemácias sob determinadas condições, tomam forma de foice e morrem.<br />
<div style="text-align: center;">
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<span style="color: red; font-size: 130%; font-weight: bold;">cada mundo tem sua mosca?</span><br />
<span style="font-size: 130%;"><a href="http://estranhocorpo.blogspot.com/" style="font-weight: bold;">Flávio Rabelo</a></span><br />
Campinas/SP<br />
<br />
um performer, um batom e uma filmadora numa provocação sobre o cotidiano, identidades e gêneros. Mais uma série do Projeto ,corpoestranho,<br />
<div style="text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq903_W428Ppu0h5M7wCqqaEWVA4cd05Ha2s-IbS0TBvAmCGK7lKRAGSCzayblye2O9gSQ35Xb2Gve3yTt2F32d06fu1mVm7xYRUmfVHfrz3UJ1AKNjX03Ief3wpFU_9YxbfbL0SmyBZOc/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq903_W428Ppu0h5M7wCqqaEWVA4cd05Ha2s-IbS0TBvAmCGK7lKRAGSCzayblye2O9gSQ35Xb2Gve3yTt2F32d06fu1mVm7xYRUmfVHfrz3UJ1AKNjX03Ief3wpFU_9YxbfbL0SmyBZOc/" style="cursor: pointer; height: 328px; width: 496px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVFVpDUmZ5Mvnh-Wgre0sAD_RN4qSihI-BSIQZc2GcPkilgmU5x_0KkoQ0xHL4MhXo5zaTYcslNKrcXHdXW0YC-USMBofmnip8OsQxoBVdzvpxcOQ9Z8zC5LbNy3GapI-bs14A7zpkN2AO/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVFVpDUmZ5Mvnh-Wgre0sAD_RN4qSihI-BSIQZc2GcPkilgmU5x_0KkoQ0xHL4MhXo5zaTYcslNKrcXHdXW0YC-USMBofmnip8OsQxoBVdzvpxcOQ9Z8zC5LbNy3GapI-bs14A7zpkN2AO/" style="cursor: pointer; height: 371px; width: 496px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqek2y4cGlWyDxUEVxQU_23Zp4bqqXVg3wBr9BzecK8xa-6a_trl1FZEPIBs4oT3ahZh1QR-7Mg5D0tPBKyQGDeCcfdFIRlJFaWzznh3IUsdr1Uh5uOTx-utgKbCaN41X1-poqLAcSvHFE/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqek2y4cGlWyDxUEVxQU_23Zp4bqqXVg3wBr9BzecK8xa-6a_trl1FZEPIBs4oT3ahZh1QR-7Mg5D0tPBKyQGDeCcfdFIRlJFaWzznh3IUsdr1Uh5uOTx-utgKbCaN41X1-poqLAcSvHFE/" style="cursor: pointer; height: 372px; width: 496px;" /></a></div>
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<span style="color: red; font-size: 130%; font-weight: bold;">sweet-o-rama: maçã do amor</span><br />
<span style="font-size: 130%;"><a href="http://cabenamao.blogspot.com/" style="font-weight: bold;" target="_blank">Thaíse Nardim</a></span><br />
Palmas/TO<br />
<br />
A performer terá os seios cobertos por uma calda doce e de cor vermelha de alta temperatura. Após a cristalização da calda, o público estará convidado a intervir sobre o corpo da performer de acordo com sua vontade, em um ambiente privado.<br />
<div style="text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6AsCKdJ7BsZ5JjkuOav4sbNUiOGEVn5MsCZMTt9Sj5VinddcmYNtiIaGcCSMz9A0_voBclRkXmDCd833r_5nH5Uvinc9uiYtKtmbBkq01i1YZQ920dknRhmQCHDGUpZ8qUKGbgMh4AFYp/s512/sweetora.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6AsCKdJ7BsZ5JjkuOav4sbNUiOGEVn5MsCZMTt9Sj5VinddcmYNtiIaGcCSMz9A0_voBclRkXmDCd833r_5nH5Uvinc9uiYtKtmbBkq01i1YZQ920dknRhmQCHDGUpZ8qUKGbgMh4AFYp/s512/sweetora.jpg" style="cursor: pointer; height: 414px; width: 276px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfB0rXvr2GhVceh3h0xUh2KJC-q-vu1v-87v5po3pm1Qtc1RdANIcLQ3SiHhyOODs09S2Db1tAd883XqBS-y6Bg4XcXIFD7X-8W0F9r7WymfsQRmf7mflvs5dH9hTuICfJ7SM-Y4QSC5vf/s512/sweetorb.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfB0rXvr2GhVceh3h0xUh2KJC-q-vu1v-87v5po3pm1Qtc1RdANIcLQ3SiHhyOODs09S2Db1tAd883XqBS-y6Bg4XcXIFD7X-8W0F9r7WymfsQRmf7mflvs5dH9hTuICfJ7SM-Y4QSC5vf/s512/sweetorb.jpg" style="cursor: pointer; height: 414px; width: 276px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlHFylqt_vThXHtQ3l_dgjD5qAqjIuR29Ki9AJbnnGV8aEbFbxyn-_aQDH9xnSD5H8JU-1a_NOIztRDo-jytwAwXh5_7N27kySZRuTNaae0j4M2mKGmTzShYzJdgDvTlCCXqJT3JHo2eiK/s512/sweetorc.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlHFylqt_vThXHtQ3l_dgjD5qAqjIuR29Ki9AJbnnGV8aEbFbxyn-_aQDH9xnSD5H8JU-1a_NOIztRDo-jytwAwXh5_7N27kySZRuTNaae0j4M2mKGmTzShYzJdgDvTlCCXqJT3JHo2eiK/s512/sweetorc.jpg" style="cursor: pointer; height: 414px; width: 276px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHQEOZW4hRe8KtRCJx-f18C8eiI0mibtRBu2mrGjC_3S4_nu070D06AJZaNG1nrCoUlR9G0S3b-hj0n2S6ibtwVKjX1kGmN0yCzSO692vqLnoOmysLUqfDy0hyKzE8dOWX8Vh9Y_kL4jc4/s512/sweetord.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHQEOZW4hRe8KtRCJx-f18C8eiI0mibtRBu2mrGjC_3S4_nu070D06AJZaNG1nrCoUlR9G0S3b-hj0n2S6ibtwVKjX1kGmN0yCzSO692vqLnoOmysLUqfDy0hyKzE8dOWX8Vh9Y_kL4jc4/s512/sweetord.jpg" style="cursor: pointer; height: 414px; width: 276px;" /></a></div>
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<span style="color: red; font-size: 130%; font-weight: bold;">Trauma</span><br />
<span style="font-size: 130%;"><a href="http://www.shima.art.br/" style="font-weight: bold;" target="_blank">Shima</a></span><br />
Belo Horizonte/MG<br />
<br />
performance,<br />
caderno e fita de cetim,<br />
20 minutos, 2010.<br />
(1a. apresentação)<br />
<div style="text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi54t5Z3HgEBvaGOOWXex_umpwJ0lUaM73luyAZrYKIxHELhYy2P8x52ab5WZSiD3a-rHmxQCKzcWos_drYfHKlkjb6Phh3H-IOjRdkff9AFM_HCA57ozbzg4eR1RklTA8hwT54nNBo3NQv/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi54t5Z3HgEBvaGOOWXex_umpwJ0lUaM73luyAZrYKIxHELhYy2P8x52ab5WZSiD3a-rHmxQCKzcWos_drYfHKlkjb6Phh3H-IOjRdkff9AFM_HCA57ozbzg4eR1RklTA8hwT54nNBo3NQv/" style="cursor: pointer; height: 329px; width: 498px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwN03lJoqXt-_ohCNXFwJj4amF7JTj7SD6i0dd9B4rGQ31A9a4Z7LT0NVXL9vnpkM7EX1P8hRI_nI_G46o6BfEYQFf5LlimXjg2cSBv6CWjXHQyuvSjwXJVL5b6d0A6Ew3ME0QUlL7pG2z/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwN03lJoqXt-_ohCNXFwJj4amF7JTj7SD6i0dd9B4rGQ31A9a4Z7LT0NVXL9vnpkM7EX1P8hRI_nI_G46o6BfEYQFf5LlimXjg2cSBv6CWjXHQyuvSjwXJVL5b6d0A6Ew3ME0QUlL7pG2z/" style="cursor: pointer; height: 331px; width: 501px;" /></a><br />
<br /></div>
<br />
<span style="color: red; font-size: 130%; font-weight: bold;">Retratista</span><br />
<span style="font-size: 130%;"><a href="http://www.zhibit.org/adriel_visotto/" style="font-weight: bold;" target="_blank">Adriel Visotto</a></span><br />
Belo Horizonte/MG<br />
<br />
O vídeo é o registro de uma ação que trabalha com a categoria pictórica do retrato, propondo uma reflexão sobre a contaminação dos meios tradicionais pelas novas mídias, e trazendo questões de problemas sóciais de ordem pública através das sensações de desconforto e estranhamento.<br />
<br />
<div style="text-align: center;">
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<span style="color: red; font-size: 130%; font-weight: bold;">Re-crisálidas</span><br />
<span style="font-size: 130%;"><a href="http://anavegris.blogspot.com/" style="font-weight: bold;" target="_blank">Murilo de Paula</a></span><br />
São Paulo/SP<br />
<div style="text-align: left;">
<br /></div>
<div align="right">
<div style="text-align: left;">
Casulos de bichos da seda, cera, insetos, palitos de fósforo são usados para criar um objeto onde o performer tenta cristalizar o tempo. A memória e a crueldade de uma brincadeira infantil são envolvidas por frágeis fios de seda.<br />
<div style="text-align: center;">
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL94H_Dd1mWTiSKhsVBIp4pTUSLzpa9VqQr4cy59mpDj46kvBRQPWDeo2uewhw_CKkxyWCRRe9TVVy7qMfXr1x6a8rO5MTHl6oIu-D1guTQL_v3rhQ9hm6tDj0BiuC3b9ortF_g9RbcmAj/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL94H_Dd1mWTiSKhsVBIp4pTUSLzpa9VqQr4cy59mpDj46kvBRQPWDeo2uewhw_CKkxyWCRRe9TVVy7qMfXr1x6a8rO5MTHl6oIu-D1guTQL_v3rhQ9hm6tDj0BiuC3b9ortF_g9RbcmAj/" style="cursor: pointer; height: 330px; width: 496px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjINgj3-nVCj-d1JckWXGoSiPTRtFnjrcf0v4EfZxtj1tVcxUT0FnqY65BddnPoLpl0b87k07Z-Q7QOQvmZbgoSWqmXskPjIaoYhFRKKZHWRQpvrrLvYYxzL2YOouHa9vBwc1u5PFUIAI88/"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjINgj3-nVCj-d1JckWXGoSiPTRtFnjrcf0v4EfZxtj1tVcxUT0FnqY65BddnPoLpl0b87k07Z-Q7QOQvmZbgoSWqmXskPjIaoYhFRKKZHWRQpvrrLvYYxzL2YOouHa9vBwc1u5PFUIAI88/" style="cursor: pointer; height: 327px; width: 492px;" /></a><br />
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<span style="color: red; font-size: 130%; font-weight: bold;">mulher sobre torno</span><br />
<span style="font-size: 130%;"><a href="http://www.diagramadeprocessos.blogspot.com/" style="font-weight: bold;" target="_blank">Ana Reis</a></span><br />
Uberlândia/MG<br />
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uma mulher sobre um torno de cerâmica move-se constantemente envolta de si mesma, manipula objetos e cores, provoca alterações em seu rosto, amplifica e distorce sua respiração e voz. explora identidades possíveis de serem "acopladas" ao seu corpo numa recriação dos modos pelos quais ele se mostra ao outro. compondo com códigos estéticos do feminino, instaura-se um ritual/um show/um teste, que pode ser também um convite ao delírio.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRB8lnwoqXaYcxHXNQ0VQFdzdOdm8ezeTo4hgMjMaw960Fnslfg9xQVvTzP0IsvTSnr7D9To8CvdpAONCrld7FccjdJye8t3UJ50ZwT81ECsrMOA5kffa9x68uj_Z2zfx8FqTPZoyJitKT/s512/fotosmvA.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRB8lnwoqXaYcxHXNQ0VQFdzdOdm8ezeTo4hgMjMaw960Fnslfg9xQVvTzP0IsvTSnr7D9To8CvdpAONCrld7FccjdJye8t3UJ50ZwT81ECsrMOA5kffa9x68uj_Z2zfx8FqTPZoyJitKT/s512/fotosmvA.jpg" style="cursor: pointer; height: 418px; width: 278px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpFUWilYpGpiferEfnvIgApgYxrMsspP_vB20nVeboU7U7T8N7ZqcHPv1hsBJSRxDJt6ra0X66meYDySoj006Kj59Px_CY7yKNIp9IVmNlxDapqVsiWVwCp_5Qw5w1GZI_DpjvNkXdPZGb/s512/fotosmvB.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpFUWilYpGpiferEfnvIgApgYxrMsspP_vB20nVeboU7U7T8N7ZqcHPv1hsBJSRxDJt6ra0X66meYDySoj006Kj59Px_CY7yKNIp9IVmNlxDapqVsiWVwCp_5Qw5w1GZI_DpjvNkXdPZGb/s512/fotosmvB.jpg" style="cursor: pointer; height: 418px; width: 278px;" /></a><br />
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<span style="color: #ff9900; font-size: 130%; font-weight: bold;">E, finalmente, entreatos, convívio e celebração:</span><span style="font-size: 130%;"><br /><span style="font-size: 100%;">Fotos: <a href="http://www.flickr.com/photos/o_daguerreotipo/">Murilo de Paula</a> e <a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a></span></span><br />
<span style="font-size: 130%;">E agradecimentos a todos que prestigiaram e colaboraram com a realização de mais um Festival de Apartamento.</span></div>
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<span style="font-size: 130%;"><span style="font-size: 130%;"><br />Histórico dos eventos já realizados:</span></span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><a href="http://festivaldeapartamento.blogspot.com/" target="_blank">http://festivaldeapartamento.blogspot.com/</a></span><span style="font-size: 130%;"><a href="http://twitter.com/fest_apartament" target="_blank">http://twitter.com/fest_apartament</a><br /></span></div>
<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Lorde Velhohttp://www.blogger.com/profile/04261308692339919125noreply@blogger.com0tag:blogger.com,1999:blog-4462342586887969312.post-9541845632388575832010-09-24T15:23:00.000-07:002013-06-28T11:28:32.226-07:00VIII Festival de Apartamento (São Carlos/SP) - Registro Online das Performances Apresentadas.<br />
<a href="http://img809.imageshack.us/img809/7050/fapviiibastidores1.jpg"><img alt="" border="0" src="http://img809.imageshack.us/img809/7050/fapviiibastidores1.jpg" style="cursor: pointer; float: right; height: 418px; margin: 0pt 0pt 10px 10px; width: 278px;" /></a>Os <a href="http://www.thing.de/projekte/7:9%23/apt_index.html">Apartment Festivals</a> foram criados pelos <span style="font-style: italic; font-weight: bold;">neoistas</span> nos <span style="font-weight: bold;">anos 80</span> como uma forma de realizar eventos internacionais de <span style="color: red; font-style: italic; font-weight: bold;">Performance Art</span><span style="color: #ff4040;"> </span>nas próprias moradias dos artistas, <span style="font-weight: bold;">abrindo mão da necessidade de recorrer aos órgãos oficiais</span>. Num processo de<span style="font-weight: bold;"> </span>apropriação dessa prática, desde 2007 <a href="http://festivaldeapartamento.blogspot.com/" rel="nofollow" target="_blank"><span style="font-weight: bold;">uma série de eventos performáticos</span></a> tem sido organizada por uma equipe interessada em adaptar os <span style="color: red; font-weight: bold;">Festivais de Apartamento</span> de acordo com as necessidades de uma nova geração de artistas, ansiosos por espaços livres para apresentação de performances e intercâmbio de experiências. Basicamente, para realizar um Festival basta <span style="color: red; font-weight: bold;">um local</span>, <span style="color: red; font-weight: bold;">uma intenção</span> e <span style="color: red; font-weight: bold;">pessoas interessadas em apresentar e/ou assistir a performances</span>.<br />
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A <span style="color: red; font-weight: bold;">oitava edição do Festival de Apartamento</span> foi realizada no dia <span style="color: red; font-weight: bold;">21 de Agosto de 2010</span>, em <span style="color: red; font-weight: bold;">São Carlos/SP, Brasil</span>, na sede do <a href="http://www.janelaaberta.art.br/">Instituto Cultural <span style="font-weight: bold;">Janela Aberta</span></a>.<br />
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A <span style="font-weight: bold;">equipe de organizadores</span> gostaria de agradecer a todos os <span style="font-weight: bold;">performers </span>que participaram do evento (com uma menção especial para <a href="http://www.youtube.com/titavaz" style="font-weight: bold;">Maíra Vaz Valente</a><span style="font-weight: bold;"> e </span><span style="color: #3333ff; font-weight: bold;">Larissa Alvanhan</span> pelo empenho na organização da <span style="font-weight: bold;">rede de caronas</span><span style="font-weight: bold;"></span>) bem como ao público que esteve presente com a <span style="font-weight: bold;">intenção de prestigiar os trabalhos</span>.<br />
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Agradecemos imensamente à equipe do <a href="http://www.janelaaberta.art.br/" style="font-weight: bold;">Janela Aberta</a>, <span style="color: #3333ff; font-weight: bold;">Cristian Cobra</span>, <span style="color: #3333ff; font-weight: bold;">Wendy Palo</span> e o incansável <span style="color: #3333ff; font-weight: bold;">Jonatan Sampaio</span>, não apenas por ceder o espaço, mas principalmente por todo o apoio e disposição em todas as etapas da realização do festival, sem contar o carinho e a simpatia inesgotáveis.<br />
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Também queremos agradecer aos nossos <span style="font-weight: bold;">fotógrafos</span> <a href="http://www.flickr.com/photos/o_daguerreotipo/" style="font-weight: bold;">Murilo de Paula</a> e <a href="http://www.myspace.com/alexandremsanches"><span style="font-weight: bold;">Alexandre Sanches</span></a> e a nossa <span style="font-style: italic;">camerawoman</span> <span style="color: #3333ff; font-weight: bold;">Maju Martins</span>, cuja filmagem ainda está em processo de conversão e edição e, futuramente, será incorporada ao presente registro.<br />
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<span style="color: red; font-size: 180%;"><span style="font-weight: bold;">VIII Festival de Apartamento</span></span><br />
<span style="color: red; font-size: 180%;"><span style="font-weight: bold;">(São Carlos/SP)</span></span><br />
<span style="color: red; font-size: 180%;">Performance Art</span><br />
<span style="font-size: 130%;"><a href="http://festivaldeapartamento.blogspot.com/" target="_blank">http://festivaldeapartamento.blogspot.com/</a></span><br />
<span style="font-size: 130%;"><a href="http://twitter.com/fest_apartament">http://twitter.com/fest_apartament</a></span><br />
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<span style="font-size: 130%;"><span style="font-weight: bold;">Organização</span></span><br />
<span style="font-size: 130%;"><a href="http://cabenamao.blogspot.com/" rel="nofollow" target="_blank">Thaíse Nardim</a></span><br />
<span style="font-size: 130%;"><a href="http://costuradaparadentro.blogspot.com/" rel="nofollow" target="_blank">Ludmila Castanheira</a></span><br />
<span style="font-size: 130%;"><a href="http://lordevelho.blogspot.com/" rel="nofollow" target="_blank">Rodrigo Emanoel Fernandes</a></span><br />
<a href="http://www.myspace.com/alexandremsanches"><span style="font-size: 130%;">Alexandre Sanches</span></a><br />
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<span style="font-size: 130%;"><span style="font-weight: bold;">Fotógrafos</span></span><br />
<span style="font-size: 130%;"><a href="http://www.flickr.com/photos/o_daguerreotipo/" rel="nofollow" target="_blank">Murilo de Paula</a></span><br />
<a href="http://www.myspace.com/alexandremsanches"><span style="font-size: 130%;">Alexandre Sanches</span></a><span style="font-size: 130%;"><span style="font-weight: bold;"></span></span><br />
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<span style="font-size: 130%;"><span style="font-weight: bold;">Anfitrião:</span><a href="http://www.janelaaberta.art.br/">Instituto Cultural Janela Aberta</a></span><br />
<span style="font-size: 100%;"><span style="font-size: 130%;"><span style="font-weight: bold;"></span></span></span><br />
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<span style="color: yellow; font-size: 180%; font-weight: bold;"><span style="color: red;">Registro das Performances Apresentadas:</span></span><br />
<span style="font-size: 100%;">(listadas por <span style="font-weight: bold;">ordem de inscrição</span>; os textos foram enviados pelos performers em suas respectivas fichas de inscrição)</span><br />
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<span style="font-size: 85%;"><span style="color: red; font-weight: bold;">ATENÇÃO</span><span style="color: red;">:</span> Gostaríamos de pedir que as imagens veiculadas aqui <span style="color: red; font-weight: bold;">não sejam reproduzidas em outros sites ou blogs sem a autorização dos respectivos artistas</span><span style="color: #3333ff;">.</span> <span style="color: #3366ff;">E-mails e links de cada performer </span><span style="color: #3366ff; font-weight: bold;">estão disponíveis para contato</span>. Sabemos que esse parece um pedido ingênuo numa época em que imagens podem ser reproduzidas ao infinito, <span style="font-style: italic;">por vezes sem nenhuma preocupação com as pessoas fotografadas e o contexto em que suas imagens podem acabar sendo exibidas</span>, mas apelamos para o bom senso e a ética que, teimamos em acreditar, ainda devem existir. Obrigado.</span></div>
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<span style="color: #ff6600; font-size: small; font-weight: bold;"><br /></span><span style="color: #ff6600; font-size: 130%; font-weight: bold;"><br />Desfrute</span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><a href="http://costuradaparadentro.blogspot.com/" style="font-weight: bold;" target="_blank">Ludmila Castanheira</a><br />Campinas/SP</span><br />
(detalhes sobre a concepção do trabalho <a href="http://costuradaparadentro.blogspot.com/2010/09/desfrute-acao-realizada-durante-o-viii.html">no blog da autora</a>)<br />
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<span style="font-style: italic;">"Há um círculo do palpado e do palpante, o palpado apreende o palpante; há um círculo do visível e do vidente, o vidente não existe sem a existência do visível; há até mesmo a inscrição do palpante no visível, do vidente no tangível e reciprocamente; há, enfim, propagação dessas trocas para todos os corpos do mesmo tipo e do mesmo estilo que vejo e toco - e isso pela fundamental fissão ou segregação do sentiente e do sensível, que, lateralmente, faz os órgão de meu corpo entrarem em comunicação, fundando a transitividade de um corpo a outro" </span>(Merleau-Ponty. O Visível e o Invisível: 1971)<br />
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<a href="http://img842.imageshack.us/img842/6835/dsc07643.jpg"><img alt="" border="0" src="http://img842.imageshack.us/img842/6835/dsc07643.jpg" style="cursor: pointer; display: block; height: 367px; margin: 0px auto 10px; text-align: center; width: 493px;" /></a><a href="http://img80.imageshack.us/img80/1980/dsc07644s.jpg"><img alt="" border="0" src="http://img80.imageshack.us/img80/1980/dsc07644s.jpg" style="cursor: pointer; display: block; height: 367px; margin: 0px auto 10px; text-align: center; width: 491px;" /></a><a href="http://img525.imageshack.us/img525/7750/dsc07645.jpg"><img alt="" border="0" src="http://img525.imageshack.us/img525/7750/dsc07645.jpg" style="cursor: pointer; display: block; height: 366px; margin: 0px auto 10px; text-align: center; width: 488px;" /></a><a href="http://img823.imageshack.us/img823/1783/festivalviii034.jpg"><img alt="" border="0" src="http://img823.imageshack.us/img823/1783/festivalviii034.jpg" style="cursor: pointer; height: 352px; width: 265px;" /></a><a href="http://img809.imageshack.us/img809/4065/festivalviii035.jpg"><img alt="" border="0" src="http://img809.imageshack.us/img809/4065/festivalviii035.jpg" style="cursor: pointer; height: 352px; width: 265px;" /></a></div>
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<a href="http://img833.imageshack.us/img833/6215/festivalviii036.jpg"><img alt="" border="0" src="http://img833.imageshack.us/img833/6215/festivalviii036.jpg" style="cursor: pointer; height: 351px; width: 265px;" /></a><a href="http://img213.imageshack.us/img213/1711/festivalviii057.jpg"><img alt="" border="0" src="http://img213.imageshack.us/img213/1711/festivalviii057.jpg" style="cursor: pointer; height: 351px; width: 265px;" /></a><br />
<a href="http://img831.imageshack.us/img831/2766/festivalviii058y.jpg"><img alt="" border="0" src="http://img831.imageshack.us/img831/2766/festivalviii058y.jpg" style="cursor: pointer; height: 352px; width: 265px;" /></a><a href="http://img185.imageshack.us/img185/7811/festivalviii059.jpg"><img alt="" border="0" src="http://img185.imageshack.us/img185/7811/festivalviii059.jpg" style="cursor: pointer; height: 353px; width: 265px;" /></a></div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">mel-o-drama - parte IV (olhar à distância)</span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><a href="http://cabenamao.blogspot.com/" style="font-weight: bold;" target="_blank">Thaíse Nardim</a><br />Palmas/TO</span><br />
(detalhes sobre a concepção do trabalho <a href="http://cabenamao.blogspot.com/2010/09/atlas-mel-o-drama-parte-iv-olhar.html">no blog da autora</a>)<br />
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O desafio da performer é manter os olhos abertos durante a repetida execução de um vídeo em que a cantora cubana "La Lupe" interpreta a canção "Qualquiera". Não sabemos quando a exibição será interrompida.<br />
A canção, a performance de La Lupe, a fragilidade da performer coberta apenas por uma camisa masculina, com os braços erguidos para manter as pálpebras abertas com as mãos, as poucas lágrimas que vertem de seus olhos durante os vinte minutos da ação, esses elementos em conjunto compõem o todo do trabalho.<br />
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<a href="http://img521.imageshack.us/img521/1650/melodrama9.jpg"><img alt="" border="0" src="http://img521.imageshack.us/img521/1650/melodrama9.jpg" style="cursor: pointer; display: block; height: 324px; margin: 0px auto 10px; text-align: center; width: 488px;" /></a><a href="http://lh3.ggpht.com/_aVPGo8F_xaM/TJukrPpHpSI/AAAAAAAACfU/1lv4gs6D2HM/s1600/mel-o-drama%20%2821%29.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://lh3.ggpht.com/_aVPGo8F_xaM/TJukrPpHpSI/AAAAAAAACfU/1lv4gs6D2HM/s400/mel-o-drama%20%2821%29.JPG" style="height: 327px; width: 492px;" /></a><a href="http://lh4.ggpht.com/_aVPGo8F_xaM/TJukpbgXavI/AAAAAAAACfI/X-e4dKeIsao/s720/mel-o-drama%20%2819%29.JPG"><img alt="" border="0" src="http://lh4.ggpht.com/_aVPGo8F_xaM/TJukpbgXavI/AAAAAAAACfI/X-e4dKeIsao/s720/mel-o-drama%20%2819%29.JPG" style="cursor: pointer; display: block; height: 327px; margin: 0px auto 10px; text-align: center; width: 492px;" /></a><a href="http://img691.imageshack.us/img691/218/melodrama18.jpg"><img alt="" border="0" src="http://img691.imageshack.us/img691/218/melodrama18.jpg" style="cursor: pointer; display: block; height: 326px; margin: 0px auto 10px; text-align: center; width: 492px;" /></a><br />
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<a href="http://img693.imageshack.us/img693/7227/melodrama22.jpg"><img alt="" border="0" src="http://img693.imageshack.us/img693/7227/melodrama22.jpg" style="cursor: pointer; display: block; height: 327px; margin: 0px auto 10px; text-align: center; width: 494px;" /></a><br />
<span style="color: #ff6600; font-size: small; font-weight: bold;"><br /><span style="font-size: 130%;">Cabelódromo</span></span><span style="font-size: 130%;"><br /></span></div>
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<span style="font-size: 130%;"><a href="http://cabelodroma.blogspot.com/" style="font-weight: bold;" target="_blank">Grasiele Souza</a><br />São Paulo/SP</span><br />
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Manipular os cabelos em torno da face é a ação de Cabelódromo. A aparição de diversos penteados revelam situações de liminaridades entre o reconhecível e o extra-cotidiano para o cabelo.<br />
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<embed flashvars="host=picasaweb.google.com.br&noautoplay=1&hl=pt_BR&feat=flashalbum&RGB=0xffffff&feed=http%3A%2F%2Fpicasaweb.google.com.br%2Fdata%2Ffeed%2Fapi%2Fuser%2Ffestivaldeapartamento%2Falbumid%2F5520196189109951713%3Falt%3Drss%26kind%3Dphoto%26authkey%3DGv1sRgCJastZTlxJuf9QE%26hl%3Dpt_BR" height="400" pluginspage="http://www.macromedia.com/go/getflashplayer" src="http://picasaweb.google.com.br/s/c/bin/slideshow.swf" type="application/x-shockwave-flash" width="600"></embed><br /></div>
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<a href="http://img40.imageshack.us/img40/6272/cabelodromo3.jpg"><img alt="" border="0" src="http://img40.imageshack.us/img40/6272/cabelodromo3.jpg" style="cursor: pointer; display: block; height: 327px; margin: 0px auto 10px; text-align: center; width: 491px;" /></a><a href="http://img28.imageshack.us/img28/4443/cabelodromo4.jpg"><img alt="" border="0" src="http://img28.imageshack.us/img28/4443/cabelodromo4.jpg" style="cursor: pointer; height: 434px; width: 290px;" /></a><a href="http://img844.imageshack.us/img844/8602/cabelodromo6.jpg"><img alt="" border="0" src="http://img844.imageshack.us/img844/8602/cabelodromo6.jpg" style="cursor: pointer; height: 433px; width: 289px;" /></a><br />
<a href="http://img713.imageshack.us/img713/318/cabelodromo17.jpg"><img alt="" border="0" src="http://img713.imageshack.us/img713/318/cabelodromo17.jpg" style="cursor: pointer; height: 433px; width: 290px;" /></a><a href="http://img718.imageshack.us/img718/4313/cabelodromo11.jpg"><img alt="" border="0" src="http://img718.imageshack.us/img718/4313/cabelodromo11.jpg" style="cursor: pointer; height: 434px; width: 288px;" /></a><a href="http://img33.imageshack.us/img33/790/cabelodromo10.jpg"><img alt="" border="0" src="http://img33.imageshack.us/img33/790/cabelodromo10.jpg" style="cursor: pointer; display: block; height: 328px; margin: 0px auto 10px; text-align: center; width: 492px;" /></a></div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Modifica</span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><span style="color: #ff9900; font-weight: bold;">Grupo Corpo de Rua</span></span><span style="color: #ff9900; font-size: 130%; font-style: italic;">Maria Gabriela D'Ambrozio e Cid</span><span style="font-size: 130%;"><br />São Carlos/SP</span><br />
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O "amadureciometo" de um indivíduo: o extasi, o funck, o daime, a erva - a morbidez das palavras à meia noite. "Será que ela goza?". "A felicidade é coletiva?". Dúvidas, angústias, tristezas compartilhadas com o público. Para quem está a responsabilidade da transformação? Quem "Modifica"?<br />
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<a href="http://img4.imageshack.us/img4/5273/modificai.jpg"><img alt="" border="0" src="http://img4.imageshack.us/img4/5273/modificai.jpg" style="cursor: pointer; display: block; height: 326px; margin: 0px auto 10px; text-align: center; width: 491px;" /></a><a href="http://img811.imageshack.us/img811/7503/modifica1.jpg"><img alt="" border="0" src="http://img811.imageshack.us/img811/7503/modifica1.jpg" style="cursor: pointer; display: block; height: 325px; margin: 0px auto 10px; text-align: center; width: 490px;" /></a><a href="http://img828.imageshack.us/img828/9128/modifica2.jpg"><img alt="" border="0" src="http://img828.imageshack.us/img828/9128/modifica2.jpg" style="cursor: pointer; display: block; height: 326px; margin: 0px auto 10px; text-align: center; width: 490px;" /></a><span style="color: #ff6600; font-size: small; font-weight: bold;"><br /><br /><span style="font-size: 130%;">Maquinestesia</span></span><span style="font-size: 130%;"><br /></span><span style="color: #ff9900; font-size: 130%; font-weight: bold;">Duo Sonoris Causa</span><span style="font-size: 130%;"><br /></span><span style="color: #ff9900; font-size: 130%; font-style: italic;"><a href="http://eduardonespoli.wordpress.com/eduardonespoli/">Eduardo Nespoli</a> & <a href="http://www.myspace.com/alexandreficagna">Alexandre Ficagna</a></span><span style="font-size: 130%;"><br />São Carlos/SP e Campinas/SP</span><br />
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O sonoro e o visual, o acústico e digital, gestos e sonoridades, elementos que agenciam-se num espaço de encontros esperados e inesperados. Espaço que depende de um tempo outro para que seja reconfigurado.<br />
<a href="http://img534.imageshack.us/img534/5786/maquinestesia1.jpg"><br /></a> <br />
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<a href="http://img693.imageshack.us/img693/8062/maquinestesia3.jpg"><img alt="" border="0" src="http://img693.imageshack.us/img693/8062/maquinestesia3.jpg" style="cursor: pointer; display: block; height: 327px; margin: 0px auto 10px; text-align: center; width: 491px;" /></a><a href="http://img704.imageshack.us/img704/9753/maquinestesia4.jpg"><img alt="" border="0" src="http://img704.imageshack.us/img704/9753/maquinestesia4.jpg" style="cursor: pointer; display: block; height: 328px; margin: 0px auto 10px; text-align: center; width: 493px;" /></a><a href="http://img180.imageshack.us/img180/1562/maquinestesia9.jpg"><img alt="" border="0" src="http://img180.imageshack.us/img180/1562/maquinestesia9.jpg" style="cursor: pointer; display: block; height: 328px; margin: 0px auto 10px; text-align: center; width: 495px;" /></a><a href="http://img801.imageshack.us/img801/6258/maquinestesia6.jpg"><img alt="" border="0" src="http://img801.imageshack.us/img801/6258/maquinestesia6.jpg" style="cursor: pointer; height: 406px; width: 271px;" /></a><a href="http://img718.imageshack.us/img718/6550/maquinestesia.jpg"><img alt="" border="0" src="http://img718.imageshack.us/img718/6550/maquinestesia.jpg" style="cursor: pointer; height: 406px; width: 272px;" /></a></div>
<a href="http://img84.imageshack.us/img84/5122/dsc07554q.jpg"><img alt="" border="0" src="http://img84.imageshack.us/img84/5122/dsc07554q.jpg" style="cursor: pointer; display: block; height: 373px; margin: 0px auto 10px; text-align: center; width: 498px;" /></a><br />
<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Antúrio</span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><span style="color: #ff9900; font-weight: bold;">Maju Martins</span></span><span style="color: #ff9900; font-size: 130%; font-style: italic;">Criação e produção: Maju Martins.</span><span style="font-size: 130%;"><br /></span><span style="color: #ff9900; font-size: 130%; font-style: italic;">Confecção do figurino: Ana Maria P. Jambersi</span><span style="font-size: 130%;"><br />São Carlos/SP</span><br />
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"<span style="font-style: italic;">Muitas vezes eu disse que uma irmã mais velha vive dentro de meu corpo. Quando tento levantar ela se abaixa. Quando me ocupo de minha dança ela come as trevas no meu corpo. Quando ela cai, isto significa muito mais do que eu ficar em pé.</span>" Hijikata<br />
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<a href="http://img690.imageshack.us/img690/9101/anturios1.jpg"><img alt="" border="0" src="http://img690.imageshack.us/img690/9101/anturios1.jpg" style="cursor: pointer; height: 420px; width: 280px;" /></a><a href="http://img85.imageshack.us/img85/7460/anturios2.jpg"><img alt="" border="0" src="http://img85.imageshack.us/img85/7460/anturios2.jpg" style="cursor: pointer; height: 420px; width: 280px;" /></a><br />
<a href="http://img704.imageshack.us/img704/5381/anturios5.jpg"><img alt="" border="0" src="http://img704.imageshack.us/img704/5381/anturios5.jpg" style="cursor: pointer; display: block; height: 324px; margin: 0px auto 10px; text-align: center; width: 488px;" /></a><a href="http://img94.imageshack.us/img94/3464/anturios8.jpg"><img alt="" border="0" src="http://img94.imageshack.us/img94/3464/anturios8.jpg" style="cursor: pointer; display: block; height: 324px; margin: 0px auto 10px; text-align: center; width: 490px;" /></a></div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">1:1 versão Amarelo</span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><a href="http://www.youtube.com/titavaz" style="font-weight: bold;" target="_blank">Maíra Vaz Valente</a><br />São Paulo/SP</span><br />
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Investigação performática a partir do encontro entre propositor e participador através do<span style="font-style: italic;"> Conector Amarelo</span>.<br />
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<a href="http://img693.imageshack.us/img693/5629/amarelo6.jpg"><img alt="" border="0" src="http://img693.imageshack.us/img693/5629/amarelo6.jpg" style="cursor: pointer; height: 388px; width: 259px;" /></a><a href="http://img185.imageshack.us/img185/4966/amarelo8.jpg"><img alt="" border="0" src="http://img185.imageshack.us/img185/4966/amarelo8.jpg" style="cursor: pointer; height: 389px; width: 260px;" /></a><br />
<a href="http://img823.imageshack.us/img823/134/amarelo1.jpg"><img alt="" border="0" src="http://img823.imageshack.us/img823/134/amarelo1.jpg" style="cursor: pointer; display: block; height: 326px; margin: 0px auto 10px; text-align: center; width: 491px;" /></a><a href="http://img707.imageshack.us/img707/3355/dsc07663k.jpg"><img alt="" border="0" src="http://img707.imageshack.us/img707/3355/dsc07663k.jpg" style="cursor: pointer; display: block; height: 370px; margin: 0px auto 10px; text-align: center; width: 494px;" /></a><a href="http://img512.imageshack.us/img512/8564/amarelo4.jpg"><img alt="" border="0" src="http://img512.imageshack.us/img512/8564/amarelo4.jpg" style="cursor: pointer; display: block; height: 325px; margin: 0px auto 10px; text-align: center; width: 489px;" /></a><a href="http://img32.imageshack.us/img32/8769/amarelo3.jpg"><img alt="" border="0" src="http://img32.imageshack.us/img32/8769/amarelo3.jpg" style="cursor: pointer; display: block; height: 323px; margin: 0px auto 10px; text-align: center; width: 488px;" /></a></div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Protagonista ou Tudo aquilo que eu não posso te dizer</span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><a href="http://luisanobrega.blogspot.com/" style="font-weight: bold;" target="_blank">Luísa Nóbrega</a><br />São Paulo/SP</span><br />
(detalhes sobre a concepção do trabalho <a href="http://luisanobrega.blogspot.com/2010/09/protagonista-ou-tudo-aquilo-que-eu-nao.html">no blog da autora</a>)<br />
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Uma linha separa artista e público. A performer emite diretamente para o público uma série de sons inarticulados, não podendo de modo algum fazer uso da linguagem verbal. Em seguida, cala-se, vira-lhes as costas e o microfone passa ao público, que pode dizer o que desejar à performer, fazendo uso, obrigatoriamente, da linguagem verbal.<br />
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<a href="http://img801.imageshack.us/img801/4984/protagonistaoutudo.jpg"><img alt="" border="0" src="http://img801.imageshack.us/img801/4984/protagonistaoutudo.jpg" style="cursor: pointer; display: block; height: 326px; margin: 0px auto 10px; text-align: center; width: 491px;" /></a><a href="http://img824.imageshack.us/img824/4898/protagonistaoutudo6.jpg"><img alt="" border="0" src="http://img824.imageshack.us/img824/4898/protagonistaoutudo6.jpg" style="cursor: pointer; height: 385px; width: 257px;" /></a><a href="http://img811.imageshack.us/img811/8305/protagonistaoutudo5.jpg"><img alt="" border="0" src="http://img811.imageshack.us/img811/8305/protagonistaoutudo5.jpg" style="cursor: pointer; height: 384px; width: 257px;" /></a></div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Corpo Crú</span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><a href="http://www.facebook.com/profile.php?id=1026980687" style="font-weight: bold;" target="_blank">Grupo Incógnita</a></span><span style="color: #ff9900; font-size: 130%; font-style: italic;">Concepção/intérprete: Urubatan Miranda</span><span style="font-size: 130%;"><br /></span><span style="color: #ff9900; font-size: 130%; font-style: italic;">Dramaturgia/sonoplastia: Ricardo Barbosa</span><span style="font-size: 130%;"><br />São Paulo/SP</span><br />
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Tenho síndrome de Otelo desgastado / esquizofrênico pelo sexo obscuro que / transpira entre minhas pernas.<br />
Fecho meus olhos estranhos e nebulosos / e arrasto-me escorregadio, lentamente / enquanto cortejo minha própria sombra / a procura de um reflexo roto.<br />
Reparto meu corpo num quebra cabeças / enquanto a dor debruça-se eloqüente / pesada e absorta sobre meus olhos.<br />
Agora mergulhado em toda a essa catarse / deito-me entre meus órgãos enovelados / por meus surtos, medos e angústias / onde a palavra é abafada pelo silêncio.<br />
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<a href="http://img8.imageshack.us/img8/6508/corpocru1.jpg"><img alt="" border="0" src="http://img8.imageshack.us/img8/6508/corpocru1.jpg" style="cursor: pointer; display: block; height: 325px; margin: 0px auto 10px; text-align: center; width: 491px;" /></a><a href="http://img580.imageshack.us/img580/6193/corpocru7.jpg"><img alt="" border="0" src="http://img580.imageshack.us/img580/6193/corpocru7.jpg" style="cursor: pointer; height: 434px; width: 289px;" /></a><a href="http://img834.imageshack.us/img834/1576/corpocru8.jpg"><img alt="" border="0" src="http://img834.imageshack.us/img834/1576/corpocru8.jpg" style="cursor: pointer; height: 435px; width: 291px;" /></a><br />
<a href="http://img42.imageshack.us/img42/1766/corpocru3.jpg"><img alt="" border="0" src="http://img42.imageshack.us/img42/1766/corpocru3.jpg" style="cursor: pointer; height: 427px; width: 287px;" /></a><a href="http://img693.imageshack.us/img693/1471/corpocru4.jpg"><img alt="" border="0" src="http://img693.imageshack.us/img693/1471/corpocru4.jpg" style="cursor: pointer; height: 428px; width: 287px;" /></a><br />
<a href="http://img80.imageshack.us/img80/6426/corpocru9.jpg"><img alt="" border="0" src="http://img80.imageshack.us/img80/6426/corpocru9.jpg" style="cursor: pointer; display: block; height: 326px; margin: 0px auto 10px; text-align: center; width: 491px;" /></a><br />
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Modèles de maisons</span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><a href="http://performanceuhuu.blogspot.com/" style="font-weight: bold;" target="_blank">Felipe Matos Ohno</a> e <a href="http://fervasconcelos.wordpress.com/" style="font-weight: bold;" target="_blank">Fernanda Vasconcelos</a><br />Bauru/SP</span><br />
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A ideia é iluminar, evocar o novo, transcender os padrões. “Modèles de Maisons” é uma ação de transformação e experimentação, uma distorção dos paradigmas. As ações performáticas convidam o público à auto-transformação e à reflexão sobre o olhar mecânico, que registra sem digerir.<br />
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<a href="http://img841.imageshack.us/img841/4655/modlesdemaison9.jpg"><img alt="" border="0" src="http://img841.imageshack.us/img841/4655/modlesdemaison9.jpg" style="cursor: pointer; display: block; height: 326px; margin: 0px auto 10px; text-align: center; width: 491px;" /></a><a href="http://img203.imageshack.us/img203/2594/modlesdemaison10.jpg"><img alt="" border="0" src="http://img203.imageshack.us/img203/2594/modlesdemaison10.jpg" style="cursor: pointer; display: block; height: 325px; margin: 0px auto 10px; text-align: center; width: 489px;" /></a><a href="http://img835.imageshack.us/img835/1593/modlesdemaison12.jpg"><img alt="" border="0" src="http://img835.imageshack.us/img835/1593/modlesdemaison12.jpg" style="cursor: pointer; display: block; height: 325px; margin: 0px auto 10px; text-align: center; width: 488px;" /></a><a href="http://img15.imageshack.us/img15/5821/modlesdemaison18.jpg"><img alt="" border="0" src="http://img15.imageshack.us/img15/5821/modlesdemaison18.jpg" style="cursor: pointer; display: block; height: 325px; margin: 0px auto 10px; text-align: center; width: 489px;" /></a><a href="http://img185.imageshack.us/img185/266/modlesdemaison19.jpg"><img alt="" border="0" src="http://img185.imageshack.us/img185/266/modlesdemaison19.jpg" style="cursor: pointer; display: block; height: 325px; margin: 0px auto 10px; text-align: center; width: 489px;" /></a><a href="http://img811.imageshack.us/img811/1699/dsc07625f.jpg"><img alt="" border="0" src="http://img811.imageshack.us/img811/1699/dsc07625f.jpg" style="cursor: pointer; display: block; height: 363px; margin: 0px auto 10px; text-align: center; width: 487px;" /></a><br />
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">NaMassa</span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><a href="http://www.facebook.com/profile.php?id=1115874036" style="font-weight: bold;" target="_blank">Diana Parisi</a><br />São Paulo/SP</span><br />
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Um convite para a composição coletiva de uma massa de pão. O fazer artístico abre mão do espetáculo ao mesmo tempo em que escapa às mãos do autor e reelabora-se em uma ação coletiva simples, descentralizada e despretensiosa, com o potencial de gerar, dissolver ou reconfigurar situações, ambientes e relações.<br />
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<a href="http://img8.imageshack.us/img8/571/dsc07499j.jpg"><img alt="" border="0" src="http://img8.imageshack.us/img8/571/dsc07499j.jpg" style="cursor: pointer; display: block; height: 369px; margin: 0px auto 10px; text-align: center; width: 493px;" /></a><a href="http://img375.imageshack.us/img375/6402/namassa7.jpg"><img alt="" border="0" src="http://img375.imageshack.us/img375/6402/namassa7.jpg" style="cursor: pointer; display: block; height: 326px; margin: 0px auto 10px; text-align: center; width: 491px;" /></a><a href="http://img33.imageshack.us/img33/8431/namassa2.jpg"><img alt="" border="0" src="http://img33.imageshack.us/img33/8431/namassa2.jpg" style="cursor: pointer; height: 410px; width: 274px;" /></a><a href="http://img831.imageshack.us/img831/7845/namassa.jpg"><img alt="" border="0" src="http://img831.imageshack.us/img831/7845/namassa.jpg" style="cursor: pointer; height: 411px; width: 274px;" /></a><br />
<a href="http://img811.imageshack.us/img811/6691/namassa10.jpg"><img alt="" border="0" src="http://img811.imageshack.us/img811/6691/namassa10.jpg" style="cursor: pointer; display: block; height: 328px; margin: 0px auto 10px; text-align: center; width: 493px;" /></a><a href="http://img695.imageshack.us/img695/5191/namassa6.jpg"><img alt="" border="0" src="http://img695.imageshack.us/img695/5191/namassa6.jpg" style="cursor: pointer; display: block; height: 328px; margin: 0px auto 10px; text-align: center; width: 493px;" /></a><a href="http://img178.imageshack.us/img178/8704/namassa13.jpg"><img alt="" border="0" src="http://img178.imageshack.us/img178/8704/namassa13.jpg" style="cursor: pointer; display: block; height: 328px; margin: 0px auto 10px; text-align: center; width: 496px;" /></a></div>
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<span style="color: #ff6600; font-size: large; font-weight: bold;"><b>vetiver</b></span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><a href="http://mapeia.wordpress.com/" style="font-weight: bold;" target="_blank">Danças com caderno testemunho</a><br /><a href="http://teias.wordpress.com/" style="color: #6633ff;"><span style="color: #ff9900; font-style: italic;">Gisella Hiche</span></a><br />São Paulo/SP</span><br />
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<span style="font-weight: bold;">Versão festival</span> de pesquisa íntima, denominada danças com caderno testemunho, em que movimento e poesias diluem um estado de desenraizamento. Nesta versão, as pessoas presentes no festival poderão dançar sob tecido vermelho e sobre o chão, reconhecendo no corpo, em memórias e na dança sensações que aterram.<br />
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<a href="http://img205.imageshack.us/img205/2862/vetiver.jpg"><img alt="" border="0" src="http://img205.imageshack.us/img205/2862/vetiver.jpg" style="cursor: pointer; display: block; height: 327px; margin: 0px auto 10px; text-align: center; width: 491px;" /></a><a href="http://img815.imageshack.us/img815/2951/vetiver2.jpg"><img alt="" border="0" src="http://img815.imageshack.us/img815/2951/vetiver2.jpg" style="cursor: pointer; display: block; height: 326px; margin: 0px auto 10px; text-align: center; width: 491px;" /></a><br />
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<a href="http://img818.imageshack.us/img818/9803/vetiver3.jpg"><img alt="" border="0" src="http://img818.imageshack.us/img818/9803/vetiver3.jpg" style="cursor: pointer; display: block; height: 326px; margin: 0px auto 10px; text-align: center; width: 490px;" /></a><a href="http://img811.imageshack.us/img811/1047/vetiver1.jpg"><img alt="" border="0" src="http://img811.imageshack.us/img811/1047/vetiver1.jpg" style="cursor: pointer; display: block; height: 324px; margin: 0px auto 10px; text-align: center; width: 490px;" /></a><a href="http://img580.imageshack.us/img580/197/aindaserapossivel12.jpg"><br /></a></div>
<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Fazendo (a-consciências)</span><span style="font-size: 130%;"><br /></span><span style="color: #ff9900; font-size: 130%;">Uma performance de<span style="font-weight: bold;"> Thaíse Nardim </span>para<span style="font-weight: bold;"> André Luiz Nardim</span></span><span style="font-size: 130%;"><br />São Carlos/SP</span><br />
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Uma performance-em-jogo familiar, proposta surpresa baseada na obra do artista americano Allan Kaprow, em especial em seus trabalhos de inspiração zen-budista.<br />
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<span style="color: #ff6600; font-size: small; font-weight: bold;"></span><span style="color: #ff6600; font-size: 130%; font-weight: bold;"><br />Ainda será possível?</span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><span style="color: #ff9900; font-weight: bold;">Larissa Alvanhan e Mariana de Luna</span><br />São Paulo/SP</span><br />
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<span style="font-style: italic;">"Ainda será possível / a comunicação, o entendimento? / Ainda será possível / o contato, o desprendimento? / Ainda será possível / a coragem, o rompimento?/ Ainda será possível / as cores, a liberdade? / Ainda será possível</span><br />
<span style="font-style: italic;">a vida, o sofrimento? / Ainda será, simplesmente, possível?</span><br />
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Diante de tantas (im)possibilidades cotidianas e rotineiras, a Perfomance Ainda será possível? traz o questionamento: será possível lavar-se das marcas culturais, das sujeiras , das imposições sócio-culturais, dos preconceitos e das hipocrisias para apenas sentir, sonhar, sofrer, viver? Quais são as conseqüências quando ousamos mudar o que nos parece impossível? Ainda existe lugar para as individualidades e o verdadeiro conceito de liberdade? Ainda será possível simplesmente sonhar com as possibilidades ainda (im)possíveis?<br />
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<a href="http://img801.imageshack.us/img801/1287/dsc07443t.jpg"><img alt="" border="0" src="http://img801.imageshack.us/img801/1287/dsc07443t.jpg" style="cursor: pointer; display: block; height: 366px; margin: 0px auto 10px; text-align: center; width: 491px;" /></a><a href="http://img580.imageshack.us/img580/197/aindaserapossivel12.jpg"><img alt="" border="0" src="http://img580.imageshack.us/img580/197/aindaserapossivel12.jpg" style="cursor: pointer; display: block; height: 326px; margin: 0px auto 10px; text-align: center; width: 492px;" /></a><a href="http://img178.imageshack.us/img178/9128/dsc07520p.jpg"><img alt="" border="0" src="http://img178.imageshack.us/img178/9128/dsc07520p.jpg" style="cursor: pointer; display: block; height: 369px; margin: 0px auto 10px; text-align: center; width: 492px;" /></a><a href="http://img801.imageshack.us/img801/7366/dsc07521.jpg"><img alt="" border="0" src="http://img801.imageshack.us/img801/7366/dsc07521.jpg" style="cursor: pointer; display: block; height: 368px; margin: 0px auto 10px; text-align: center; width: 492px;" /></a><a href="http://img684.imageshack.us/img684/6472/aindaserapossivel13.jpg"><img alt="" border="0" src="http://img684.imageshack.us/img684/6472/aindaserapossivel13.jpg" style="cursor: pointer; height: 427px; width: 285px;" /></a><a href="http://img841.imageshack.us/img841/9836/aindaserapossivel14.jpg"><img alt="" border="0" src="http://img841.imageshack.us/img841/9836/aindaserapossivel14.jpg" style="cursor: pointer; height: 427px; width: 285px;" /></a></div>
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<a href="http://img833.imageshack.us/img833/1550/aindaserapossivel19.jpg"><img alt="" border="0" src="http://img833.imageshack.us/img833/1550/aindaserapossivel19.jpg" style="cursor: pointer; height: 424px; width: 284px;" /></a><a href="http://img243.imageshack.us/img243/7217/aindaserapossivel21.jpg"><img alt="" border="0" src="http://img243.imageshack.us/img243/7217/aindaserapossivel21.jpg" style="cursor: pointer; height: 424px; width: 283px;" /></a></div>
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<span style="color: #ff6600; font-size: small; font-weight: bold;"><br /><br /><span style="font-size: 130%;">15 por 12</span></span><span style="font-size: 130%;"><br /></span><span style="color: #ff9900; font-size: 130%;"><span style="font-weight: bold;">Double jesus e Fabi Mtisue</span></span><span style="font-size: 130%;"><br /></span><span style="color: #ff9900; font-size: 130%; font-style: italic;">Fabi Mitsue e Van Jesus</span><span style="font-size: 130%;"><br />São Paulo/SP</span><br />
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Quantas vezes temos que ser estimulados para tormar-mos fanáticos por algo ? A que ponto nos leva a honra e o orgulho ?<br />
O que é realmente verdade daquilo que cantamos ?<br />
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<a href="http://img512.imageshack.us/img512/1324/15por122.jpg"><img alt="" border="0" src="http://img512.imageshack.us/img512/1324/15por122.jpg" style="cursor: pointer; height: 415px; width: 276px;" /></a><a href="http://img683.imageshack.us/img683/6968/15por123.jpg"><img alt="" border="0" src="http://img683.imageshack.us/img683/6968/15por123.jpg" style="cursor: pointer; height: 414px; width: 275px;" /></a><br />
<a href="http://img839.imageshack.us/img839/5320/15por124.jpg"><img alt="" border="0" src="http://img839.imageshack.us/img839/5320/15por124.jpg" style="cursor: pointer; height: 411px; width: 275px;" /></a><a href="http://img690.imageshack.us/img690/4990/15por127.jpg"><img alt="" border="0" src="http://img690.imageshack.us/img690/4990/15por127.jpg" style="cursor: pointer; height: 410px; width: 274px;" /></a></div>
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<span style="color: #ff9900; font-size: 130%; font-weight: bold;"><br />E, finalmente, entreatos, convívio e celebração:</span><span style="font-size: 130%;"><br />Fotos: <a href="http://www.flickr.com/photos/o_daguerreotipo/">Murilo de Paula</a> e <a href="http://www.myspace.com/alexandremsanches">Alexandre Sanches</a><br />E agradecimentos a todos que prestigiaram e colaboraram com a realização de mais um Festival de Apartamento.</span><br />
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<span style="font-size: 130%;">Histórico dos eventos já realizados:</span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><a href="http://festivaldeapartamento.blogspot.com/" target="_blank">http://festivaldeapartamento.blogspot.com/</a></span><span style="font-size: 130%;"><a href="http://twitter.com/fest_apartament" target="_blank">http://twitter.com/fest_apartament</a></span></div>
<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Lorde Velhohttp://www.blogger.com/profile/04261308692339919125noreply@blogger.com1tag:blogger.com,1999:blog-4462342586887969312.post-47967276521100377242010-03-07T18:25:00.001-08:002013-06-28T11:42:22.665-07:00VII Festival de Apartamento (São José do Rio Preto) - Registro Online das Performances Apresentadas.<br />
<a href="http://lh3.ggpht.com/_aVPGo8F_xaM/S5NLyGJ3V4I/AAAAAAAACS0/gclj-W4veU8/s720/Bastidores%20e%20Amigos%20%2812%29.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://lh3.ggpht.com/_aVPGo8F_xaM/S5NLyGJ3V4I/AAAAAAAACS0/gclj-W4veU8/s720/Bastidores%20e%20Amigos%20%2812%29.jpg" style="cursor: pointer; float: right; height: 241px; margin: 0pt 0pt 10px 10px; width: 362px;" /></a>Os <a href="http://www.thing.de/projekte/7:9%23/apt_index.html">Apartment Festivals</a> foram criados pelos <span style="font-style: italic; font-weight: bold;">neoistas</span> nos <span style="font-weight: bold;">anos 80</span> como uma forma de realizar eventos internacionais de <span style="color: red; font-style: italic; font-weight: bold;">Performance Art</span><span style="color: #ff4040;"> </span>nas próprias moradias dos artistas, <span style="font-weight: bold;">abrindo mão da necessidade de recorrer aos órgãos oficiais</span>. Num processo de<span style="font-weight: bold;"> </span>apropriação dessa prática, desde 2007 <a ddf2abe6bd="true" href="http://festivaldeapartamento.blogspot.com/" rel="nofollow" target="_blank"><span style="font-weight: bold;">uma série de eventos performáticos</span></a> tem sido organizada por uma equipe interessada em adaptar os <span style="color: red; font-weight: bold;">Festivais de Apartamento</span> de acordo com as necessidades de uma nova geração de artistas, ansiosos por espaços livres para apresentação de performances e intercâmbio de experiências. Basicamente, para realizar um Festival basta <span style="color: red; font-weight: bold;">um local</span>, <span style="color: red; font-weight: bold;">uma intenção</span> e <span style="color: red; font-weight: bold;">pessoas interessadas em apresentar e/ou assistir a performances</span>.<br />
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A <span style="color: red; font-weight: bold;">sétima edição do Festival de Apartamento</span> foi realizada no dia <span style="color: red; font-weight: bold;">20 de Fevereiro de 2010</span>, em <span style="color: red; font-weight: bold;">São José do Rio Preto/SP, Brasil</span>, na residência do ator e performer <a href="http://tenfuss.blogspot.com/"><span style="font-weight: bold;">Gerrah Tenfuss</span></a>, contando com a participação de artistas de <span style="font-weight: bold;">São José do Rio Preto</span>/SP,<span style="font-weight: bold;"> São Paulo</span>/SP,<span style="font-weight: bold;"> Bauru</span>/SP,<span style="font-weight: bold;"> Campinas</span>/SP,<span style="font-weight: bold;"> Uberlândia</span>/MG<span style="font-weight: bold;"> </span>e<span style="font-weight: bold;"> Maceio</span>/AL, num total de <span style="font-weight: bold;">13 apresentações</span> bastante diversas em natureza e propostas.<br />
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A <span style="font-weight: bold;">equipe de organização</span> gostaria de agradecer a todos os <span style="font-weight: bold;">performers </span>que participaram do evento (especialmente<span style="font-weight: bold;"> </span>os que<span style="font-weight: bold;"> se deslocaram de locais tão distantes</span>) bem como ao público que esteve presente com a <span style="font-weight: bold;">intenção de prestigiar os trabalhos</span>.<br />
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Agradecimentos a <a href="http://tenfuss.blogspot.com/" style="font-weight: bold;">Gerrah Tenfuss</a><span style="font-weight: bold;"> e família</span>, por gentilmente cederem sua chácara, com uma menção especial para os tios do anfitrião, que foram vizinhos do festival, e além de não se importaram com o barulho de madrugada, ainda se divertiram e nos ajudaram em tudo o que precisamos.<br />
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Também queremos agradecer aos nossos <span style="font-weight: bold;">fotógrafos</span> <a href="http://www.flickr.com/photos/o_daguerreotipo/" style="font-weight: bold;">Murilo de Paula</a> e <a href="http://www.flickr.com/photos/jumerengue/" style="font-weight: bold;">Juliana Merengue</a>, que se desdobraram para fotografar diversas performances acontecendo ao mesmo tempo, nos propiciando um belíssimo registro, e ao <a href="http://www.orkut.com.br/Main#Profile?uid=5173789979390324188"><span style="font-weight: bold;">Valquirio Correia</span></a>, pela discotecagem.<br />
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E não podemos nos esquecer de agradecer ao <span style="font-weight: bold;">Pitti, o cão maravilha</span>, por inestimáveis serviços prestados à organização e ao festival.<br />
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<span style="color: red; font-size: 180%;"><span style="font-weight: bold;">VII Festival de Apartamento</span></span><span style="font-size: 180%;"><br /></span><span style="color: red; font-size: 180%;"><span style="font-weight: bold;">(São José do Rio Preto)</span></span><span style="font-size: 180%;"><br /></span><span style="color: red; font-size: 180%;">Performance Art</span></div>
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<span style="font-size: 130%;"><a href="http://festivaldeapartamento.blogspot.com/" i453b56d837="true" target="_blank">http://festivaldeapartamento.<wbr></wbr>blogspot.com/</a></span></div>
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<span style="font-size: 130%;"><br /><span style="font-weight: bold;">Organização</span><br /><a ddf2abe6bd="true" href="http://cabenamao.blogspot.com/" rel="nofollow" target="_blank">Thaíse Nardim</a><br /><a ddf2abe6bd="true" href="http://costuradaparadentro.blogspot.com/" rel="nofollow" target="_blank">Ludmila Castanheira</a><br /><a ddf2abe6bd="true" href="http://lordevelho.blogspot.com/" rel="nofollow" target="_blank">Rodrigo Emanoel Fernandes</a><br /><a href="http://www.orkut.com.br/Main#Profile?uid=17954702769214778341">Alexandre Sanches</a></span><span style="font-size: 130%;"><span style="font-weight: bold;">Fotógrafos</span><br /><a ddf2abe6bd="true" href="http://www.flickr.com/photos/o_daguerreotipo/" rel="nofollow" target="_blank">Murilo de Paula</a><br /><a href="http://www.flickr.com/photos/jumerengue/">Juliana Merengue</a></span><span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><span style="font-weight: bold;">Anfitrião</span><br /><a ddf2abe6bd="true" href="http://tenfuss.blogspot.com/" rel="nofollow" target="_blank">Gerrah Tenfuss</a></span></div>
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<span style="color: yellow; font-size: 180%; font-weight: bold;"><span style="color: red;">Registro das Performances Apresentadas:</span></span></div>
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<span style="font-size: 100%;">(listadas <span style="font-weight: bold;">aproximadamente</span> por <span style="font-weight: bold;">ordem de apresentação</span>; os textos foram enviados pelos performers em suas respectivas fichas de inscrição)</span></div>
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<span style="font-size: 85%;"><span style="color: red; font-weight: bold;">ATENÇÃO</span><span style="color: red;">:</span> Gostaríamos de pedir que as imagens veiculadas aqui <span style="color: red; font-weight: bold;">não sejam reproduzidas em outros sites ou blogs sem a autorização dos respectivos artistas</span><span style="color: #3333ff;">.</span> <span style="color: #3366ff;">E-mails e links de cada performer </span><span style="color: #3366ff; font-weight: bold;">estão disponíveis para contato</span>. Sabemos que esse parece um pedido ingênuo numa época em que imagens podem ser reproduzidas ao infinito, <span style="font-style: italic;">por vezes sem nenhuma preocupação com as pessoas fotografadas e o contexto em que suas imagens podem acabar sendo exibidas</span>, mas apelamos para o bom senso e a ética que, teimamos em acreditar, ainda devem existir. Obrigado.</span></div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Rótulo - As Impressões do Corpo</span><br />
<span style="font-size: 130%;"><a href="http://performercharlenesadd.blogspot.com/" i453b56d837="true" style="font-weight: bold;" target="_blank">Charlene Sadd</a></span> <span style="font-size: 100%;"><span style="color: #ff6600;">(charlenesadd@gmail.com)</span></span><br />
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Rótulo é uma performance que surge no intuito de promover o entendimento da relação: Corpo e Imagem. Qual a imagem que temos de nós mesmos, frente ao espelho, frente aos outros, frente ao nosso desejo? Como pode ser possível termos propriedade de nossa imagem ante a relação abusiva e desconstrutiva do que é padrão de beleza na atualidade. O corpo social-cultural tem claramente forte domínio sobre o indivíduo, mas, como induzir a aceitação da nossa própria imagem quando tudo ou muita coisa ao nosso redor nos grita para que sejamos desfigurados. A questão é, como tornar o corpo-objeto, corpo-produto em corpo-sujeito? (<span style="font-style: italic;">Charlene Sadd</span>)</div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Deslocamento Performativo</span><br />
<span style="font-size: 130%;"><a href="http://www.myspace.com/andrezlean" i453b56d837="true" style="font-weight: bold;" target="_blank">Andrez Leah</a></span> <span style="font-size: 100%;"><span style="color: #ff6600;">(andrezgh@terra.com.br)</span></span><br />
<span style="color: #ff9900; font-size: 100%;"><span style="font-style: italic;">Vídeo Performance realizada em 2008, 2009 em aula na Comunicação das Artes do Corpo PUC-SP</span></span><br />
<span style="color: #ff9900; font-size: 100%;"><span style="font-style: italic;">Colaboradores: Diogo Polaroid; Romain Vicari; Carangosá; Caio Música Susabi Itsuroi; Karen Keppe.</span></span><br />
<span style="color: #ff9900; font-size: 100%;"><span style="font-style: italic;">Performers criadores: Andrez e Caio.</span></span><br />
<span style="color: #ff9900; font-size: 100%;"><span style="font-style: italic;">Referência artística: Oriana Duarte num trabalho do Coletivo Pernambucano Camelo</span></span><br />
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No cotidiano performativo, do movimento paralisado entre paredes criadas. Parado em movimento, repetição da náusea. O movimento que sugere a luz acender. O vigiado porteiro que vigia a porta. Movimento que denuncia o deslocamento do ar, assim passível de ser pego. O circuito se fechou. Estratégias, exercícios: Deslocamento performativo no cotidiano, do cotidiano. Testes: Propor deslocamentos que sugerem a observação do dispositivo. (<span style="font-style: italic;">Andrez Leah</span>)<br />
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Geometria Sobre o Conforto</span><br />
<a href="http://motivacoesperformaticas.blogspot.com/" style="font-weight: bold;"><span style="color: #ff9900; font-size: 130%;">Felipe Bittencourt</span></a> <span style="font-size: 100%;"><span style="color: #ff6600;">(felpochatt@hotmail.com)</span></span><br />
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<span style="font-weight: bold;">Auto-agressão como possibilidade poética:</span> Nesta performance utilizei o corpo e o espaço em que ele se encontrava para estabelecer uma situação. Escolhi o desgaste físico como argumento visual para discutir questões sobre a autoria voluntária e controversa da ação de um indivíduo que se agride repetitivamente. (<span style="font-style: italic;">Felipe Bittencourt</span>)</div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Instantâneo Integral</span><br />
<span style="font-size: 130%; font-weight: bold;"><a href="http://companhialimitda.blogspot.com/" i453b56d837="true" target="_blank">Mary Vaz</a></span> <span style="font-size: 100%;"><span style="color: #ff6600;">(madnesmary@gmail.com)</span></span><br />
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INSTANTANEO INTEGRAL é um processo criativo – performático - Essa carência que chamo de ir mais além, penetrar mais fundo no ser humano que sou. É um experimento, mas com algunns estruturas, de como me relaciono no lugar aqui no momento agora . "É parido por entre linhas, intervalos entre palavras e pensamentos, é - necessidades imediatas, porém provindas do espiríto-corpo". Como ser instantânea e ao mesmo tempo integral? Uma coisa anula a outra? Estamos para o momento? (<span style="font-style: italic;">Mary Vaz</span>)<br />
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Liquefação Sexual II</span><br />
<span style="color: #ff9900; font-size: 130%; font-weight: bold;">Luiz Diniz</span> <span style="font-size: 100%;"><span style="color: #ff6600;">(luizdiniz953@yahoo.fr)</span></span><br />
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O vídeo aborda de forma líquida uma relação sexual. As deformações criadas pela sua desconstrução vêm enfatizar uma metáfora orgásmica. É claro que o objeto em questão não busca a representação figurativa, é mais um trabalho com ondas e partículas flertando com o sentido do prazer. (<span style="font-style: italic;">Luiz Diniz</span>)</div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Experimento com abacates</span></div>
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<span style="font-size: 130%;"><a href="http://www.acaciamarginata.blogspot.com/" i453b56d837="true" style="font-weight: bold;" target="_blank">Cássia Nunes</a> </span><span style="font-size: 100%;"><span style="color: #ff6600;">(cassianunesc@hotmail.com)</span></span><br />
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Proposição de um ambiente onde arte e ritual se aproximam a partir da repetição das ações ‘cobrir’ e ‘retirar’, nas suas diversas possibilidades, para a transformação do corpo e seus estados ao contato com o resultante da mistura ou consumo de outras matérias. (<span style="font-style: italic;">Cássia Nunes</span>)<br />
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Ponto Paina</span><br />
<span style="color: #ff9900; font-size: 130%;"><a href="http://www.diagramadeprocessos.blogspot.com/" style="font-weight: bold;">Ana Reis</a></span> <span style="font-size: 100%;"><span style="color: #ff6600;">(anareisn@gmail.com)</span></span><br />
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Um papel branco é perfurado utilizando uma pequena máquina-ferramenta de criar formas redondas brancas, micropontos que, com saliva, são sobrepostos ao rosto e ao corpo. O espelho redondo, possível ponte entre externo e interno, reflexo do ver-se e do preparar-se para ser visto, intercala figura e paisagem. Painas, também brancas, esfregadas e espalhadas no vestido, tomam aderência enquanto são dissolvidas no vento, propagadas no espaço. Outro pequeno utensílio tenta apagar os vestígios da roupa como se pudesse desfazer o tempo. (<span style="font-style: italic;">Ana Reis</span>)</div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Olhares</span><br />
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<a href="http://twitter.com/RAFAELUXSOLARIS"><span style="font-size: 130%;"><span style="font-weight: bold;">Arte na Garagem</span></span></a> <span style="font-size: 100%;"><span style="color: #ff6600;">(rafaeluxsolaris@hotmail.com)</span></span><br />
<span style="color: #ff9900; font-size: 100%; font-style: italic;">Thaís de Freitas, Luiz Diniz, Rafaelo J. Mattos</span><br />
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Transmissão ao vivo das performances apresentadas nesta edição do Apartment Arts. (<span style="font-style: italic;">Rafaelo J. Mattos</span>)</div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;"><br />Le Tourment</span><br />
<span style="color: #ff9900; font-size: 130%;"><a href="http://pindaridades.blogspot.com/" style="font-weight: bold;">Kiko Andrade</a></span> <span style="font-size: 100%;"><span style="color: #ff6600;">(pindaro_rp@hotmail.com)</span></span><br />
<span style="color: #ff9900; font-size: 130%;"><span style="font-style: italic;"><span style="font-size: 100%;">Texto: Luciana Campos e Kiko Andrade</span></span></span><br />
<span style="color: #ff9900; font-size: 100%; font-style: italic;">Produção: Luciana Campos</span><br />
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A obra aborda a inquietação humana perante o caos da pós modernidade, onde o sujeito como indivíduo perde a noção de identidade. Vivendo entre loucura e a realidade, a personagem vive em estado de sofrimento, alegria e liberdade. (<span style="font-style: italic;">Kiko Andrade</span>)<br />
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;"><br />Máscaras que se dissolvem</span></div>
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<span style="font-size: 130%;"><a href="http://www.ccr.art.br/" i453b56d837="true" style="font-weight: bold;" target="_blank">CCR – Centro de Criação de Ruídos</a></span> <span style="font-size: 100%;"><span style="color: #ff6600;">(tiagospina22@gmail.com)</span></span><br />
<span style="color: #ff9900; font-size: 100%; font-style: italic;">Tiago Spina e PR Taypa</span><br />
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O homem e suas múltiplas personas tentando ocultar sua sombra. (<span style="font-style: italic;">Tiago Spina</span>)</div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">pedra</span><br />
<span style="color: #ff9900; font-size: 130%;"><a href="http://costuradaparadentro.blogspot.com/" style="font-weight: bold;">Ludmila Castanheira</a></span> <span style="color: #ff6600;">(ludmilacastanheira@gmail.com)</span><br />
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uma tinha caminho do meio no caminho do meio no uma tinha um tinha caminho do meio no que esquecerei me nunca fatigadas tão retinas minhas de vida na acontecimento desse esquecerei me nunca uma tinha caminho do meio no uma tinha caminho do meio no uma tinha caminho do meio no (<span style="font-style: italic;">Ludmila Castanheira</span>)</div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">O Jogo</span><a href="http://performanceuhuu.blogspot.com/"><br /></a><a href="http://performanceuhuu.blogspot.com/"><span style="font-size: 130%; font-weight: bold;">Núcleo UHUU de Pesquisa da Performance</span></a> <span style="color: #ff6600;">(performanceuhuu@gmail.com)</span><br />
<span style="color: #ff9900; font-size: 130%;"><span style="font-weight: bold;"><span style="font-size: 100%;">Multimída e Interartes – UNESP/Bauru</span></span></span><br />
<span style="color: #ff9900; font-size: 100%;"><span style="font-style: italic;">Felipe Matos Ohno, Thaís de Jesus Luquesi, Marília Marton, Emiliano Favacho, Fernanda Vasconcelos, David Calleja, Rosa Maria Araújo Simões, Juliana Brandt </span></span></div>
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O JOGO é o retrato de como o Núcleo UHUU entende performance. Nele, o público/interator irá participar ativamente e será o responsável por como a cena irá se desenrolar. As regras do JOGO serão esclarecidas antes do início da partida e quem decidir participar deve estar pronto tanto para ganhar, como para perder. (<span style="font-style: italic;">Núcleo UHUU</span>)</div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Não quero mais morrer, não quero mais matar</span><br />
<span style="color: #ff9900; font-size: 130%;"><a href="http://estranhocorpo.blogspot.com/" style="font-weight: bold;">Flávio Rabelo</a></span> <span style="color: #ff6600;">(flaurabelo@gmail.com)</span><br />
<span style="color: #ff9900; font-size: 100%;"><span style="font-style: italic;">Performer: Flávio Rabelo, o estranho</span></span><br />
<span style="color: #ff9900; font-size: 100%;"><span style="font-style: italic;">Texto: Hamlet Máquina, Heiner Muller</span></span><br />
<span style="color: #ff9900; font-size: 100%;"><span style="font-style: italic;">Música: Felling Good, Nina Simoni</span></span><br />
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Arrombo a minha carne lacrada. Quero habitar nas minhas veias, na medula do meus ossos, no labirinto do meu crânio. Retiro-me para as minhas víceras. Sento-me na minha merda, no meu sangue. N'algum lugar são rompidos ventres para que eu possa morar na minha merda. N'algum lugar ventres são abertos para que eu possa estar sozinho com meu sangue. Meus pensamentos são chagas em meu cérebro. O meu cérebro é uma cicatriz. Quero ser uma máquina. Braços para agarrar pernas andar nenhuma dor nenhum pensamento.<br />
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Esta ação é uma re-criação de <a href="http://festivaldeapartamento.blogspot.com/2009/10/vi-festival-de-apartamento-barao_25.html">Mel-o-drama II, da performer Thaíse Nardim</a>; apropriada para o trabalho em processo "<span style="font-style: italic;">Estranho, eu não sou Hamlet</span>", do projeto ,Corpoestranho, desenvolvido com a <a href="http://www.zecoraura.com/">Zecora Ura Theatre Network</a> (<span style="font-style: italic;">Flávio Rabelo</span>)</div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">mel-o-drama ROOTS</span><br />
<span style="color: #ff9900; font-size: 130%;"><a href="http://cabenamao.blogspot.com/" style="font-weight: bold;">Thaíse Nardim</a></span> <span style="color: #ff6600;">(thaise.nardim@gmail.com)</span>A incrível máquina de clichês românticos...<br />
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... brincando de boneca (<span style="font-style: italic;">Thaíse Nardim</span>)</div>
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<span style="color: #ff9900; font-size: 130%; font-weight: bold;"><br />E, finalmente, entreatos, convívio e celebração:</span></div>
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Fotos: <a href="http://www.flickr.com/photos/o_daguerreotipo/">Murilo de Paula</a> e <a href="http://www.flickr.com/photos/jumerengue/">Juliana Merengue</a></div>
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E agradecimentos a todos que prestigiaram e colaboraram com a realização de mais um Festival de Apartamento</div>
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<span style="font-weight: bold;"><br /></span><span style="font-size: 130%;">Histórico dos eventos já realizados:<br /><a href="http://festivaldeapartamento.blogspot.com/" i453b56d837="true" target="_blank">http://festivaldeapartamento.<wbr></wbr>blogspot.com/</a></span><a href="http://twitter.com/fest_apartament"><span style="font-size: 130%;"></span></a><span style="font-size: 130%;"><a href="http://twitter.com/fest_apartament">http://twitter.com/fest_apartament</a></span></div>
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<span style="font-size: 130%;"><br /></span><span style="color: #ff6600; font-size: 130%; font-weight: bold;"><a href="mailto:festivaldeapartamento@gmail.com" target="_blank"><br /></a></span></div>
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<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Lorde Velhohttp://www.blogger.com/profile/04261308692339919125noreply@blogger.com2tag:blogger.com,1999:blog-4462342586887969312.post-50736310090896991622009-10-25T17:00:00.000-07:002013-06-28T11:57:24.299-07:00VI Festival de Apartamento (Barão Geraldo/Campinas) - Registro Online das Performances Apresentadas.<br />
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<a href="http://img521.imageshack.us/img521/6000/dsc0281m.jpg"><img alt="" border="0" src="http://img521.imageshack.us/img521/6000/dsc0281m.jpg" style="cursor: pointer; float: right; height: 267px; margin: 0pt 0pt 10px 10px; width: 401px;" /></a>Os <a href="http://www.thing.de/projekte/7:9%23/apt_index.html">Apartment Festivals</a> foram criados pelos <span style="font-style: italic; font-weight: bold;">neoistas</span> nos <span style="font-weight: bold;">anos 80</span> como uma forma de realizar eventos internacionais de <span style="color: red; font-style: italic; font-weight: bold;">Performance Art</span><span style="color: #ff4040;"> </span>nas próprias moradias dos artistas, abrindo mão da necessidade de recorrer aos órgãos oficiais. Basicamente, para realizar um Festival basta <span style="color: red; font-weight: bold;">um local</span>, <span style="color: red; font-weight: bold;">uma intenção</span> e <span style="color: red; font-weight: bold;">pessoas interessadas em apresentar e/ou assistir a performances</span>.<br />
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Num processo de<span style="font-weight: bold;"> </span>apropriação dessa prática, desde 2007 <a ddf2abe6bd="true" href="http://festivaldeapartamento.blogspot.com/" rel="nofollow" target="_blank"><span style="font-weight: bold;">uma série de eventos performáticos</span></a> tem sido organizada por uma equipe interessada em adaptar os <span style="color: red; font-weight: bold;">Festivais de Apartamento</span> de acordo com as necessidades de uma nova geração de artistas, ansiosos por espaços livres para apresentação de performances e intercâmbio de experiências: <span style="font-weight: bold;">um misto de mostra e festa</span> que se manifesta cada vez que <span style="font-weight: bold;">surge uma residência para abriga-la</span>.<br />
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A <span style="color: red; font-weight: bold;">sexta edição do evento</span> se deu no dia <span style="color: red; font-weight: bold;">26 de Setembro de 2009</span>, em <span style="color: red; font-weight: bold;">Barão Geraldo, Campinas/SP, Brasil</span>, na residência da atriz <a href="http://costuradapradentro.blogspot.com/"><span style="font-weight: bold;">Ludmila Castanheira</span></a>, contando com a participação (tanto física quanto virtual) de 14 artistas. <span style="color: red; font-weight: bold;">Nesse post será mantido um registro online</span> das performances apresentadas, que será <span style="color: red; font-weight: bold;">atualizado periodicamente</span> conforme o material fotografado e filmado ficar disponível.</div>
<span style="font-size: 130%;"><br /></span><span style="font-size: 130%;"><span style="color: #ff4040;"><span style="color: black;"><span style="color: red; font-weight: bold;">VI Festival de Apartamento<br />(Barão Geraldo/Campinas)</span><br /><span style="color: red;">Performance Art</span></span></span></span><span style="font-size: 130%; font-style: italic;"><span style="color: #ff4040;"><br /><span style="font-size: 100%;"><a h524c68ed482c="true" href="http://festivaldeapartamento.blogspot.com/" rel="nofollow" target="_blank">http://festivaldeapartamento.blogspot.com/</a></span></span></span><span style="font-size: 130%; font-weight: bold;"><span style="color: #ff4040;"> </span></span></div>
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<span style="font-size: 100%; font-weight: bold;">Organização:</span><span style="font-size: 100%;"><br /><a g9455f99d83640="true" href="http://cabenamao.blogspot.com/" rel="nofollow" target="_blank">Thaíse Nardim</a><br /><a g9455f99d83640="true" href="http://costuradaparadentro.blogspot.com/" rel="nofollow" target="_blank">Ludmila Castanheira</a><br /><a g9455f99d83640="true" href="http://lordevelho.blogspot.com/" rel="nofollow" target="_blank">Rodrigo Emanoel Fernandes</a><br /><a href="http://www.orkut.com.br/Main#FullProfile?rl=pcb&uid=17954702769214778341">Alexandre Sanches</a></span><br />
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<span style="color: yellow; font-size: 180%; font-weight: bold;"><span style="color: red;">Registro Online das Performances:</span></span><br />
<span style="font-size: 100%;">(listadas, <span style="font-weight: bold;">aproximadamente</span>, por ordem de <span style="font-weight: bold;">início do trabalho</span>)</span><br />
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Montagem</span><br />
<span style="font-size: 130%;"><a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a></span><br />
Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a> e <a href="http://estranhocorpo.blogspot.com/">Flávio Rabelo</a><br />
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<span style="font-style: italic;">Era impossível imaginar como seria a cara lambuzada de cores, a espessa crosta de pó-de-arroz com dois remendos de carmim nas bochechas, as pestanas postiças, as sobrancelhas e pálpebras que pareciam pintadas com tição, e os lábios aumentados com um verniz de chocolate. Mas nem os trapos nem as tinturas eram suficientes para dissimular seu gênio: o nariz altivo, as sobrancelhas encontradas, os lábios intensos. Pensei: Um meigo touro de briga</span> (Gabriel García Marquez).</div>
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<a href="http://img527.imageshack.us/img527/9250/vifestivaldeapartamentog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img527.imageshack.us/img527/9250/vifestivaldeapartamentog.jpg" style="cursor: pointer; height: 432px; width: 323px;" /></a><a href="http://img261.imageshack.us/img261/6453/dsc0308dd.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img261.imageshack.us/img261/6453/dsc0308dd.jpg" style="cursor: pointer; height: 432px; width: 219px;" /></a><br />
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Sem Título</span><br />
<span style="font-size: 130%;"><a href="http://www.myspace.com/henriqueiwao">Henrique Iwao</a></span><br />
Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a> e <a href="http://estranhocorpo.blogspot.com/">Flávio Rabelo</a><br />
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Objetos - pentes, tampinhas de garrafa, canivete, alicates, cola quente, serrinha, sugador de solda, utensílios domésticos - são amplificados por microfones de contato e combinados com eletrônicos analógicos, bonecas e brinquedos modificados. São manipulados de modo que a ação seja: i. voluntária e eficaz; ii. involuntária e eficaz; iii. voluntária e ineficaz; iv. Descuidada. O resultado é um solo de música, provavelmente.<br />
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<a href="http://img301.imageshack.us/img301/7716/dsc0056ta.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img301.imageshack.us/img301/7716/dsc0056ta.jpg" style="cursor: pointer; height: 309px; width: 463px;" /></a><br />
<a href="http://img35.imageshack.us/img35/8874/vifestivaldeapartamentok.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img35.imageshack.us/img35/8874/vifestivaldeapartamentok.jpg" style="cursor: pointer; height: 346px; width: 464px;" /></a><br />
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<a href="http://img43.imageshack.us/img43/9929/dsc0060f.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img43.imageshack.us/img43/9929/dsc0060f.jpg" style="cursor: pointer; height: 307px; width: 460px;" /></a></div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">aconteça-me</span><br />
<span style="font-size: 130%;"><a href="http://lordevelho.blogspot.com/">Rodrigo Emanoel Fernandes</a></span><br />
Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a> e <a href="http://estranhocorpo.blogspot.com/">Flávio Rabelo</a><br />
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... não há destino, mas tampouco há livre-arbítrio... o que me toca, o que me acontece, vem até mim através de outros, equipados com aquilo que eu mesmo (in)conscientemente liberei no mundo, embora incapaz de saber quando e de que forma o retorno se daria... me submeto, num exercício de arrogante humildade, não sem receio, mas ansioso e até mesmo com certa esperança de que parte da fome que resiste a ser traduzida obtenha uma ligeira satisfação...</div>
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<a href="http://img291.imageshack.us/img291/4995/dsc0062hp.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" height="320" src="http://img291.imageshack.us/img291/4995/dsc0062hp.jpg" style="height: 387px; width: 261px;" width="215" /></a><br />
<a href="http://img269.imageshack.us/img269/921/dsc0172f.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img269.imageshack.us/img269/921/dsc0172f.jpg" style="cursor: pointer; height: 311px; width: 462px;" /></a><br />
<a href="http://img122.imageshack.us/img122/397/dsc0174j.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img122.imageshack.us/img122/397/dsc0174j.jpg" style="cursor: pointer; height: 311px; width: 464px;" /></a><br />
<a href="http://img514.imageshack.us/img514/2499/vifestivaldeapartamentor.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img514.imageshack.us/img514/2499/vifestivaldeapartamentor.jpg" style="cursor: pointer; height: 345px; width: 464px;" /></a><br />
<a href="http://img11.imageshack.us/img11/9460/dsc0187ja.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img11.imageshack.us/img11/9460/dsc0187ja.jpg" style="cursor: pointer; height: 310px; width: 464px;" /></a><br />
<a href="http://img26.imageshack.us/img26/4696/vifestivaldeapartamentos.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img26.imageshack.us/img26/4696/vifestivaldeapartamentos.jpg" style="cursor: pointer; height: 354px; width: 272px;" /></a><a href="http://img514.imageshack.us/img514/5195/vifestivaldeapartamentowe.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img514.imageshack.us/img514/5195/vifestivaldeapartamentowe.jpg" style="cursor: pointer; height: 354px; width: 265px;" /></a><br />
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<a href="http://img188.imageshack.us/img188/9156/vifestivaldeapartamentof.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img188.imageshack.us/img188/9156/vifestivaldeapartamentof.jpg" style="cursor: pointer; height: 349px; width: 467px;" /></a></div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">sem título (2009)</span><br />
<span style="font-size: 130%;"><span style="color: #ff9900;"><span style="font-style: italic;">Concepção e Performance</span>:</span> </span><span style="font-size: 130%;"><a href="http://comosedeu.blogspot.com/">Tiago de Mello</a></span><br />
<span style="font-size: 130%;"><span style="color: #ff9900;"><span style="font-style: italic;">Orientação</span>: Helô Cardoso</span></span><br />
Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a> e <a href="http://estranhocorpo.blogspot.com/">Flávio Rabelo</a><br />
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<span style="font-style: italic;">Ora, uma coisa é evidente: o Cosmo é um organismo vivo que se renova periodicamente. O mistério da inesgotável aparição da Vida é solidária à renovação rítmica do Cosmo. Por essa razão, o Cosmo é imaginado pela forma de uma árvore: o modo de ser do Cosmo e, em primeiro lugar, sua capacidade de regenerar-se infinitamente, é expresso simbolicamente pela vida da árvore.</span> (Mircea Eliade)<br />
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<a href="http://img20.imageshack.us/img20/1761/dsc0112nm.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img20.imageshack.us/img20/1761/dsc0112nm.jpg" style="cursor: pointer; height: 316px; width: 471px;" /></a><br />
<a href="http://img43.imageshack.us/img43/1543/dsc0132tn.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img43.imageshack.us/img43/1543/dsc0132tn.jpg" style="cursor: pointer; height: 316px; width: 471px;" /></a><br />
<a href="http://img96.imageshack.us/img96/7664/dsc0144um.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img96.imageshack.us/img96/7664/dsc0144um.jpg" style="cursor: pointer; height: 315px; width: 470px;" /></a><br />
<a href="http://img96.imageshack.us/img96/6781/dsc0151dn.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img96.imageshack.us/img96/6781/dsc0151dn.jpg" style="cursor: pointer; height: 314px; width: 470px;" /></a><br />
<a href="http://img263.imageshack.us/img263/2450/dsc0169s.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img263.imageshack.us/img263/2450/dsc0169s.jpg" style="cursor: pointer; height: 378px; width: 271px;" /></a><a href="http://img16.imageshack.us/img16/7858/dsc0313m.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img16.imageshack.us/img16/7858/dsc0313m.jpg" style="cursor: pointer; height: 378px; width: 256px;" /></a><br />
<a href="http://img269.imageshack.us/img269/3410/vifestivaldeapartamentoem.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img269.imageshack.us/img269/3410/vifestivaldeapartamentoem.jpg" style="cursor: pointer; height: 351px; width: 470px;" /></a><br />
<a href="http://img203.imageshack.us/img203/2136/dsc0191b.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img203.imageshack.us/img203/2136/dsc0191b.jpg" style="cursor: pointer; height: 314px; width: 470px;" /></a></div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Na Casa da Salamandra</span><br />
<span style="font-size: 130%;"><a href="http://projetosalamandra.blogspot.com/">Projeto Salamandra</a></span><br />
<span style="color: #ff9900; font-size: 130%;">(Adriane Gomes, Cristiano Feitosa, Diego Avila, Guilherme Godoy)</span><br />
Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a><br />
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<span style="font-style: italic;">A Salamandra abre as portas do seu espaço de criação via webcam.</span><br />
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O Projeto Salamandra realiza um happening dentro de seu espaço de criação. Desenvolvendo ações para o festival, o grupo vai abordar o conceito das videoconferências a partir da luz, da direção de fotografia e da manipulação da realidade. De São Paulo, a apresentação será transmitida para o festival via webcam<span style="text-decoration: underline;">.</span><br />
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<span style="text-decoration: underline;"><iframe allowfullscreen="" frameborder="0" height="349" src="http://www.youtube.com/embed/3E-hiC5CdMw?rel=0" width="560"></iframe></span><br />
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<a href="http://img28.imageshack.us/img28/4454/dsc0178mh.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img28.imageshack.us/img28/4454/dsc0178mh.jpg" style="cursor: pointer; height: 322px; width: 481px;" /></a></div>
<a href="http://img97.imageshack.us/img97/2845/dsc0123iz.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img97.imageshack.us/img97/2845/dsc0123iz.jpg" style="cursor: pointer; height: 404px; width: 272px;" /></a><a href="http://img39.imageshack.us/img39/2222/dsc0115hj.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img39.imageshack.us/img39/2222/dsc0115hj.jpg" style="cursor: pointer; height: 404px; width: 272px;" /></a><br />
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<a href="http://img188.imageshack.us/img188/182/dsc0181ii.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img188.imageshack.us/img188/182/dsc0181ii.jpg" style="cursor: pointer; height: 327px; width: 488px;" /></a></div>
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<div style="text-align: left;">
<span style="color: #ff6600; font-size: 130%; font-weight: bold;">m(ar) úmido</span><br />
<span style="color: #ff9900; font-size: 130%;">Gustavo Torrezan</span><br />
Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a> e <a href="http://estranhocorpo.blogspot.com/">Flávio Rabelo</a><br />
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Dois Atores ou atrizes trajados totalmente de branco ou na cor crú, descalços e com um esborrifador transparente que contém água e sal grosso ocuparão o ambiente esborribando água – irão tambem esborrifar uma na outra e quando se sentirem a vontade ou estimulados(as) farão o mesmo em outras pessoas.</div>
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<a href="http://img259.imageshack.us/img259/5239/dsc0198as.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img259.imageshack.us/img259/5239/dsc0198as.jpg" style="cursor: pointer; height: 352px; width: 237px;" /></a></div>
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">EU PAGO</span><br />
<a href="http://virgulamesmo.blogspot.com/"><span style="color: #ff9900; font-size: 130%;">Paula Liberatti</span></a><br />
Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a><br />
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Trabalho desenvolvido durante o curso de graduação em performance, pela PUC-SP, onde a atriz e performer Paula Barros, externa o desespero do ato de "pagar". Pagar contas, pagar para comer, para dormir, para vestir, para divertir, para ter um corpo saudável, para morar... enfim, chamar a atenção ao ato corriqueiro do pagamento. Utilizando o corpo explicitamente como única mídia de comunicação, ao som do hino nacional brasileiro, a ação busca exprimir as marcas da sociedade contemporânea consumidora no corpo. É simplesmente um grito do corpo a tudo o que está PAGO, inclusive ao próprio corpo.<br />
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<div style="text-align: center;">
<a href="http://img188.imageshack.us/img188/4682/dsc0199qr.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img188.imageshack.us/img188/4682/dsc0199qr.jpg" style="cursor: pointer; height: 392px; width: 263px;" /></a><a href="http://img514.imageshack.us/img514/5732/dsc0206oz.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img514.imageshack.us/img514/5732/dsc0206oz.jpg" style="cursor: pointer; height: 391px; width: 263px;" /></a><br />
<a href="http://img261.imageshack.us/img261/378/dsc0222k.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img261.imageshack.us/img261/378/dsc0222k.jpg" style="cursor: pointer; height: 328px; width: 489px;" /></a></div>
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<a href="http://img229.imageshack.us/img229/2458/dsc0219i.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img229.imageshack.us/img229/2458/dsc0219i.jpg" style="cursor: pointer; height: 406px; width: 273px;" /></a><a href="http://img262.imageshack.us/img262/9501/dsc0220l.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img262.imageshack.us/img262/9501/dsc0220l.jpg" style="cursor: pointer; height: 405px; width: 272px;" /></a><br />
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<span style="color: #ff6600; font-size: 130%; font-weight: bold;">Enganos</span><br />
<span style="color: #ff9900; font-size: 130%;"><span style="font-weight: bold;">Grupo Incógnita</span></span><br />
<span style="color: #ff9900; font-size: 130%;"><span style="font-style: italic;">Concepção/intérprete</span>: Urubatan Miranda da Silva</span><br />
<span style="color: #ff9900; font-size: 130%;"><span style="font-style: italic;">Dramaturgia</span>: Ricardo Barbosa</span><br />
Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a> e <a href="http://estranhocorpo.blogspot.com/">Flávio Rabelo</a><br />
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Agora inundado em toda minha insanidade<br />
vejo o menino Jesus triste num canto escuro<br />
anestesiado com a estupidez da humanidade.<br />
Nesse instante rumino meus próprios pensamentos<br />
misturados com todos os enganos dos meus olhos.<br />
O sexo, a carne, o sangue que mancham meus pés<br />
e me empurram para um abismo escuro e frio<br />
e marcam meu peito...Sufoco!<br />
Sinto a vida partida em minhas veias necrosadas<br />
e entre a turbulência de meus pensamentos<br />
debruço completamente enovelado<br />
com a música triste que sai de meus lábios<br />
entrelaçados com a respiração que finda...sofro!<br />
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<div style="text-align: center;">
<a href="http://img209.imageshack.us/img209/9389/dsc0215xq.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img209.imageshack.us/img209/9389/dsc0215xq.jpg" style="cursor: pointer; height: 399px; width: 271px;" /></a><a href="http://img33.imageshack.us/img33/5935/dsc0216hl.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img33.imageshack.us/img33/5935/dsc0216hl.jpg" style="cursor: pointer; height: 398px; width: 266px;" /></a></div>
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<a href="http://img291.imageshack.us/img291/4696/vifestivaldeapartamentos.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img291.imageshack.us/img291/4696/vifestivaldeapartamentos.jpg" style="cursor: pointer; height: 343px; width: 280px;" /></a><a href="http://img263.imageshack.us/img263/3036/vifestivaldeapartamentoi.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img263.imageshack.us/img263/3036/vifestivaldeapartamentoi.jpg" style="cursor: pointer; height: 343px; width: 258px;" /></a><br />
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<div style="text-align: left;">
<span style="color: #ff6600; font-size: 130%; font-weight: bold;">mel-o-drama II</span><br />
<span style="font-size: 130%;"><a href="http://cabenamao.blogspot.com/">Thaíse Nardim</a></span><br />
Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a> e <a href="http://estranhocorpo.blogspot.com/">Flávio Rabelo</a><br />
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FelicidadeagoraVocêmedeixouefoiemboraFelicidadeeunãosei DevocênemdemimDeixeiquevocêsefosseagorasofroSemvocêaqui FelicidadeescutaEvêsemeentendeemedesculpa Felicidadeeunãosei DevocênemdemimDeixeiquevocêsefosseagorasofroSemvocêaqui ÉbempossívelquevocêseesqueçaDetudoquehouveentrenós MasaconteçaoqueacontecerEstareidoseuladoPorqueteamojánão seidenósdoisDeixeiquevocêsefosseagorasofroSemvocêaqui<br />
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(o retorno da incrível máquina de clichês românticos)</div>
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<embed allowfullscreen="true" allowscriptaccess="always" height="405" src="http://www.videolog.tv/ajax/codigoPlayer.php?id_video=490899&relacionados=N&default=S&cor_fundo=000000&swf=1&width=504&height=405" type="application/x-shockwave-flash" width="504"></embed><br />
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<a href="http://img514.imageshack.us/img514/132/vifestivaldeapartamentox.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img514.imageshack.us/img514/132/vifestivaldeapartamentox.jpg" style="cursor: pointer; height: 369px; width: 493px;" /></a><br />
<a href="http://img514.imageshack.us/img514/1128/vifestivaldeapartamentov.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img514.imageshack.us/img514/1128/vifestivaldeapartamentov.jpg" style="cursor: pointer; height: 527px; width: 396px;" /></a></div>
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--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabela normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--><span style="font-size: 130%;"><a href="http://www.estranhocorpo.blogspot.com/">Saudáveis Subversivos / Zecora Ura Theatre</a></span><br />
<span style="color: #ff9900; font-size: 130%;"><span style="font-style: italic;">Performer</span>: Flávio Rabelo – o estranho</span><br />
<span style="color: #ff9900; font-size: 130%;"><span style="font-style: italic;">Participação</span>: Patrik Vezali</span><br />
Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a> e <a href="http://estranhocorpo.blogspot.com/">Flávio Rabelo</a><br />
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"<span style="font-style: italic;">A reflexão é (...) sobreposição de dois olhares e isto porque olhar é antes do mais olhar um olhar. Se não olhasse um olhar, apenas veria. Mas se olha, é porque espera um movimento de retorno</span>." (José Gil)<br />
<br />
“Do que é feito o invisível que te atravessa?”<br />
<br />
Motivados por esta dúvida, os performers estabelecem um jogo com o espaço e os corpos dos participantes, colhendo os fragmentos das frases jogados ao vento enquanto tecem suas ações.<br />
Esta performance faz parte da série em processo ,Corpoestranho,.<br />
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<span style="color: #ff9900; font-size: 130%; font-weight: bold;">E, finalmente, entreatos, convívio e celebração:</span><br />
Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a> e <a href="http://estranhocorpo.blogspot.com/">Flávio Rabelo</a><br />
E agradecimentos a todos que prestigiaram e colaboraram com a realização de mais um Festival de Apartamento<br />
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<span style="font-size: 130%;">Histórico dos eventos anteriores:</span><br />
<span style="font-size: 130%;"><a href="http://festivaldeapartamento.blogspot.com/">http://festivaldeapartamento.blogspot.com/</a></span></div>
<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Lorde Velhohttp://www.blogger.com/profile/04261308692339919125noreply@blogger.com0tag:blogger.com,1999:blog-4462342586887969312.post-53329392631408242722009-08-17T15:57:00.000-07:002013-06-28T12:01:02.878-07:00V Festival de Apartamento (São Paulo / Ipiranga) - 14/03/2009<span style="color: #333333;">.</span><br />
<a href="http://www.skyscrapercity.com/showthread.php?t=793780" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img16.imageshack.us/img16/9026/altodoipiranga2.jpg" style="cursor: pointer; float: right; height: 265px; margin: 0pt 0pt 10px 10px; width: 356px;" /></a>O conceito de <a href="http://www.thing.de/projekte/7:9%23/apt_index.html">Apartment Festival</a> foi cunhado pelos <span style="color: #ffcc33;">neoistas</span> nos <span style="color: #ffcc66;">anos 80</span> como uma forma de realizar eventos de <span style="color: #ffcc66;">Performance Art</span> em escala internacional nas moradias dos próprios artistas, sem a necessidade de recorrer a órgãos oficiais (<a href="http://www.conradeditora.com.br/index.php?option=com_content&task=view&id=54">HOME, Stewart. <span style="font-style: italic;">Assalto à Cultura</span>, Conrad, 1999</a>). Basicamente, para realizar um festival basta um <span style="color: #ffcc66;">local</span>, uma <span style="color: #ffcc66;">intenção</span> e <span style="color: #ffcc66;">artistas interessados em apresentar e assistir performances</span>.<br />
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O atualmente <span style="color: #ffcc66;">extinto</span> grupo performático <a href="http://grupoacompanhia.blogspot.com/">AcompanhiA</a> se apropriou desse conceito (seguindo a cartilha de "<span style="font-style: italic;">plágio criativo</span>" do próprio<span style="font-style: italic;"> neoismo</span>) e realizou uma série de eventos entre <span style="color: #ffcc66;">Julho de 2007 e Agosto de 2008</span>, culminando no <a href="http://festivaldeapartamento.blogspot.com/2008/08/iv-festival-de-apartamento-sechiisland.html">IV Festival de Apartamento</a>, realizado em Campinas, na residência de <a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a>, contando com a participação de 12 artistas e o apoio cultural da produtora <a href="http://www.fosforoarte.com/">Fósforo Arte</a>.<br />
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O <span style="color: #ffcc66;">AcompanhiA</span> deixou de existir em <span style="color: #ffcc66;">Dezembro de 2008</span>, mas o <span style="color: #ffcc66;">Festival de Apartamento</span>, por sua própria natureza, tomou vida própria a partir da iniciativa da atriz e performer <a href="http://cabenamao.blogspot.com/">Thaíse Nardim</a> (participante do IV Festival) em abrir sua casa no <span style="color: #ffcc66;">Ipiranga, São Paulo/SP</span> para realização de um novo evento. A ela se uniram os membros remanescentes do AcompanhiA: a atriz e performer <a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a> e o escritor e performer <a href="http://lordevelho.blogspot.com/">Rodrigo Emanoel Fernandes</a>, e assim o <span style="color: #ffcc66;">V Festival de Apartamento (São Paulo/Ipiranga)</span> tomou forma, contando agora com a participação de mais de 20 <span style="font-style: italic;">performers</span>.<br />
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O evento, realizado no dia <span style="color: #ffcc66;">14 de Março de 2009</span>, pode ser considerado o primeiro de uma nova fase, da qual espera-se muitos desdobramentos. Infelizmente, como seria de se esperar de um recomeço, também teve sua parcela de <span style="color: #ffcc66;">problemas</span>: na tarde do dia 14 a organização tomou conhecimento de que <span style="color: #ffcc66;">n</span><span style="color: #ffcc66;">ão poderia mais contar com os dois </span><span style="color: #ffcc66; font-style: italic;">cameramen</span><span style="color: #ffcc66;"> que haviam se comprometido a registrar o evento</span>. Sem tempo hábil disponível, a única saída foi apelar para as poucas câmeras fotográficas e celulares de <span style="font-style: italic;">performers</span> e espectadores presentes, numa tentativa de registrar o máximo que fosse possível.<br />
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<span style="color: #ffcc66;">Reunir esse material, entretanto, não tem sido fácil</span>. Até agora o material disponível resume-se às fotos das fotógrafas <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a> e <a href="http://www.flickr.com/photos/fe_vinhas">Fernanda (Feliz) Oliveira</a> e do performer <a href="http://estranhocorpo.blogspot.com/">Flávio Rabelo</a>. Na listagem que se segue, <span style="color: #ffcc66;">as performances cujo registro ainda não conseguimos obter foram ilustradas com material enviado para o catálogo do festival</span>.<br />
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Conforme mais material ficar disponível, iremos complementando esse registro online. <span style="color: #ffcc66;">Solicitamos aos </span><span style="color: #ffcc66; font-style: italic;">performers</span><span style="color: #ffcc66;"> e espectadores que tiraram fotos no dia 14 de Março que enviem para a organização no seguinte e-mail</span>: <span style="color: #ff6600;">lorde_velho@yahoo.com.br</span><br />
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Os textos que acompanham os dados das performances foram elaborados a partir do material enviado para os catálogos. Caso algum performer queira modificar o registro de sua performance basta escrever para o mesmo e-mail acima.<br />
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<span style="color: #33ff33; font-family: georgia; font-size: 180%; font-weight: bold;">V Festival de Apartamento<br />(São Paulo/Ipiranga)</span><br />
<span style="color: #ff9900; font-weight: bold;">14 de Março de 2009</span><br />
<span style="font-style: italic; font-weight: bold;">Organização:</span><br />
<a href="http://cabenamao.blogspot.com/" style="font-weight: bold;">Thaíse Nardim</a><br />
<a href="http://costuradaparadentro.blogspot.com/" style="font-weight: bold;">Ludmila Castanheira</a><br />
<a href="http://lordevelho.blogspot.com/" style="font-weight: bold;">Rodrigo Emanoel Fernandes</a><br />
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<span style="color: #cc6600; font-size: 180%; font-weight: bold;">Performances Apresentadas:</span> </div>
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">Senhora de Mim</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Carolina Nóbrega - <a href="http://grupodotrecho.blogspot.com/">http://grupodotrecho.blogspot.com</a></span><br />
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Eis as linhas-teias, a casa velha e a velha na casa. Um segredo? Não há mais movimento. Entretanto, se move, a velha, em seu pequenino mundo, forte diante de tudo, entretanto nada. Uma altivez ecoa pelas esquinas da casa e afirma: “que me importa? Esse caminho é meu.”<br />
(Foto 1: <a href="http://cabenamao.blogspot.com/">Thaíse Nardim</a>; Fotos 2 e 3: <a href="http://lordevelho.blogspot.com/">Rodrigo Emanoel Fernandes</a>; Fotos 4 e 5: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a>)<br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">La Desaparición (Ensayo II)</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Juliana França - <a href="http://br.myspace.com/julianafranca">http://br.myspace.com/julianafranca</a><br />Marília Coelho - <a href="http://www.myspace.com/senteovento">http://www.myspace.com/senteovento</a><br />Aira Bonfin - </span><span style="color: #cc9933; font-size: 100%; font-weight: bold;"><a href="http://airabonfim.multiply.com/">http://airabonfim.multiply.com</a></span><br />
(Fotos 1 a 3: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a>; Fotos 4 a 6: <a href="http://cabenamao.blogspot.com/">Thaíse Nardim</a>)<br />
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div.Section1 {page:Section1;} </style> --><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabela normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Thaíse Nardim - <a href="http://cabenamao.blogspot.com/">http://cabenamao.blogspot.com</a></span><br />
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“Coleção Kirby” é uma série composta por exercícios que visam reelaborar através da prática performática alguns conceitos do teórico e artista cênico americano Michael Kirby. O "Exercício 1: Thaíse Nardim coxeia" põe em questão a possibilidade de uma "matriz simbolizada" (symbolized matrix), um nível representação localizado entre a representação de fato e a não-representação. Neste nível, o performer executaria ações sem jamais representar, mas traria em sua realização elementos referenciais que o aproximariam da representação, como uma bota de caubói, por exemplo.<br />
(Foto: Catálogo do Festival)<br />
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<a href="http://img23.imageshack.us/img23/8354/4322252.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img23.imageshack.us/img23/8354/4322252.jpg" style="cursor: pointer; height: 252px; width: 258px;" /></a></div>
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">sem título (2009)</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Tiago de Mello - <span style="color: #ff9900;">otro.tiago@gmail.com</span></span><br />
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"<span style="font-style: italic;">E qual seria, então, a vantagem que tal boneco teria diante dos bailarinos vivos?”</span> <span style="font-style: italic;"><br />"A vantagem? Antes de mais nada, ele nunca sofrerá de maneirismos, já que entendemos que a origem do maneirismo estaria na não correspondência entre o centro de intenção do movimento e o centro de gravidade dele. Como o operador não tem controle de outra coisa que não o próprio centro de gravidade, todos os membros são como deveriam ser: pesos mortos, meros pêndulos, e seguem simplesmente a lei da gravidade; um dom valioso, que se procura em vão na maior parte dos nossos bailarinos</span>."<br />
<span style="font-weight: bold;">Heinrich von Kleist</span><br />
(Fotos 1 e 2: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a>; Fotos 3 a 5: <a href="http://cabenamao.blogspot.com/">Thaíse Nardim</a>)<br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">SedATIVOS</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Coletivo Experimento 1</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;"> </span><span style="color: #cc9933; font-size: 100%;"><span style="font-weight: bold;">- <span style="color: #ff9900;">larialvanhan@hotmail.com</span></span><br /><span style="font-style: italic;">Autoria e Direção</span>: <span style="font-weight: bold;">Coletivo Experimento 1</span><br /><span style="font-style: italic;">Interpretação</span>: <span style="font-weight: bold;">Larissa Alvanhan</span> e <span style="font-weight: bold;">Juliana Ladeira</span><br /><span style="font-style: italic;">Cenografia</span>: <span style="font-weight: bold;">Larissa Alvanhan</span> e <span style="font-weight: bold;">Lira Alli</span><br /><span style="font-style: italic;">Figurino</span>: <span style="font-weight: bold;">Larissa Alvanhan</span> e <span style="font-weight: bold;">Raimunda</span><br /><span style="font-style: italic;">Prod. de Áudio</span>: <span style="font-weight: bold;">Larissa Alvanhan</span> / <span style="font-weight: bold;">Isabela Figueiredo</span><br /><span style="font-style: italic;">Iluminação</span>: <span style="font-weight: bold;">Larissa Alvanhan</span> e <span style="font-weight: bold;">Lira Alli</span><br /><span style="font-style: italic;">Colaboradores</span>: <span style="font-weight: bold;">Lucas Scandura, Murillo Teixeira, Ângela Maria, Domingos Alvanhan, Isabela Figueiredo</span></span><br />
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SedATIVOS é a primeira criação do Coletivo Experimento 1, o qual procura através da linguagem teatral utilizar-se artisticamente de fotografias e músicas buscando re-vivenciar imageticamente os ataques atribuídos ao PCC, em São Paulo, no ano de 2006.<br />
(Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a>)<br />
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<a href="http://img13.imageshack.us/img13/2883/coletivo1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img13.imageshack.us/img13/2883/coletivo1.jpg" style="cursor: pointer; height: 286px; width: 431px;" /></a><span style="text-decoration: underline;"><br /></span><br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">Olirum, Fazer e Desfazer</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Murilo De Paula - <span style="color: #ff9900;">murilodepaula84@gmail.com</span></span><br />
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Criar, essa massa que é que sou,<br />
<span style="color: black;">....................</span> nada mais que fazer (-me) e desfazer (-me).<br />
Peças nuas e recolocadas fora do lugar, ao avesso, avessas.<br />
Peças nuas recolocadas no lugar<br />
<span style="color: black;">....................................................</span> no lugar!<span style="color: black;">............</span> no lugar<br />
no lugar?<br />
<span style="color: black;">...</span> Destruição<span style="color: black;">.................................................</span> EU<br />
<span style="color: black;">..............</span> reconstrução<br />
<span style="color: black;">.................................</span> Olirum oliruM<br />
<span style="color: black;">.....................................................</span> a massa<br />
<span style="color: black;">...............................................................</span> amassa!<br />
(Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a>)<br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">Idiossincrasias</span><br />
<span style="color: #cc9933; font-size: 100%; font-weight: bold;">Ludmila Castanheira - <a href="http://costuradaparadentro.blogspot.com/">http://costuradaparadentro.blogspot.com</a><br />Rodrigo Emanoel Fernandes - <a href="http://lordevelho.blogspot.com/">http://lordevelho.blogspot.com</a></span><br />
<span style="font-style: italic;"><br />“Minha boca pronunciou e pronunciará, milhares de vezes e nos dois idiomas que me são íntimos, o pai-nosso, mas só em parte o entendo. Hoje de manhã, dia primeiro de julho de 1969, quero tentar uma oração que seja pessoal, não herdada. Sei que se trata de uma tarefa que exige uma sinceridade mais que humana. É evidente, em primeiro lugar, que me está vedado pedir. Pedir que não anoiteçam meus olhos seria loucura; sei de milhares de pessoas que vêem e que não são particularmente felizes, justas ou sábias. O processo do tempo é uma trama de efeitos e causas, de sorte que pedir qualquer mercê, por ínfima que seja, é pedir que se rompa um elo dessa trama de ferro, é pedir que já se tenha rompido. Ninguém merece tal milagre. Não posso suplicar que meus erros me sejam perdoados; o perdão é um ato alheio e só eu posso salvar-me. O perdão purifica o ofendido, não o ofensor, a quem quase não afeta. A liberdade de meu arbítrio é talvez ilusória, mas posso dar ou sonhar que dou. Posso dar a coragem, que não tenho; posso dar a esperança, que não está em mim; posso ensinar a vontade de aprender o que pouco sei ou entrevejo. Quero ser lembrado menos como poeta que como amigo; que alguém repita uma cadência de Dunbar ou de Frost ou do homem que viu à meia-noite a árvore que sangra, a Cruz, e pense que pela primeira vez a ouviu de meus lábios. O restante não me importa; espero que o esquecimento não demore. Desconhecemos os desígnios do universo, mas sabemos que raciocinar com lucidez e agir com justiça é ajudar esses desígnios, que não nos serão revelados.</span> <span style="font-style: italic;">Quero morrer completamente; quero morrer com este companheiro, meu corpo.”</span><br />
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<span style="font-weight: bold;">Jorge Luis Borges</span><br />
<span style="font-style: italic;">Uma Oração</span><br />
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(Fotos: <a href="http://www.palavras-silencios.blogspot.com/">Beatriz (Bigatrice) Ferreira</a>)<br />
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<span style="text-decoration: underline;"><br /></span><span style="color: #cc6600; font-size: 130%; font-weight: bold;"></span><span style="color: #cc6600; font-size: 130%; font-weight: bold;">“A experiência da vida é a pergunta”: Experimento 3(b) – 1m2 de afeto</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Luanah Cruz - <span style="color: #ff9900;">luanah_cruz@yahoo.com.br</span></span><br />
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Registro de uma experiência de contato, em vermelho.<br />
“<span style="font-style: italic;">Num súbito ímpeto de vivo impulso (...), entre feroz e desajeitada, (...) sentiu de novo que sua vida já estava melhorando ali mesmo (...) Ao acariciar ela se acariciava a si própria</span>”<br />
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<span style="font-weight: bold;">Clarice Lispector</span><br />
<span style="font-style: italic;">A hora da estrela</span><br />
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(Foto: Catálogo do Festival)</div>
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mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--><b><span style="font-family: "; font-size: 11;"></span></b><span style="color: #cc6600; font-size: 130%; font-weight: bold;"></span><b><span style="font-family: "; font-size: 11;"></span></b><span style="color: #cc6600; font-size: 130%; font-weight: bold;">Projeto Multimídia Sinais - A Moda está em Baixa</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Carina Casuscelli, Priscila Menucci & Soninha - <a href="http://amodaestaembaixa.blogspot.com/">http://amodaestaembaixa.blogspot.com</a> </span><br />
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Idealizado por Carina Casuscelli, o projeto "A Moda está em Baixa" tem o objetivo de trazer uma nova opção no mercado de moda para portadores de necessidades especiais, no caso o nanismo.<br />
(Foto: <a href="http://amodaestaembaixa.blogspot.com/">Projeto Multimídia Sinais</a>)<br />
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<a href="http://img24.imageshack.us/img24/7744/semttulo2avz.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img24.imageshack.us/img24/7744/semttulo2avz.jpg" style="cursor: pointer; height: 345px; width: 255px;" /></a></div>
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">Abis/OM</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Gerrah Tenfuss - <a href="http://tenfuss.blogspot.com/">http://tenfuss.blogspot.com</a></span><br />
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Apaga-te. Apaga-te pequena e fugaz chama. A vida nada mais é do que uma obra que passa. Um pobre ator que se pavoneia no palco uma hora ou duas, e depois de quem não se tem mais notícia. É uma história contada por um idiota, cheia de som e fúria, significando nada.<br />
(Foto: Catálogo do Festival)<br />
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<a href="http://img13.imageshack.us/img13/9176/espao082.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img13.imageshack.us/img13/9176/espao082.jpg" style="cursor: pointer; height: 239px; width: 426px;" /></a></div>
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">Butoh de Cama</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Fernando André Ramos - <span style="color: #ff9900;">pilantropia@hotmail.com</span></span><br />
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O trabalho trata da tensão entre os conceitos de impermanência e imobilidade.<br />
(Foto: Catálogo do Festival)<br />
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<a href="http://img139.imageshack.us/img139/9869/butohinbed.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img139.imageshack.us/img139/9869/butohinbed.jpg" style="cursor: pointer; height: 309px; width: 412px;" /></a></div>
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">Escreva aqui um nome importante pra você</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Rita Tatiana Cavassana - <span style="color: #ff9900;">rtga14@gmail.com</span></span><br />
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Escreva aqui nomes importantes pra você, trás à tona a questão da memória afetiva e informações colocadas no mundo que tatuam uma memória no corpo.<br />
(Foto: Catálogo do Festival)<br />
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<a href="http://img10.imageshack.us/img10/6713/s6003303.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img10.imageshack.us/img10/6713/s6003303.jpg" style="cursor: pointer; height: 308px; width: 411px;" /></a></div>
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">Bloody Mary</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Marisa Levino -</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;"> <span style="color: #ff9900;">marisa.levino@gmail.com</span><br />Anderson Gwen - <span style="color: #ff9900;">ferreira_london@hotmail.com</span></span><br />
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"Estou deitada no chão de barriga para cima mas a minha cabeça está enfiada num aquário e eu não respiro. O mundo é uma imensa bolha e os meus cabelos flutuam à frente dos meus olhos. Um espasmo me obriga a respirar. Mas não vai me ganhar. Cabeça no aquário mais outra e outra vez. Até que, em vez do espasmo que antecede um vômito, vem uma paz mortífera. Não preciso mais respirar . Mas ele puxa a minha cabeça para fora do aquário..."<br />
(Foto: <a href="http://cabenamao.blogspot.com/">Thaíse Nardim</a>)<br />
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<a href="http://img249.imageshack.us/img249/9255/imgp2800.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img249.imageshack.us/img249/9255/imgp2800.jpg" style="cursor: pointer; height: 469px; width: 351px;" /></a></div>
<span style="color: #cc6600; font-size: 130%; font-weight: bold;"><br />Quer Trocar Comigo?!</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Coletivointrânsito - <span style="color: #ff9900;">coletivointransitto@yahoo.com.br</span><br />Luanah Cruz, Marilia Del Vecchio, Monica Augusto & Rita Tatiana Cavassana</span><br />
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Até onde estamos dispostos a trocar com o outro. (?)<br />
(Foto: Catálogo do Festival)<br />
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<a href="http://img239.imageshack.us/img239/4718/43016329.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="http://img239.imageshack.us/img239/4718/43016329.png" style="cursor: pointer; height: 467px; width: 332px;" /></a></div>
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">?Estranho!, eu não sou Hamlet (Online):<br />"Ditado para Hamlet" e "Tropeça + Não Cai"</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Flávio Rabelo - <a href="http://estranhocorpo.blogspot.com/">http://estranhocorpo.blogspot.com</a></span><br />
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Agir, ou não agir? Não mais apenas ‘ser ou não ser’? E sim, e principalmente, como ser ou não ser? O paradoxo invade a ação e entre personagem, persona ou pessoa não há mais certezas ou dúvidas; há certezas e dúvidas. Ator? Interprete? Perfomer? Eu não sou Hamlet. Mas, poderia ter sido? O filho do rei transformado em mendigo fingindo ser um ator perguntando: “por que eu?” Um homem em conflito, eis a questão. Quantos podemos ser? O que se esconde por trás do que pensamos ser? O que os outros pensam que eu sou, sou? Ou não?<br />
Pesquisa desenvolvida no programa de mestrado do Instituto de Artes da Unicamp.<br />
Orientador: Renato Ferracini, co-orientador: Fernando Villar (UNB). Parceria: Zecora-Ura Theatre /UK. Financiamento: FAPESP.<br />
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<span style="font-weight: bold;">DITADO PARA HAMLET: (construir frases e enviar para Hamlet no e-mail: <span style="color: #ff9900;">hamletestranho@ymail.com.br</span>)</span>1.banho; 2.intuições; 3.desmedido; 4.divisa; 5.bússola; 6.átomo; 7.continente; 8.furo; 9.maquínica; 10.plástico; 11.figura; 12.sururu; 13.cuia; 14.circuito; 15.rabo; 16.xadrez; 17.chão; 18.vencedor; 19.trapiche; 20.canto; 21.laboratório; 22.escama; 23.escada; 24.xibiu; 25.perfil; 26.reformatório; 27.cama; 28.vestido; 29.palavras; 30.cigarro; 31.xumbrego; 32.fora; 33.chuva; 34.carro; 35.estrume; 36.mistério; 37.maracujá; 38.encantamento; 39.quina; 40.pé; 41.cajado; 42.azedo; 43.mar; 44.cinzeiro; 45.bebedouro; 46.culpa; 47.suposto; 48.projeto; 49.avesso;50.pitomba.<br />
(Fotos: <a href="http://picasaweb.google.com.br/estranhocorpoestranho/20090314TropecaNaoCai#">Patrik</a>)<br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">Limpando a casa, fazendo a massa, utilizando a cozinha, e conversando com a mulher de Branco</span><span style="color: #cc6600; font-size: 100%; font-weight: bold;"><br /><span style="color: #cc9933;">Projeto Salamandra - <a href="http://projetosalamandra.blogspot.com/">http://projetosalamandra.blogspot.com</a></span><br /><span style="color: #cc9933;">Adriane Gomes: </span></span><span style="color: #cc9933; font-size: 100%;"><span style="font-style: italic;">Performer</span></span><span style="color: #cc9933; font-size: 100%; font-weight: bold;"><br />Guilherme Godoy: </span><span style="color: #cc9933; font-size: 100%;"><span style="font-style: italic;">Câmera tempo real</span></span><span style="color: #cc9933; font-size: 100%; font-weight: bold;"><br />Diego Ávila: </span><span style="color: #cc9933; font-size: 100%;"><span style="font-style: italic;">Live Image</span></span><span style="color: #cc9933; font-size: 100%; font-weight: bold;"><br />Mineiro: </span><span style="color: #cc9933; font-size: 100%;"><span style="font-style: italic;">Captação de imagens</span></span><br />
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Esta performance é uma espécie de ritual num local cotidiano de todos. Ao longo dos anos a escassez de tempo não permite mais que os alimentos sejam produzidos em casa. Este trabalho será uma critica a vida contemporânea, por esse ponto de vista.<br />
(Fotos: <a href="http://www.flickr.com/photos/fe_vinhas">Fernanda (Feliz) Oliveira</a>)<br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;"></span><span style="color: #cc6600; font-size: 130%; font-weight: bold;">Salada de Frutas</span><span style="color: #cc9933; font-size: 100%; font-weight: bold;">Flávia Paiva - <span style="color: #ff9900;">flaviapaiva007@hotmail.com</span></span><br />
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A performance acontece num espaço onde o público é isolado (colocado para fora) de maneira que este não penetre no ambiente de criação. Salada de frutas fala da manipulação das relações humanas, num ambiente que a qualquer momento funções relacionadas à subjetividade do público e do privado são trocadas, numa mistura de valores.<br />
(Foto: Catálogo do Festival)<br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;"></span><span style="color: #333333;">.</span><div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Lorde Velhohttp://www.blogger.com/profile/04261308692339919125noreply@blogger.com1tag:blogger.com,1999:blog-4462342586887969312.post-78063170885189777752008-08-09T15:49:00.000-07:002013-06-28T14:40:36.153-07:00IV Festival de Apartamento "Sechiisland (em Campinas)" - Registro Online das Performances Apresentadas<div style="text-align: center;">
<span style="font-size: 130%;">(Postagem originalmente publicada no blog do <span style="font-weight: bold;">Grupo Performático AcompanhiA</span>, atualmente <span style="font-weight: bold;">extinto</span>)</span></div>
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Originalmente cunhado pelos <span style="font-weight: bold;">neoistas</span> nos <span style="font-weight: bold;">anos 80</span>, o conceito de <a href="http://www.thing.de/projekte/7:9%23/apt_index.html">Apartment Festival</a> foi apropriado pelo <span style="font-weight: bold;">Grupo Performático AcompanhiA</span> para tornar possível a realização de eventos de <span style="font-style: italic;">performance art</span> – nacionais e mesmo internacionais – sem a dependência de recursos de estados ou instituições. Para realizar um Festival de Apartamento basta uma intenção, um espaço e uma ação, sumariamente contornando a dificuldade de obtenção de "locais apropriados" com a simples utilização das residências dos próprios "conspiradores".<br />
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Depois da realização do<span style="color: white;"> </span><a href="http://festivaldeapartamento.blogspot.com/2008/02/ii-festival-de-apartamento-sechiisland.html">II Festival de Apartamento "Sechiisland"</a><span style="color: white;">,</span> em <span style="font-weight: bold;">9 de Fevereiro de 2008</span>, o grupo estabilizou sua formação em quatro membros:<span style="color: white;"> </span><span style="color: white;"><a href="http://www.orkut.com.br/Profile.aspx?uid=6164797935348705411">José Roberto Sechi</a>, <a href="http://lordevelho.blogspot.com/">Rodrigo Emanoel Fernandes</a>, <a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a> </span>e<span style="color: white;"> <a href="http://www.orkut.com.br/Profile.aspx?uid=12827381634754294177">Thiago Buoro</a></span><span style="color: white;"> </span>(membro fundador do grupo original, agora retornando), iniciando assim uma nova fase em suas atividades e objetivos, entre os quais a ampliação das possibilidades do conceito de Festival de Apartamento e a superação das limites impostos pelo provincianismo da cidade onde a Sechiisland desafortunadamente se localiza.<br />
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Rompendo fronteiras, o <span style="font-weight: bold;">III Festival </span>foi organizado não pelo AcompanhiA, mas sim pela artista plástica<span style="color: white;"> </span><a href="http://viviandran.blogspot.com/">Viviandran</a><span style="color: white;">,</span> em<span style="font-weight: bold;"> Santiago, Chile</span>, no dia <span style="font-weight: bold;">10 de Junho de 2008</span>, com o título <a href="http://festivaldeapartamento.blogspot.com/2008/06/i-festival-de-apartamento-peninsula.html">III Festival de Apartamento "Peninsula Dran"</a>. Coube ao <span style="font-weight: bold;">AcompanhiA</span> a organização do IV Festival, dessa vez na residência de <a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a>, em <span style="font-weight: bold;">Barão Geraldo, Campinas/SP</span>. O evento aconteceu no dia <span style="font-weight: bold;">9 de Agosto de 2008</span>, contando com a participação de doze performers e o<span style="font-weight: bold;"> apoio cultural</span> da produtora<span style="color: white;"> </span><a href="http://www.fosforoarte.com/">Fósforo Arte</a>, responsável pelas filmagens.<br />
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<span style="color: white; font-weight: bold;"><span style="color: #cc6600; font-size: x-large;">Registro das Performances:</span></span><span style="color: white; font-weight: bold;"><br /></span><span style="font-weight: bold;">(Fotos:</span> <a href="http://www.orkut.com.br/Profile.aspx?uid=5972146628161325247">Tonhão Madureira</a>, <a href="http://www.orkut.com.br/Profile.aspx?uid=5560209543710392126">Patrik Vezali</a>, <a href="http://www.orkut.com.br/Profile.aspx?uid=6205438564093462674">André Sampaio</a> e <a href="http://www.orkut.com.br/Profile.aspx?uid=14235455082243182185">Fernando Parolin</a><span style="color: white;">)</span></div>
<span style="color: #cc6600; font-size: 130%; font-weight: bold;"><br />Sorvênus</span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;">Grupo AcompanhiA</span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;"><a href="http://www.orkut.com.br/Profile.aspx?uid=6164797935348705411">José Roberto Sechi</a>, <a href="http://lordevelho.blogspot.com/">Rodrigo Emanoel Fernandes</a>, <a href="http://costuradaparadentro.blogspot.com/">Ludmila Castanheira</a>, <a href="http://www.orkut.com.br/Profile.aspx?uid=12827381634754294177">Thiago Buoro</a></span><br />
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Com a sala às escuras, três performers, Sechi, Rodrigo e Thiago, descem as escadas e passam a circular pelo ambiente, iluminando-o parcialmente com os fachos das lanternas atadas aos corpos. A certa altura a performer Ludmila é localizada entre os presentes e levada ao centro da sala, onde é despida e conduzida a uma bacia de plástico vazia. Por fim, é enrolada com pisca-piscas de Natal e assume a imagem da Vênus de Botticelli. Os três performers apagam suas lanternas e esvaziam latas de cerveja na bacia, para então curvarem-se, e beber toda a cerveja com canudos plásticos.<br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">Infanto</span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;"><a href="http://adrielvisoto.blogspot.com/" target="_blank">Adriel Visoto</a></span><br />
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<span style="font-style: italic;">"A performance consiste no retorno à memória sexual na infância... A ação ocorre dentro de uma estrutura com diversos elementos que remetem à criança, junto a objetos de fetiche sexual e sadomasoquismo. Através da fusão desses elementos e das texturas sonoras experimentais, proponho brincar com a construção do indivíduo espelhado nas experiências sexuais ocorridas na infância." <span style="font-weight: bold;">(Adriel Visoto - Catálogo do Festival)</span></span><br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">Memória Velada</span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;">Gilio Mialichi</span><br />
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<span style="font-style: italic;">"O trabalho estabelece relação entre uma imagem virtual resgatada da memória e a imagem materializada do hoje. A ação tem como proposta um encontro simulado entre duas pessoas e é através de uma projeção de imagem e da ação de pintar que se dá esse encontro." <span style="font-weight: bold;">(Gilio Mialichi - Catálogo do Festival)</span></span><br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">Desde la peninsula a la isla</span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;">Viviandran e José Roberto Sechi</span><br />
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Este trabalho se dá concomitante à reprodução de um vídeo gravado em Santiago, Chile, pela performer <span style="font-weight: bold;">Viviandran</span>. No vídeo ela realiza algumas ações como o preparo de um jantar para duas pessoas, mas come sozinha. Em seguida, é tatuada com um desenho criado pelo performer <span style="font-weight: bold;">José Roberto Sechi</span> e, enquanto o vídeo exibe esta ação, o performer<span style="font-style: italic;"></span> pinta o mesmo desenho num tecido sobre o chão, coincidindo com o tempo da tatuagem no vídeo. O performer abre uma garrafa de vinho e enche dois copos, para então beber um. Por fim o vinho é partilhado com o público.<br />
<span style="font-style: italic;">… en video y en vivo ... acciones empezadas en la peninsula dran, completadas e ressignificadas na ilha sechi, país nômade. ... em vídeo e ao vivo ... <span style="font-weight: bold;">(José Roberto Sechi - Catálogo do Festival)</span></span><br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">mel-o-drama</span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;"><a href="http://cabenamao.blogspot.com/" target="_blank">Thaíse Nardim</a></span><br />
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<span style="color: white;"></span>A performer inicia usando um sobretudo e recita, mecanicamente, a letra de "Um dia, um adeus", de Guilherme Arantes, em um megafone . Ela utiliza os recursos do aparelho para gravar e reproduzir o refrão da música em<span style="font-style: italic;"> looping</span>. Então retira o sobretudo, revelando o tronco enrolado com cordão vermelho. Metódica e repetitivamente, ela desenrola e amarra corações de frango no cordão a intervalos regulares. Uma vez concluído o processo, ela passa a atravessar cada um dos corações com espetos de churrasco, retirados de seu tronco, onde estavam fixos por fita adesiva. Neste processo, ela enrola novamente o cordão no tronco. Durante todo esse tempo, o megafone repete o refrão gravado: <span style="font-style: italic;">"...ninguém mais, como ninguém jamais te amou, ninguém jamais te amou..."</span><br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">De Plástico</span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;">Rodrigo Scalari e Ludmila Castanheira</span><br />
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<span style="color: white; font-style: italic;"></span><span style="font-style: italic;">"Dois artistas, alguns encontros e a vontade de estreitar nossa relação em uma ação. A possibilidade de abrir canais de diálogos práticos a partir de quaisquer materiais nos interessa, de fazer emergir uma estética do momento, do nosso momento, e, sem demasiada preocupação, colocar algum material próprio em choque com o outro. Que movimentos desejamos fazer? Como recriar em ações nossos desejos? É preciso costurar as nossas peles, fabricar um novelo único de nossas singularidades e vestir o espectador-performer com a nossa carne. Enfim, em primeira instância apenas uma primeira proposição." <span style="font-weight: bold;">(Rodrigo Scalari & Ludmila Castanheira - Catálogo do Festival)</span></span><br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">Estranho, eu não sou Hamlet</span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;"><a href="http://estranhocorpo.blogspot.com/" target="_blank">Flávio Rabelo</a></span><br />
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<span style="font-style: italic;">"Agir, ou não agir? Não mais apenas ‘ser ou não ser’? E sim, e principalmente, como ser ou não ser? O paradoxo invade a ação e entre personagem, persona ou pessoa não há mais certezas ou dúvidas; há certezas e dúvidas. Ator? Interprete? Perfomer? Eu não sou Hamlet. Mas, poderia ter sido? O filho do rei transformado em mendigo fingindo ser um ator perguntando: “por que eu?” Um homem em conflito, eis a questão. Quantos podemos ser? O que se esconde por trás do que pensamos ser? O que os outros pensam que eu sou, sou? Ou não? Quantas camadas entre o que está dentro e o que é visto por fora. E quanta transformação neste fluxo de relações. Máscaras de pele de papel e tinta impressa. Pele de fio vermelho. A fantasia de mim mesmo. Um velho despertador quebrado, um espelho, papéis em branco, bonecas e flores secas. Linhas e dobras do jogo de um corpo exposto. Dentro ou fora? </span>Pesquisa desenvolvida no programa de mestrado do Instituto de Artes da Unicamp. Orientador: Renato Ferracini, co-orientador: Fernando Villar (UNB). Parceria: Zecora-Ura Theatre /UK. Financiamento: FAPESP.<span style="font-style: italic;"> <span style="font-weight: bold;">(Flávio Rabelo - Catálogo do Festival)</span></span><br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">Casulo N.o. 1</span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;"><a href="http://groteperplexidade.blogspot.com/" target="_blank">João de Ricardo</a></span><br />
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<span style="font-style: italic;">"[Hoje em dia as pessoas apreciam apenas a luz. Mas a quem a luz deve a sua própria existência? Às costas das trevas, pois elas carregam luz." Tatsumi Hijikata] Essa ação faz parte da pesquisa de mestrado de João de Ricardo com o título provisório de ARQUIPÉLAGO: O Agencimente entre o encenador e o performer. Instituto de Artes – UNICAMP; Orietação: Prof. Dr. Mário Santanna. essa noite eu sonhei que eu estava numa aula de anatomia. era aluno e ao mesmo tempo cadáver. eu conversava com os vivos sob o ponto de vista dos mortos. eu observava os mortos sob o ponto de vista dos vivos. era executor e executado por uma EXPERIÊNCIA. colega de quem observava e de quem era observado. Ao acordar uma lagarta negra subia pelo marco da porta. [o essencial é a metamorfose. o ato de morrer. e o medo dessa metamorfose é geral. nele se pode confiar, sobre ele se pode construir" - Heinner Muller]" <span style="font-weight: bold;">(João de Ricardo - Catálogo do Festival)</span></span><br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">In Progress</span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;"><a href="http://isabellasantana.blogspot.com/" target="_blank">Isabella Santana</a></span><br />
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<span style="font-style: italic;">"Este trabalho é o desdobramento da pesquisa de mestrado em processo de Isabella Santana. Esta performance lidará mais especificamente com temas relacionados ao riso, ao grotesco e ao cômico na Idade Média e Renascimento. Para tal apresentação, a artista propõe-se a (res)significar no topos da ação performática, estudos em torno destes gêneros, analisados na história por escritores como Mikhail Bakhtin, além do estudo de representações grotescas verificadas em esboços de Leonardo da Vinci e, nas gravuras de Andréas Vesalius e Hans Holbein. Como (res)significar estes elementos na ação, atualizando esses dados virtuais, como diria Deleuze, em estado de potência, relacionando ao estudo de notícias e imagens de terror contemporâneos, veiculadas na rede internet?" <span style="font-weight: bold;">(Isabella Santana - Catálogo do Festival)</span></span><br />
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<span style="font-size: x-large;">E, finalmente, entreatos, convívio e celebração:</span></div>
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<span style="font-size: 130%;"><span style="color: white;"></span></span><span style="font-weight: bold;">Apoio Cultural:</span><br />
<a href="http://www.fosforoarte.com/" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" height="400" src="http://img262.imageshack.us/img262/4651/logojg2.jpg" style="height: 242px; width: 181px;" width="299" /></a></div>
<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Lorde Velhohttp://www.blogger.com/profile/04261308692339919125noreply@blogger.com0tag:blogger.com,1999:blog-4462342586887969312.post-34920883604825615912008-06-10T15:40:00.000-07:002014-03-06T09:14:25.388-08:00III FESTIVAL DE APARTAMENTO "PENINSULA DRAN" (Santiago/Chile) - 10/06/2008<div style="text-align: center;">
<span style="font-size: 130%;">(Postagem originalmente publicada pela artista plástica chilena<span style="font-weight: bold;"><span style="font-weight: bold;"><span style="font-weight: bold;"> Viviandran</span></span></span>)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioLynRBOwr9pmy-g-weVQsM7SjxrEoXMQ4gJBPjvk5-Q4x3A4FC5RRGVCyNCsCKrypkMR_wG13siuQa8nNd0aoFEpz6VtNLs_7iY79U6aDgzp7IlTQAfdvpPZgo3OTyxvpF0jDrwlaDn4X/s1600-h/AFICHE.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioLynRBOwr9pmy-g-weVQsM7SjxrEoXMQ4gJBPjvk5-Q4x3A4FC5RRGVCyNCsCKrypkMR_wG13siuQa8nNd0aoFEpz6VtNLs_7iY79U6aDgzp7IlTQAfdvpPZgo3OTyxvpF0jDrwlaDn4X/s400/AFICHE.jpg" id="BLOGGER_PHOTO_ID_5214727893150964226" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a><span style="color: #ff6600;"><span style="font-weight: bold;"><span style="font-family: courier new;">EL 10 DE JUNIO, EN LA PENÍNSULA DRAN-SANTIAGO DE CHILE- SE LLEVÓ A CABO EL III FESTIVAL DE APARTAMENTO.<br />LA IDEA NACE A PARTIR DE LA INVITACIÓN QUE NOS HIZO <a href="http://luiseduardomartinez.blogspot.com/">LUIS EDUARDO MARTINEZ</a>, DESDE ARGENTINA,PARA PARTICIPAR EN EL <a href="http://encuentropippabacca.blogspot.com/">HOMENAJE A PIPPA BACCA</a></span></span></span><span style="font-family: trebuchet ms; font-size: 78%;"><span style="color: #006600; font-family: trebuchet ms;"><span style="font-size: 130%;"><strong>"El encuentro se enmarca dentro de las acciones realizadas en todo el mundo conmemorando el legado de la artista italiana Pippa Bacca, quien fue asesinada a finales de marzo mientras realizaba una performance sobre la confianza, la alteridad y la entrega".</strong></span></span></span><span style="color: #ff6600;"><span style="font-weight: bold;"><span style="font-family: courier new;"><br />EN EL MARCO DE ESTE ENCUENTRO ES QUE MARCELA ROSEN, FIR, ELI NEIRA Y VIVIANDRAN REALIZAN LAS ACCIONES: "Para Pippa","Trozo de vida","La insoportable Intransigencia de nuestra inocencia"y "Guiseppina", LAS CUÁLES FUERON EXHIBIDAS </span></span></span><span style="color: #ff6600;"><span style="font-weight: bold;"><span style="font-family: courier new;">ESTE 21 DE JUNIO, </span></span></span><span style="color: #ff6600;"><span style="font-weight: bold;"><span style="font-family: courier new;">EN EL CENTRO CULTURAL EL SURCO-BUENOS AIRES, ARGENTINA-</span></span></span><br />
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<span style="color: #ff6600;"><span style="font-weight: bold;"><span style="font-family: courier new;"><span style="font-size: 130%;"><span style="color: red;">MARCELA ROSEN, "Para Pippa"</span></span></span></span></span></div>
<span style="color: #ff6600;"><span style="font-weight: bold;"><span style="font-family: courier new;"><br /></span></span></span><span style="color: #ff6600;"><span style="font-family: courier new;">"¿Quieres saber por qué te estoy entregando esta flor?"<br />Con esta frase, comienza la acción.Los transeúntes, que no saben quién es Pippa,</span></span><span style="color: #ff6600;"><span style="font-family: courier new;">escuchan atentamente las suaves palabras de Marcela, </span></span><span style="color: #ff6600;"><span style="font-family: courier new;">quedan asombrados con la historia de la última performance de Guiseppina Bacca y resignifican la flor que tienen en sus manos.</span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghwG01SHkCDoYZq3rs-qQ1G_HkL2eHWYNA4dyP3jysG0EBWVui2KXc17qBuQvKgNI3nSu-3MjX3ZOBONvh3SVaa3urKDac_jIg8PG7HDZwceiepaVgaF9APLZ3sho1sCUbclWeF-8xYOHj/s1600-h/01.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghwG01SHkCDoYZq3rs-qQ1G_HkL2eHWYNA4dyP3jysG0EBWVui2KXc17qBuQvKgNI3nSu-3MjX3ZOBONvh3SVaa3urKDac_jIg8PG7HDZwceiepaVgaF9APLZ3sho1sCUbclWeF-8xYOHj/s400/01.JPG" id="BLOGGER_PHOTO_ID_5214717875295269634" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a><br />
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<span style="color: #ff6600; font-size: 130%;"><span style="font-weight: bold;"><span style="font-family: courier new;"><span style="color: red;">VIVIANDRAN , "Guiseppina"</span></span></span></span></div>
<span style="color: #ff6600;"><span style="font-weight: bold;"><span style="font-family: courier new;"><br /></span></span></span><span style="color: #ff6600;"><span style="font-family: courier new;">El bordado, como gesto de femenidad, de paciencia, de sutileza. Acción realizada en vivo, con la presencia de un cuerpo que evoca la persona perdida.<br />En la proyección, el lavado de pies, como gesto de entrega, de humildad, de despojo. Acción en video, en homenaje a la ausencia de Guiseppina.</span></span><br />
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<span style="color: #ff6600; font-size: 130%;"><span style="font-weight: bold;"><span style="font-family: courier new;"><span style="color: red;">FIR, "Trozo de Vida"</span></span></span></span></div>
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<span style="color: #ff6600;"><span style="font-family: courier new; font-weight: bold;">La acción de mirar televisión, de comer un helado mientrás se está frente a un video de Einsürzende Neubauten.</span><br /><span style="font-family: courier new; font-weight: bold;">La acción de cortarse las uñas con el televisor encendido. Barrer los pedazos sobrantes y depositarlos en el tacho de la basura.</span><br /><span style="font-family: courier new; font-weight: bold;">Acciones todas, que evocan una cotidianeidad pasajera de un Trozo de Vida.</span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuVY6M-fTrq2YNcmyuuHJigMDmhIjcZGxa-5kr3ODCI9PLpPtFcu4YwK0qArs1KJMmGIZwDqeSM7fnTWEOq6-zinbXqfzM62QB-yPUCIdEGu_AuIQsoAc-J3wo3wHRrRhsSCfPbVmK4q90/s1600-h/2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuVY6M-fTrq2YNcmyuuHJigMDmhIjcZGxa-5kr3ODCI9PLpPtFcu4YwK0qArs1KJMmGIZwDqeSM7fnTWEOq6-zinbXqfzM62QB-yPUCIdEGu_AuIQsoAc-J3wo3wHRrRhsSCfPbVmK4q90/s400/2.jpg" id="BLOGGER_PHOTO_ID_5214123206848208706" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-_BvHqpQPSHE4LBWSz_y6Ycv01XAZai-JUigpRDHivEcRWBzu4UIJlMIkmpk-WaT8yQMKdJ6QgIL7SnEqa2k4TT8dEI6z-U1z0Z6jVJDHhQUHq68_QaVxHBnjRULOjFtw-YdhvYqKOJU6/s1600-h/9.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-_BvHqpQPSHE4LBWSz_y6Ycv01XAZai-JUigpRDHivEcRWBzu4UIJlMIkmpk-WaT8yQMKdJ6QgIL7SnEqa2k4TT8dEI6z-U1z0Z6jVJDHhQUHq68_QaVxHBnjRULOjFtw-YdhvYqKOJU6/s400/9.JPG" id="BLOGGER_PHOTO_ID_5214122669898785090" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxrpy5mjAPWs7EjtM0MQfsxVmo_cTDcbB66Xp7KvYZ3ZHwwdRAE98Cl0f-5a6fTtCC-m2q6PzDQkn9xZ27Fn1B4ZhoP6hD6aoE4I4LgCMU-2qLOMo-GS9DqlDTeV9Xi356nasgaC_UJ_aF/s1600-h/11.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxrpy5mjAPWs7EjtM0MQfsxVmo_cTDcbB66Xp7KvYZ3ZHwwdRAE98Cl0f-5a6fTtCC-m2q6PzDQkn9xZ27Fn1B4ZhoP6hD6aoE4I4LgCMU-2qLOMo-GS9DqlDTeV9Xi356nasgaC_UJ_aF/s400/11.jpg" id="BLOGGER_PHOTO_ID_5214122490182526786" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a><div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Lorde Velhohttp://www.blogger.com/profile/04261308692339919125noreply@blogger.com0tag:blogger.com,1999:blog-4462342586887969312.post-41579742311660323312008-02-09T15:28:00.000-08:002013-06-28T12:11:23.628-07:00II FESTIVAL DE APARTAMENTO "SECHIISLAND" - 09/02/2008<div style="text-align: center;">
<span style="font-size: 130%;">(Postagem originalmente publicada no blog do <span style="font-weight: bold;">Grupo Performático AcompanhiA</span>, atualmente <span style="font-weight: bold;">extinto</span>)</span><br />
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<span style="color: white;"><br /></span>A realização do<span style="color: white;"> <a href="http://festivaldeapartamento.blogspot.com/2007/06/i-festival-de-apartamento-sechiisland.html">I Festival de Apartamento "Sechiisland"</a>,</span> em <span style="font-weight: bold;">Julho de 2007</span>, repercutiu de maneira positiva na rede de <span style="font-weight: bold;">Arte Postal</span>, na qual a <span style="font-weight: bold;">Ilha Sechi</span> sempre esteve inserida, inspirando novos objetivos para o Grupo <span style="font-weight: bold;">AcompanhiA</span>. O interesse das artistas plásticas<span style="color: white;"> <a href="http://viviandran.blogspot.com/">Viviandran</a></span>, de <span style="font-weight: bold;">Santiago/Chile</span>, e<span style="color: white;"> <a href="http://dionysiacas.blogspot.com/">Valeria Cotaimich</a></span>, de <span style="font-weight: bold;">Cordova/Argentina</span>, em conhecer esse espaço alternativo e realizar seu primeiro trabalho em conjunto, a performance <span style="font-weight: bold;">Dion & Siacas</span>, acabou por gerar as circunstâncias que favoreceram a idéia de um segundo festival, dessa vez ainda mais similar ao conceito de<span style="color: white;"> <a href="http://grupoacompanhia.blogspot.com/2007/10/i-festival-de-apartamento-sechiisland.html">Apartment Festival</a> </span>original dos <span style="font-weight: bold;">neoistas</span> nos anos 80.<br />
Assim, o <span style="font-weight: bold;">II Festival de Apartamento "Sechiisland</span>", realizado no dia <span style="font-weight: bold;">9 de Fevereiro de 2008</span>, atraiu o interesse de vários artistas e contou com a realização de seis performances de características bastante distintas. Porém o principal avanço obtido foi a concreta internacionalização do festival, não apenas pela presença de participantes do <span style="font-weight: bold;">Chile</span> e da <span style="font-weight: bold;">Argentina</span>, mas sim pelo objetivo estabelecido de realizar os próximos festivais em cidades como <span style="font-weight: bold;">Santiago, Cordova</span> ou mesmo em <span style="font-weight: bold;">Montevidéo, Uruguai</span> (onde é possível contar com a colaboração do artista plástico <span style="font-weight: bold;">Clemente Padín</span>) tornando o <span style="font-weight: bold;">Festival de Apartamento</span> um evento latino-americano, tanto quanto o <span style="font-weight: bold;">Apartment Festival</span> era um evento europeu.<br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">FORMULÁRIO CONTÍNUO</span><span style="color: #cc6600; font-size: 100%; font-weight: bold;"> </span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;">Grupo AcompanhiA (José Roberto Sechi, Rodrigo Emanoel Fernandes, Ludmila Castanheira)</span><br />
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A abertura do evento ficou sob responsabilidade de seus organizadores, o <span style="font-weight: bold;">Grupo Performático AcompanhiA</span>, com a performance <span style="font-weight: bold;">Formulário Contínuo</span>, que marca a estréia da atriz<span style="color: white;"> <a href="http://www.orkut.com/Profile.aspx?uid=5240196903249503513">Ludmila Castanheira</a></span> nas fileiras do grupo, criando uma dança a partir dos sons que<span style="color: white;"> <a href="http://www.orkut.com/Profile.aspx?uid=6409562834962008731">Rodrigo Emanoel Fernandes</a> </span>extrai de uma velha máquina de escrever. Simultaneamente,<span style="color: white;"> <a href="http://www.orkut.com/Profile.aspx?uid=6164797935348705411">José Roberto Sechi</a> </span>acompanha os movimentos colando pequenas letras fluorescentes no corpo da dançarina. Por fim, o apagar das luzes permite a visão de um conjunto de letras dançando na escuridão e encerrando a performance, único elemento que o vídeo filmado por<span style="color: white;"> <a href="http://www.orkut.com/Profile.aspx?uid=4122135402220632000">João Paulo Miranda Maria</a> </span>não pôde registrar:<br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">DION & SIACAS</span><span style="color: #cc6600; font-size: 100%; font-weight: bold;"> </span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;">Viviandran & Valeria Cotaimich</span><span style="color: #cc6600; font-size: 130%;"><span style="font-size: 100%; font-weight: bold;"></span></span><br />
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A performance <span style="font-weight: bold;">Dion & Siacas</span> foi planejada para encerrar o evento. Durante uma hora as performers <span style="font-weight: bold;">Viviandran</span> e <span style="font-weight: bold;">Valeria Cotaimich</span> seduziram o público presente com sua combinação de didática, humor e erotismo. A estrutura básica da performance era uma palestra ministrada por Valeria e constantemente subvertida por intervenções provocativamente eróticas de Viviandran. No decorrer de sua fala sobre arte, cultura brasileira, performances do cotidiano e erotismo, Valeria paulatinamente se transfigura num orixá, enquanto Viviandran prepara oferendas para os presentes: frutas, leite condensado, caipirinhas. O ritual prossegue até a intervenção de Sechi recitando seu poema <span style="font-weight: bold;">Moça de Moçambique</span>.<br />
Como um bricolage performático, o trabalho sobrepunha inúmeros elementos tanto físicos quanto conceituais, cada pequeno detalhe da viagem das performers pelo Brasil tornou-se parte da palestra e das ações, inclusive conversas cotidianas, amigos, visitas, amores, seguindo o princípio de tornar a vida cotidiana em si uma forma de expressão artística.<br />
Infelizmente um trabalho dessa natureza não se presta a ser registrado e muito menos reproduzido. O vídeo a seguir é uma montagem de alguns fragmentos da performance, de caráter meramente ilustrativo:<br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">INVOCAÇÃO DE VÊNUS ATACADA DE LEPRA</span><span style="color: #cc6600; font-size: 100%; font-weight: bold;"> </span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;">Thiago Buoro</span><span style="color: #cc6600; font-size: 130%;"><span style="font-size: 100%; font-weight: bold;"></span></span><br />
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O poeta co-fundador do <span style="font-weight: bold;">Grupo AcompanhiA</span>,<span style="color: white;"><span style="font-weight: bold;"> </span><a href="http://www.orkut.com/Profile.aspx?uid=12827381634754294177">Thiago Buoro</a> </span>retorna com uma performance solo que pode ser assistida integralmente no vídeo abaixo. Após esse trabalho, o poeta voltou a atuar ativamente no AcompanhiA.<br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">OFERENDA A OGUM</span><span style="color: #cc6600; font-size: 100%; font-weight: bold;"> </span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;">Letícia Tonon</span><span style="color: #cc6600; font-size: 130%;"><span style="font-size: 100%;"><span style="font-weight: bold;"></span></span></span><br />
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A atual diretora de cultura do município de Santa Gertrudes/SP,<span style="color: white;"> <a href="http://www.orkut.com/Profile.aspx?uid=2798348698030988755">Letícia Tonon</a></span>, Um pequeno ritual performático inspirado no candomblé e na cultura negra brasileira.<br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">PALHAÇO SEM CIRCO</span><span style="color: #cc6600; font-size: 100%; font-weight: bold;"> </span><br />
<span style="color: #cc6600; font-size: 100%; font-weight: bold;">Ieda Genizalli</span><span style="color: #cc6600; font-size: 130%;"><span style="font-size: 100%;"><span style="font-weight: bold;"></span></span></span><br />
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Primeira experiência da artista plástica<span style="color: white;"> <a href="http://www.orkut.com/Profile.aspx?uid=12827381634754294177">Ieda Genizalli</a></span> com a linguagem da performance art.<br />
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<span style="color: #cc6600; font-size: 130%; font-weight: bold;">BEIJOS MALDITOS</span><br />
<span style="color: #cc6600; font-size: 130%; font-weight: bold;"> </span><span style="color: #cc6600; font-size: 100%; font-weight: bold;">Sandra Bretas</span><span style="color: #cc6600; font-size: 100%; font-weight: bold;"></span><br />
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Recital performático realizado pela professora de Educação Física<span style="color: white;"> <a href="http://www.orkut.com/Profile.aspx?uid=8339011879342366184">Sandra Bretas</a></span>.<br />
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<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Lorde Velhohttp://www.blogger.com/profile/04261308692339919125noreply@blogger.com0tag:blogger.com,1999:blog-4462342586887969312.post-72532147918923002982007-06-21T14:21:00.000-07:002017-11-28T12:05:33.236-08:00I FESTIVAL DE APARTAMENTO "SECHIISLAND" - 21/06/2007<div align="center">
<span style="font-size: 130%;">(Postagem originalmente publicada no blog do <span style="font-weight: bold;">Grupo Performático AcompanhiA</span>, atualmente <span style="font-weight: bold;">extinto</span>)</span></div>
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<a href="http://img265.imageshack.us/img265/3120/comunhaohq5mr9.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img265.imageshack.us/img265/3120/comunhaohq5mr9.jpg" style="height: 532px; width: 296px;" /></span></a><a href="http://img88.imageshack.us/img88/9666/74949344qr7.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img88.imageshack.us/img88/9666/74949344qr7.jpg" style="height: 531px; width: 277px;" /></span></a></div>
Uma semana depois da reinauguração oficial do <span style="font-weight: bold;">Grupo AcompanhiA</span> (com a performance<span style="color: rgb(255 , 255 , 255);"> <a href="http://www.youtube.com/watch?v=sfW5MaUpFZk">Endopintura - dis(sec)ação</a>)</span> um evento maior e mais ambicioso foi realizado nas dependências da <span style="font-style: italic;">Sechiisland</span>, na intenção de dar um passo adiante na exploração da linguagem da <span style="font-style: italic;">performance art</span> e, ao mesmo tempo, promover uma confraternização que aproximasse amigos, artistas e interessados de modo geral. Para tanto, o grupo apropriou-se do conceito de <a href="http://www.thing.de/projekte/7:9%23/apt_index.html">Apartment Festival</a> da tradição <span style="font-weight: bold;">neoista</span>, no qual a dificuldade de obtenção de "<span style="font-style: italic;">espaços apropriados</span>" para a apresentação de <span style="font-style: italic;">performances, happenings</span> e demais atividades é sumariamente contornada com o uso das residências dos próprios "conspiradores". Até mesmo como palco de eventos internacionais! (maiores detalhes no livro "<span style="color: rgb(255 , 255 , 255);"><a href="http://www.conradeditora.com.br/index.php?option=com_content&task=view&id=54">Assalto à Cultura - Utopia, subversão, guerrilha na (anti)arte do século XX</a></span>", de<span style="font-weight: bold;"> Stewart Home</span>, Editora <span style="font-style: italic;">Conrad</span>).<br />
Festas e reuniões na <span style="font-weight: bold;">Sechiisland</span> nunca foram incomuns. A casa já era relativamente reconhecida como um <span style="font-style: italic;">espaço alternativo</span> e não foram poucas as ocasiões em que freqüêntadores chegaram a testemunhar (e realizar) <span style="font-style: italic;">performances</span> durante animadas reuniões regadas a vinho. A idéia era aproveitar essa familiaridade para atrair um público razoável e surpreende-lo com dois trabalhos simultâneos muito mais complexos do que os habituais, literalmente tomando de assalto as pessoas presentes e explorando outros níveis de envolvimento ritualístico entre performers e testemunhas.<br />
Os trabalhos realizados foram: <span style="font-weight: bold;">Comunhão</span>, conduzido por <span style="color: rgb(255 , 255 , 255);"><a href="http://lordevelho.blogspot.com/">Rodrigo Emanoel Fernandes</a>,</span> e <span style="font-weight: bold;">Fôlego</span>, conduzido por <span style="color: rgb(255 , 255 , 255);"><a href="http://www.orkut.com/Profile.aspx?uid=6164797935348705411">José Roberto Sechi</a></span>. Embora diferentes, foram planejados para acontecer em conjunto, simultaneamente e com pontos de intercecção, utilizando de forma mais efetiva as possibilidades oferecidas pela planta da <span style="font-weight: bold;">Sechiisland</span> e elementos de sonoplastia e iluminação que o tempo disponível para preparação prévia permitia utilizar.<br />
(Vale mencionar que o festival era aberto a intervenções do público presente, mantendo a tradição das célebres <span style="font-style: italic;">reuniões da <span style="font-weight: bold;">Sechiisland</span></span>. A noite também contou com performances de<span style="color: rgb(255 , 255 , 255);"> <a href="http://www.orkut.com/Profile.aspx?uid=12827381634754294177">Thiago Buoro</a> </span>e <span style="color: rgb(255 , 255 , 255);"><a href="http://www.orkut.com/Profile.aspx?uid=8339011879342366184">Sandra Bretas</a></span>)<span style="color: rgb(255 , 255 , 255);"><br /></span>O <span style="font-weight: bold;">vídeo</span> a seguir foi filmado por<span style="color: rgb(255 , 255 , 255);"> <a href="http://www.orkut.com/Profile.aspx?uid=4122135402220632000">João Paulo Miranda Maria</a></span>. Infelizmente as imagens ficaram um tanto escuras. A iluminação planejada para as performances não permitia uma filmagem adequada, entretanto foi uma opção do grupo deixar a qualidade do registro em segundo plano para não sacrificar o impacto imediato do evento. De qualquer forma, a somatória do <span style="font-style: italic;">vídeo</span>, das <span style="font-style: italic;">fotos</span> e da <span style="font-style: italic;">descrição da seqüência de ações</span> formam um registro bastante adequado em seu conjunto.<br />
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<span style="color: rgb(255 , 255 , 255);"><br /><strong><em></em></strong></span><span style="font-weight: bold;">Descrição da seqüência de ações:</span><br />
- A festa teve início por volta das 20:30, sem nenhuma indicação de onde e quando as performances aconteceriam. Enquanto as pessoas iam chegando - e as garrafas de vinho iam sendo abertas - preparativos eram realizados secretamente (graças a inestimável contrarregragem de<span style="color: rgb(255 , 255 , 255);"> <a href="http://www.orkut.com/Profile.aspx?uid=5240196903249503513">Ludmila de Almeida Castanheira</a> </span>e<span style="color: rgb(255 , 255 , 255);"> <a href="http://www.orkut.com/Profile.aspx?uid=6180161759768406604">José Renato Fernandes</a>)</span>;<br />
- por volta de 22:30, sem aviso, todas as luzes da casa se apagam e a angustiante música <span style="font-weight: bold;">Deliver me from my enemies</span>, de<span style="color: rgb(255 , 255 , 255);"> <a href="http://www.diamandagalas.com/">Diamanda Galas</a></span>, começa a ecoar de algum ponto do térreo, marcando o início de <span style="font-weight: bold;">Comunhão</span>. Os presentes descem as escadas atraídos pelo som;<br />
- uma porta, que até então passara desapercebida, é violentamente aberta. Uma <span style="font-style: italic;">persona</span> (<span style="font-weight: bold;">Rodrigo Emanoel Fernandes</span>), sem camisa e usando uma máscara feita de carne crua, silenciosamente convida as pessoas a entrarem;<span style="color: rgb(255 , 255 , 255);"><br /></span><br />
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<a href="http://img265.imageshack.us/img265/8506/pdvd012yw4ep4.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img265.imageshack.us/img265/8506/pdvd012yw4ep4.jpg" style="height: 369px; width: 497px;" /></span></a></div>
<span style="color: rgb(255 , 255 , 255);"></span>- dentro da sala uma instalação fôra previamente montada: paredes decoradas com chapas radiográficas e frascos de soro contendo tinta; varais cruzando o espaço, com ossos de vários tipos pendurados com pregadores; uma estante cheia de ferramentas e instrumentos de corte e uma mesa de madeira forrada com pequenos objetos e uma morsa. Tudo isso iluminado apenas por velas;<br />
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<a href="http://img87.imageshack.us/img87/9011/pdvd002kx4xz0.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img87.imageshack.us/img87/9011/pdvd002kx4xz0.jpg" style="height: 367px; width: 494px;" /></span></a></div>
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<a href="http://img265.imageshack.us/img265/6554/pdvd019ha1cn8.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img265.imageshack.us/img265/6554/pdvd019ha1cn8.jpg" style="height: 369px; width: 497px;" /></span></a></div>
- a <span style="font-style: italic;">persona</span> ocupa-se com diversas atividades aleatórias: constrói objetos com madeira, utilizando martelos, serra elétrica, ganchos e outros instrumentos. Demostra impaciência e certa agressividade. Presenteia alguns dos presentes com fragmentos de ossos;<br />
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<a href="http://img145.imageshack.us/img145/9720/pdvd187hy9dy8.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img145.imageshack.us/img145/9720/pdvd187hy9dy8.jpg" style="height: 377px; width: 508px;" /></span></a></div>
- a certa altura, apanha uma vela e abre caminho em meio as pessoas, subindo as escadas em direção ao andar superior. O público o segue;<br />
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<a href="http://img265.imageshack.us/img265/5229/pdvd014bf0fq1.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img265.imageshack.us/img265/5229/pdvd014bf0fq1.jpg" style="height: 382px; width: 514px;" /></span></a></div>
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<a href="http://img87.imageshack.us/img87/2615/pdvd024rw4hw3.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img87.imageshack.us/img87/2615/pdvd024rw4hw3.jpg" style="height: 377px; width: 509px;" /></span></a></div>
- a persona acende um fogareiro, quebrando a escuridão com labaredas enormes. Numa atitude ritualística, arranca a máscara de carne e começa a frita-la numa frigideira sobre o fogareiro;<span style="color: rgb(255 , 255 , 255);"><br /></span><br />
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<a href="http://img87.imageshack.us/img87/5179/pdvd211ew6au6.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img87.imageshack.us/img87/5179/pdvd211ew6au6.jpg" style="height: 368px; width: 505px;" /></span></a></div>
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<a href="http://img145.imageshack.us/img145/9655/pdvd206hq5xw3.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img145.imageshack.us/img145/9655/pdvd206hq5xw3.jpg" style="height: 375px; width: 505px;" /></span></a></div>
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<a href="http://img265.imageshack.us/img265/7986/pdvd029bv5ns4.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img265.imageshack.us/img265/7986/pdvd029bv5ns4.jpg" style="height: 374px; width: 504px;" /></span></a></div>
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<a href="http://img87.imageshack.us/img87/1310/pdvd047da0cd2.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img87.imageshack.us/img87/1310/pdvd047da0cd2.jpg" style="height: 373px; width: 505px;" /></span></a></div>
- nesse momento uma luz acende num nicho num dos cantos da sala, revelando o segundo performer (<span style="font-weight: bold;">José Roberto Sechi</span>) emparedado atrás de uma tela de plástico. O <span style="font-style: italic;">performer</span> está soterrado por balões coloridos que ele enche repetidamente. Nesse momento o público se dá conta de que a performance <span style="font-weight: bold;">Fôlego</span> já estava em andamento;<span style="color: rgb(255 , 255 , 255);"><br /></span><br />
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<a href="http://img145.imageshack.us/img145/8628/pdvd000hg5hv8.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img145.imageshack.us/img145/8628/pdvd000hg5hv8.jpg" style="height: 380px; width: 511px;" /></span></a></div>
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<a href="http://img265.imageshack.us/img265/843/pdvd006eb6sf9.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img265.imageshack.us/img265/843/pdvd006eb6sf9.jpg" style="height: 378px; width: 510px;" /></span></a></div>
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<a href="http://img265.imageshack.us/img265/6791/pdvd053ay7vy5.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img265.imageshack.us/img265/6791/pdvd053ay7vy5.jpg" style="height: 376px; width: 507px;" /></span></a></div>
- enquanto isso, a <span style="font-style: italic;">persona</span> destrincha a carne, come e oferece pedaços ao público na ponta de um garfo, dirigindo-se de pessoa em pessoa. De todos os presentes, apenas dois recusaram comer;<span style="color: rgb(255 , 255 , 255);"><br /></span><br />
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<a href="http://img265.imageshack.us/img265/4378/pdvd078fb1od7.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img265.imageshack.us/img265/4378/pdvd078fb1od7.jpg" style="height: 372px; width: 501px;" /></span></a></div>
- o ritual prossegue até restar pouco mais que alguns restos da carne. Nesse momento o segundo <span style="font-style: italic;">performer</span> começa a estourar os balões com a brasa do cigarro. Depois abre um pequeno orifício na tela de plástico e, com um estilete, abre uma passagem que lhe permite emergir do nicho.<br />
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<a href="http://img145.imageshack.us/img145/3162/pdvd064th6tp3.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img145.imageshack.us/img145/3162/pdvd064th6tp3.jpg" style="height: 369px; width: 497px;" /></span></a></div>
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<a href="http://img87.imageshack.us/img87/6386/pdvd070pk0mf1.jpg"><span style="color: rgb(255 , 255 , 255);"><img alt="" border="0" src="https://img87.imageshack.us/img87/6386/pdvd070pk0mf1.jpg" style="height: 365px; width: 492px;" /></span></a></div>
- os dois <span style="font-style: italic;">performers</span> compartilham os últimos pedaços da carne. Mais uma garrafa de vinho é aberta, as luzes se acendem... a festa prossegue.<span style="color: rgb(255 , 255 , 255);"><br /></span><br />
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<span style="color: rgb(255 , 255 , 255);"><a href="http://img145.imageshack.us/img145/3094/pdvd094vk8ww0.jpg"><img alt="" border="0" src="https://img145.imageshack.us/img145/3094/pdvd094vk8ww0.jpg" style="height: 368px; width: 495px;" /></a></span></div>
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<div class="blogger-post-footer"><a href=”http://festivaldeapartamento.blogspot.com/”>Festival de Apartamento</a></div>Lorde Velhohttp://www.blogger.com/profile/04261308692339919125noreply@blogger.com0